- Stanley Williams (ballet)
Stanley Williams (1925 - 1997) was a dancer and, later, a renowned
ballet instructor.Early Days
Stanley Williams was born in
England but grew up inCopenhagen , and Stanley was enrolled at the Royal Danish School of Ballet.cite news|url=http://query.nytimes.com/gst/fullpage.html?res=9C00E1D7103EF937A15753C1A961958260|title=Stanley Williams, 72, Teacher Of Top Male Ballet Dancers|last=Dunning|first=Jennifer|date=1997-10-24|publisher=The New York Times |accessdate=2008-08-15] His instruction was steeped in the Bournonville tradition, training withHarald Lander , although he also studied withVera Volkova , a disciple ofAgrippina Vaganova . In 1943, Stanley joined theRoyal Danish Ballet , becoming aprincipal dancer six years later, and by 1950 he had begun teaching at the Royal Danish School of Ballet inCopenhagen .In the 1950's, Stanley Williams was performing as a principal dancer with
George Krista 'sBallet Comique in London, where he also stood asballetmaster .By 1964, Stanley's reputation had reached
George Balanchine , who invite him to instruct at theSchool of American Ballet inNew York City .New York
From 1964 until his death in 1997, Stanley Williams was first among instructors at the
School of American Ballet . As a teacher, he was soft-spoken and his class followed a routine pattern that was familiar to those who had taken his class before (but that was sometimes hard to follow for those who hadn't).His original teaching
style relied a lot on exercises to develop speed, foot work and petit allegro (small jumps), in the tradition of theBournonville andBalanchine ballet styles. Williams contrasted slow movement with sudden, almost spastic moves, and spoke in vague terms that some students found hard to understand. One of his famous phrases was "You're going out, you have to go in," which he constantly repeated to correct many different types of movements and steps without being too specific.Williams often stressed his dislike of certain features of the
Russian ballet style, which in his opinion, lacked the movement flow, continuity and contrast he was seeking.He smoked a pipe [cite journal|last=Barnes|first=Clive|date=Jan 1998|title=Stanley Williams, magisterial teacher - ballet teacher|journal=Dance Magazine|url=http://findarticles.com/p/articles/mi_m1083/is_n1_v72/ai_20183153/pg_1?tag=artBody;col1|accessdate=2008-08-15] and was the only person allowed to smoke in the Rose building, where
SAB andNYCB are situated. He apparently accepted the job as a teacher on the condition that he be allowed to smoke in the building. The smell of his pipe, which often pervaded the SAB corridors, became associated with him and SAB.In 1992 he was awarded the Mae L. Wien Award of $10,000 by the
School of American Ballet . [cite news|url=http://query.nytimes.com/gst/fullpage.html?res=9E0CE2D8123FF93BA35755C0A964958260|last=Brozan|first=Nadine|date=1992-06-08|title=Chronicle|publisher=The New York Times |accessdate=2008-08-15]Famous students
:
Peter Martins :Rudolf Nureyev :Gelsey Kirkland :Peter Boal :Edward Villella :Kevin HaigenReferences
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