Ruth Is Stranger Than Richard

Infobox Album |
Name = Ruth Is Stranger Than Richard
Type = Album
Artist = Robert Wyatt


Released = May 1975
Recorded = October 1974 – March 1975
Genre = Progressive rock
Length = 39:06
Label = Virgin
Producer = Robert Wyatt
Reviews = *Allmusic Rating|4|5 [http://www.allclassical.com/cg/amg.dll?p=amg&sql=10:3x2tk6sx9krf link]
*"Entertainment Weekly" (A) [http://www.ew.com/ew/article/0,,284075,00.html Jul. 24, 1998]
*Pitchfork Media (6/10) [http://www.pitchforkmedia.com/article/record_review/23248-ruth-is-stranger-than-richard link]
Last album = Rock Bottom
(1974)
This album = "Ruth Is Stranger Than Richard"
(1975)
Next album = Nothing Can Stop Us
(1982)

"Ruth Is Stranger Than Richard" is the third solo album by Robert Wyatt.

The follow-up to "Rock Bottom", for which Wyatt had written all of the music and lyrics, "Ruth..." consisted of Wyatt's adaptations and arrangements of other people's music (either friends - Phil Manzanera, Fred Frith, Mongezi Feza, former Wilde Flowers bandmate Brian Hopper - or influences - Charlie Haden) with Wyatt adding his own lyrics in much the same way as he'd done on Matching Mole's Little Red Record. Apart from "Sonia", recorded for the aborted "Yesterday Man" single in October 1974 (again with Nick Mason as producer), Ruth was made at Virgin's Manor Studios with Wyatt himself handling production duties. Much the album features Wyatt backed by a "band" consisting of Bill MacCormick, Laurie Allan, Mongezi Feza and Gary Windo, with Brian Eno adding his own idiosyncratic "anti-jazz" touch.

The album contains several pieces which recall the complexity and despair of "Rock Bottom", but much of the record echoes the relaxed, almost silly feel of earlier Wyatt efforts such as "The End of an Ear" or his work with Matching Mole. This becomes evident from the choice of title (a pun on "truth is stranger than fiction") onwards; the two sides of the original LP release were not labeled "Side A" and "Side B", but rather "Side Richard" and "Side Ruth", the implication being that Side B was less outlandish than Side A. True to his word, Wyatt punctuated the three "serious" pieces on Side Richard - the beautiful ballad "Solar Flares", "5 Black Notes And 1 White Note" (a funeral instrumental, supposedly a cover of Jacques Offenbach's "Barcarolle", which degenerates into a series of noises somewhere between free jazz and electronic noise) and the piano-led "Rock Bottom"-esque Fred Frith collaboration "Muddy Mouth"—with a series of brief, nonsensical interludes featuring only sparse piano accompaniment and some very strange high-pitched yelping vocals under the collective title "Muddy Mouse".

The songs on Side Ruth all have more traditional structures; the rollicking "Soup Song" (derived from the Wilde Flowers song "Slow Walking Talk", of which Wyatt had recorded a version with Jimi Hendrix) has the air of a pub singalong. The remaining songs are all covers or collaborations; the lengthy Mongezi Feza trumpet piece "Sonia", featuring a guest appearance by Feza himself (as do a number of other songs on the album) in the last year of his life, "Team Spirit" (written with Phil Manzanera, who would record the same song on his album "Diamond Head" under the title "Frontera") and a cover of "Song for Che" by Charlie Haden round off the album.

"Ruth Is Stranger Than Richard" was released in May 1975. Unlike its predecessor "Rock Bottom", it received a mixed critical and public response; not counting 1982's "Nothing Can Stop Us" (which brought together a series of previously released single A and B sides, most of which were cover versions), "Ruth..." would be Wyatt's last solo studio album until 1985's "Old Rottenhat".

Track listing

ide one

#"Soup Song" (Hugh Hopper/Wyatt) – 4:03
#"Sonia" (Feza) – 4:18
#"Team Spirit" (MacCormick/Phil Manzanera/Wyatt) – 8:33
#"Song For Che" (Charlie Haden) – 3:42

ide two

#"Muddy Mouse A" (Frith/Wyatt) – 0:49
#"Solar Flares" (Wyatt) – 5:36
#"Muddy Mouse B" (Frith/Wyatt) – 0:50
#"5 Black Notes And 1 White Note" (Offenbach/Wyatt) – 5:00
#"Muddy Mouse C Which In Turn Leads To Muddy Mouth" (Frith/Wyatt) – 6:15

Personnel

*Robert Wyatt - vocals, piano, electric piano, organ, drums
*Brian Eno - guitar, synthesizer
*Gary Windo - bass clarinet, tenor saxophone
*Nisar Ahmad "George" Khan - tenor & baritone saxophone
*Mongezi Feza - trumpet
*Fred Frith - piano
*Bill MacCormick - bass
*John Greaves - bass (2)
*Laurie Allan - drums

Album Cover

The distinctive and slightly disturbing artwork for the cover of the album was by Wyatt's wife Alfreda Benge.