Anne Bauchens

Infobox Actor
name = Anne Bauchens
birthdate = birth date|1881|2|2
location = St. Louis, Missouri
deathdate = death date|1967|5|7
deathplace = Woodland Hills, California
academyawards =Best Editing 1940 "North West Mounted Police"

Anne Bauchens (1882 - 1967) was an American film editor who is particularly noted for her collaboration over 40 years with the director Cecil B. DeMille. When the Academy Award for Film Editing was created in 1934, Bauchens received one of the three nominations for her editing of "Cleopatra". She later won the Academy Award for "North West Mounted Police" (1940).

Bauchens was trained as an editor by DeMille,Higashi, Sumiko (1994). "Cecil B. DeMille and American Culture: The Silent Era" (University of California Press), p. 223. ISBN 0520085574.] and shared her first credit with him on the film "Carmen". Prior to 1918, DeMille had edited, as well as directed, his films. [The original, 1915 version of "Carmen" appears to be lost; Bauchens' credit as co-editor is for the 1918 re-release of the film. See the Higashi book, "loc. cit.", p. 217.] After "Carmen" and "We Can't Have Everything", Bauchens no longer shared the editing credits with DeMille. She edited DeMille's films for the rest of their long careers, through the 1956 film "The Ten Commandments". She was nominated for the Academy Award for Film editing again twice, for "The Greatest Show on Earth" in 1952 and for "The Ten Commandments" in 1956. In total, Bauchens' editing is credited on 41 films directed by DeMille, and on 20 films with other directors. [Totals based on Bauchens' [http://www.imdb.com/name/nm0061640/ filmography] compiled at the imdb.com website; filmography retrieved 2008-06-24.]

Despite her long career and her series of awards, the characterizations of Bauchens as an editor are not invariably flattering. Margaret Booth, another distinguished film editor, has been quoted as saying in 1965 that, "Anne Bauchens is the oldest editor in the business. She was editing for years before I came into the business. DeMille was a bad editor, I thought, and made her look like a bad editor. I think Anne really would have been a good editor, but she had to put up with him––which was something." [Lewis, Kevin (2006). [http://www.webcitation.org/5YmOHJwxy "The Moviola Mavens and the Moguls: Three Pioneering Women Editors Who Had the Respect of Early Hollywood's Power-Brokers"] , in "Editors Guild Magazine", Vol 27, No. 2 (March-April 2006). Archived at WebCite from [http://www.editorsguild.com/v2/magazine/archives/0306/cover_story.htm this original URL] ] 2008-06-22.]

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