The Book of the Dun Cow (novel)

The Book of the Dun Cow is a novel by Walter Wangerin, Jr.. It is loosely based upon the beast fable of Chanticleer and the Fox and named after the common name for "Lebor na hUidre", an ancient Irish manuscript of stories.

The book was awarded the National Book Award and "The New York Times" Best Children's Book of the Year. It was later remade into a musical by Mark St. Germain and Randy Courts, and produced as an Off-Broadway show in 2006 by The Prospect Theater Company. Wangerin also wrote a sequel entitled "The Book of Sorrows".

Plot

The novel begins with the introduction of the hero, Chauntecleer, a rooster in command of a company of hens, and the land surrounding his coop. The story takes place at a time when humans have not yet made an appearance upon the Earth (a time before the Book of Genesis). Animals have been put on earth before man in order to protect the world from an ancient evil called Wyrm, which is trapped at the center of the Earth. Chauntecleer, while not a bad ruler, is a flawed character, somewhat quick to anger, and self-important. The novel's initial chapters define several important characters as well as the origins of the antagonists in the book.

While Chauntecleer spends his days dealing with a rogue rat that has invaded his coop, and trying to become accustomed to a newcomer, Mundo Cani, a depressed dog that is always crying out in anguish, the reader is shown another country from across the river. There is where the author introduces the evil in the book. For in the land away from Chauntecleer's there lives another rooster named Senex. He is a rather a weak ruler, and his barnyard subjects don't think anything of him. What troubles Senex the most is his lack of a son, which he mourns greatly over. One day though, he is spoken to by an evil Satan-like character Wyrm, who communicates to him through dreams. Wyrm instructs Senex to have faith in him, and to wait for him to deliver Senex a son of his own. Senex does exactly what his visions request, and soon he manages to lay an egg, defying the natural order of mating. Eventually the egg hatches, though what appears from it is a horror beyond words.

An evil antichrist-like Cockatrice is born. It is a creature with the head, wings, and legs of a chicken, but a thin, black, greasy, serpent body. It kills Senex, and claims the kingdom for himself. He becomes an evil tyrant, and begins to rape all of the hens under his rule, in order to birth an army of wicked basilisks; poisonous snakes that he uses to crush any opposers to his will. A few of the animals manage to escape the land, and flee into Chauntecleer's kingdom, where they live happily for a while, trying to forget nightmare of their past.

Finally there seems to be peace in the book. There comes a time of spring, when everyone in the land is filled with joy. Chauntecleer has even bred three sons to his name. Unfortunately he is plagued with terrible prophetic visions, all the while. He dreams about the river next to his land, rising up and engulfing everything in an apocalyptic manner. During the day he tries to find happiness, but everyone is immediately struck with unbearable sorrow when the rooster's three sons are found lying dead by the river.

Chauntecleer soon discovers the story of Cockatrice, hearing it from his wife, who was a refugee from the land under Cockatrice's dictatorship. Eventually Chauntecleer learns that Cockatrice is attempting to make war on the world of animals, to make way for the coming of his true father, Wyrm. Chauntecleer takes action and bands together all of the animals in his land. All sorts of farm and woodland animals come together to fight the terrible evil that is at hand. They wait for a time, building up their forces, beginning to wonder if this evil really exists. Before long there is a surprise attack on a section of Chauntecleer's forces, who have grown lax and unsuspecting of an assault.

Thus begins the war between the Basilisks and the animals of the land, a war reminiscent of the battle of Armageddon. The animals suffer massive casualties, but in the end manage to drive the Bailisks to death. Unfortunately Cockatrice has not yet been dealt with, so the brave Chauntecleer dons a pair of war spurs (the weapon of choice for a bipedal flightless bird) and goes onto the blood-soaked battlefield to confront his enemy. The battle between the two leaders is fierce and merciless. Chauntecleer manages to gain the upper hand, though not by much, and defeats the evil Cockatrice. He is brought back to the coop, which has by now been transformed into a fortress, where they try to resuscitate their fallen, but victorious, hero.

Trouble is still ahead, though, for although all of the animals thought the war over, there enters the final evil. A great crevasse in the land breaks open, as Wyrm attempts to enter the world. During all of the turmoil Chauntecleer stirs inside the coop, and delirious from exhaustion he sees the dog and thinks him a traitor. He scolds him fiercely, rebuking him and instructing him to leave. In response, the other animals all agree that Chauntecleer is delusional, and that Mundo Cani should not be forced to leave. The dog turns to them and tells them that he knows what he must do, and takes off without any further words. The animals are confused by all of this, and believe themselves to be doomed, but just as Wyrm is about to creep from his prison onto the earth, he is confronted by the small dog. Mundo Cani comes to the crevasse, wielding the horn of a bovine as a weapon, egging the ancient evil out of its crevasse by insulting it, insinuating that Wyrm is a coward not to face a small dog such as he. Wyrm falls for the trap, and when he sticks out his bright white eye, that he might see his opponent, the dog leaps onto his eye and impales it with the horn in his mouth.

This causes Wyrm to fall back into the crevasse, collapsing the earth and sealing both Wyrm and Mundo Cani in a dark world below the crust. The entire world is safe again, though horribly shaken. The animals all find it difficult to fit back into their normal lives, especially Chauntecleer, who after bottling his emotions for a while, breaks down in front of his wife. He cries out in pain, knowing that the last thing he said to Mundo Cani before his great sacrifice, were words of scorn and hatred. His wife seeks to comfort him, saying that the best thing he could do now was to think fondly of the hero-dog's gift to the world, and to honor him in death.

Trivia

* The legend of a wyrm or dragon at the center of the earth, whose awakening means the end of the world, and when swallowing its own tail is known as the ouroboros, is also mentioned in:
** "The Worm Ouroboros", a fantasy novel by E.R. Eddison.
** "The Chronicles of Thomas Covenant, the Unbeliever", a fantasy series by Stephen R. Donaldson, in "The Second Chronicles"
** Norse mythology mentions Níðhöggr, a dragon gnawing at the deepest roots of the world tree, which may have served as inspiration for Donaldson's (above) "One Tree".
** "Bone", a comic by Jeff Smith. Here the dragon is entombed in a mountain.
** "Symphony of Ages", a fantasy series by Elizabeth Haydon.

References

*Wangerin, Jr., Walter. (1978). "The Book of the Dun Cow". San Francisco : Harper & Row. ISBN 0-06-057460-7. (Note: 25th Anniversary edition published by HarperSan Francisco September 1, 2003)

*Wangerin, Jr., Walter. (1985). "The Book of Sorrows". San Francisco: Harper & Row. (Republished 1996, Zondervan Publishing House) ISBN 0-310-21081-X

ee also

*Cockatrice
*Dun Cow
*"Lebor na hUidre"
*Chanticleer
*Midgard serpent
*"The Book of Sorrows"

External links

* [http://www.greenmanreview.com/book/book_wangerin_bookoftheduncow.html Greenmanreview] review of book, likens it to "Narnia" meets "Animal Farm"
* [http://theater2.nytimes.com/2006/02/14/theater/reviews/14cow.html NY Times] review of musical
* [http://www.americantheaterweb.com/news/ind.asp?id=125425 American Theater Web] review of musical
* [http://walterwangerinjr.org walterwangerinjr.org] , also contains a [http://walterwangerinjr.org/new_web/publish_details.php?id=29&t=review review] by Robert Siegel, who characterizes the book as Norse-Teutonic pessimism mixed with Biblical symbolism