- Société Nationale des Beaux-Arts
Société Nationale des Beaux-Arts (SNBA) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions.
Established in 1862, the "Société Nationale des Beaux-Arts" was first chaired by the writer
Théophile Gautier , with the painterAimé Millet as deputy chairman. The committee consisted of the paintersEugène Delacroix ,Albert-Ernest Carrier-Belleuse ,Puvis de Chavannes and among the exhibitors wereLéon Bonnat ,Jean-Baptiste Carpeaux ,Charles-François Daubigny ,Laura Fredducci ,Gustave Doré , andEdouard Manet . In 1864, just after the death of Delacroix, the society organized a retrospective exhibition of 248 paintings and lithographs of this famous painter and step-uncle of the emperor - and ceased to mount further exhibitions.In 1890, the "Société Nationale des Beaux-Arts" was re-vitalised under the rule of
Puvis de Chavannes , Ernest Meissonier,Carolus-Duran ,Bracquemond andAlbert-Ernest Carrier-Belleuse , and since then its annual exhibition was reviewed as the "Salon de Champ-de-Mars", traditionally opening a fortnight later than the official "Salon de Champs-Élysées", organised by theSociété des Artistes Français . In both societies the president was a painter and the vice-president a sculptor. The first president of the "Société Nationale des Beaux-Arts" wasErnest Meissonier , but he died soon. The second wasPuvis de Chavannes . The vice-president wasAuguste Rodin .Background
The 19th century in French art is characterized by a continuous struggle between traditionally educated artists supported by official politics, and a growing number of artists who preferred to work individually and at their own risks. Reviewing the historical situation is difficult, even a century later. But evidently opponents to the official politics gained ground after the fall of the 2nd Empire, and were instrumental to redirect French cultural politics to liberal positions. Thus, the splitting-off of the "Société Nationale des Beaux-Arts" in 1890 can be considered as the first "Secessionist" manifestation. [Hans-Ulrich Simon, "Sezessionismus. Kunstgewerbe in literarischer und bildender Kunst", Stuttgart: J. B. Metzlersche Verlagsbuchhandlung, 1976. ISBN 3-476-00289-6]
A new way
After World War I, in 1926, the "Puvis de Chavannes" prize was created consisting in a retrospective exhibition of the main works of the prizewinning artists, in Paris. During the twenteenth century, this exhibition was located at the
Grand Palais or the Musée d'Art Moderne.Most noted awarded painters: 1941: Wilhem Van Hasselt, 1944: Jean Gabriel Domergue, 1952:
Tristan Klingsor , 1955: Georges Delplanque, 1957:Albert Decaris , 1958: Jean Picard Le Doux, 1963:Maurice Boitel , 1966:Pierre Gaillardot , 1968: Pierre-Henry, 1969:Louis Vuillermoz, 1970:Daniel du Janerand , 1971: Jean-Pierre Alaux; 1975: Jean Monneret, 1987: André Hambourg. [Société Nationale des Beaux Arts, Biennale 1991, Grand Palais, année du centenaire, catalogue pages 8 and 9]During the last decades of the 20th century, after "
living treasure "Takanori Oguiss , and during the rule of chairman François Baboulet, some of Japanese artists could exhibit their paintings as guests of the SNBA:Takaaki Matsuda ,Katsufumi Toyota ,Kazuko Kobayashi ,Hideo Hando ,Yoko Tsuishi andNoboru Sotoyama . [Société Nationale des Beaux Arts, Biennale 1991, Grand Palais, année du centenaire, catalogue pages 8 and 9]In 2007, the committee of the "Société Nationale des Beaux-Arts" created the title of Member of Honour which was given to one of the most famous painters of the Salon,
Maurice Boitel , born 1919 and died 2007.Notes
External links
* [http://www.nga.gov.au/Research/Library/Salons.htm Timeline of the Paris salons]
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