- Heinrich Köselitz
Johann Heinrich Köselitz (
10 January 1854 –15 August 1918 ) was a German author and composer. He is known for his longtime friendship withFriedrich Nietzsche , who gave him the pseudonym Peter Gast.Life
Köselitz was born in
Annaberg ,Saxony to Gustav Hermann Köselitz (1822–1910), the vice mayor ("Vizebürgermeister"), and his wife Caroline (1819–1900), a native ofVienna . His younger brother was the painterRudolf Köselitz .From 1872, Köselitz studied music with
Ernst Friedrich Richter at theUniversity of Leipzig . He transferred in 1875 to theUniversity of Basel , where he attended the lectures ofJacob Burckhardt ,Franz Overbeck , andFriedrich Nietzsche . In 1877, Köselitz sharply criticized the Basel music instructorSelmar Bagge in a newspaper article, which led to a minor scandal.In Basel, a friendship developed between Köselitz and Nietzsche. Köselitz read for Nietzsche during the latter's intermittent spells of near blindness, and also took dictation. Köselitz was instrumental in the preparation of all of Nietzsche's works after 1876, reviewing the printer's manuscript and sometimes intervening to finalize the text formatting. Nietzsche's break with Wagner and his search for a 'southern' aesthetic with which he could immunize himself from the gloomy German north led him to over-appreciate Köselitz as a musician: 'I should not know how to get along without Rossini; even less, without my own south in music, the music of my Venetian "maëstro Pietro Gast" [Nietzsche, Friedrich, "Ecce Homo", tr. W. Kaufmann, p. 251] . As an
amanuensis , however, Köselitz really was invaluable; writing apropos "Human, All Too Human", Nietzsche claimed that Gast 'wrote and also corrected: fundamentally, he was really the writer whereas I was merely the author' [Nietzsche, Friedrich, "Ecce Homo", tr. W. Kaufmann, p. 288] . All the while, Köselitz worshipped his teacher, becoming involved with him to the point of self-denial.In the spring of 1881, while staying together in
Recoaro , Nietzsche created the pseudonym 'Peter Gast' for Köselitz. This was the name he was known by among the Nietzsche circle, as well as being the name under which he published all his operas. Peter Gast's most ambitious musical work is the comic opera in three acts "The Lion of Venice" ("Der Löwe von Venedig"). Throughout the 1880s, Gast and Nietzsche attempted without success to bring it to performance. It premiered in February 1891 inDanzig under the direction ofCarl Fuchs , who exchanged letters with Nietzsche, but under its original title "The Secret Wedding" ("Die heimliche Ehe" or "Il matrimonio segreto"). In the 1930s, it would be shown once again under the title Nietzsche suggested, "The Lion of Venice".From 1899 to 1909, Köselitz worked in
Elisabeth Förster-Nietzsche 's "Nietzsche-Archiv" in Weimar. There, he was partly responsible for the selective and misleading editions of Nietzsche's work, most prominently, the so-called "The Will to Power ". Also, asMazzino Montinari has pointed out, he consciously lied in his articles defending the "Archiv" against criticism. In 1909, Köselitz left the Archiv and never again spoke publicly about it; in private letters, he condemned Nietzsche's sister, as he had done prior to his working for her.Köselitz was financed by his father, and also intermittently supported by Nietzsche's friend
Paul Rée . In addition to being a musician and the editor of Nietzsche's writings and letters, he worked as a writer under various pseudonyms, including: Ludwig Mürner, Peter Schlemihl, Petrus Eremitus. He sent articles to many newspapers, and also wrote several short stories and fables.Notes
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