- Annapurna Devi
Annapurna Devi (
Devanāgarī :अन्नपूर्णा देवी) (born Roshanara Khan,Maihar ,India , 1926) is a reclusiveSurbahar (bass Sitar) maestro ofIndian Classical Music .Family and early life
Annapurna Devi represents a family of great tradition of
Indian classical music . Her father and guruUstad Alauddin Khan , founder of the "Senia Maihar Gharana" or "Senia Maihar School" of Indian classical music, was considered a singular phenomenon in the twentieth century Indian classical music. Her unclesFakir Aftabuddin Khan andUstad Ayet Ali Khan were revered musicians at their native place Shibpur in Bangladesh. Her brotherUstad Ali Akbar Khan is considered by many as one of the greatest livingSarode maestros. her former husbandSitarist Pandit Ravi Shankar is perhaps the most well-known Indian classical musician abroad.Annapurna Devi was born in 1926 at
Maihar , a small princely state ofBritish India , (now a part ofMadhya Pradesh state ofIndia ) Unicode|, where her revered fatherUstad Alauddin Khan was a royal court musician at that time. But, her family has their ancestry in the village of Shibpur in the thenBritish India , presentBangladesh . Annapurna Devi grew up inMaihar as Roshanara Khan. She was one of the daughters (Jahanara, Sharija, Roshanara) ofUstad Alauddin Khan . Sharija died an early death suffering from diseases in her childhood. When Alauddin's other daughter, Jahanara, got married, and a jealous mother-in-law burnt herTanpura , Alauddin Khan decided not to train his other daughters. One day, however, he came home to discover Annapurna teaching her brotherAli Akbar Khan , and her talent made the emotional father change his mind. Annapurna, since then, started learning classical vocal music,Sitar , andSurbahar from her father.Early career
Annapurna Devi became a very accomplished Surbahar player of the
Maihar Gharana (school) within a few years of starting to take music lessons from her father, and started guiding many of his father's disciples ,Pandit Nikhil Banerjee andUstad Bahadur Khan ) in classical music as well as in the techniques and intricacies of Sitar playing. Meanwhile,Ustad Alauddin Khan 's Sitar studentRavi Shankar fell in love with Annapurna and sought permission from Alauddin to marry his daughter. The marriage betweenRavi Shankar and Annapurna Devi took place when Ravi was 21 years, and Annapurna was only 14 years old. On marriage, she converted to Hinduism and received the name Annapurna (originally the name of a Hindu goddess) from theMaharaja of Maihar ref|hindu. The marriage lasted some twenty years (though not always happily), and produced a son,Shubhendra Shankar (1942–1992), whom Annapurna Devi trained inSitar . There are no recordings out commercially of this artist.Teaching
Notable mentions among her students would be her nephew Sarode maestro
Ustad Aashish Khan ; renowned flautistsHariprasad Chaurasia andNityanand Haldipur ; SitaristSudhir Phadke , andRooshikumar Pandya ; and SarodistsPradeep Barot , andBasant Kabra .Occasionally in the early seventies she taught the latesarod playerVasant Rai 's wifekokila Rai theSurbahar . All of them carry on the legacies of Annapurna Devi's, and thus Ustad Alauddin Khan's, music through their recitals.She has, for some time, also been a Professor of Music at the National Centre for Performing Arts, in
Mumbai . At that time she taught a child prodigy artist sitar playerPandit Chandrakant Sardeshmukh from 1963 to 1976 who is the only common disciple between her and Pandit Ravi Shankar. He is widely promoting the pure traditional music learnt from her in Australia and JapanShe is also the key figure of Acharya Alauddin Music Circle (an association in the memory of Alauddin Khan for promoting Indian classical music), in
Mumbai .Honours
Though she did not take music as her profession, she received utmost reverence in all circles of Indian classical music especially for her unending repertoire in Indian classical music, and her traditional "dhrupadi" approach to music. She has received some of the most distinguished musical and civilian honours of India. She is the recipient of, among many, the
Padma Bhushan (India's third highest civilian honour) in 1977; and theSangeet Natak Akademi Award (the highest Indian honour in performing arts) in 1991; and the Deshikottam which is an honorary doctorate degree by Nobel laureate poetRabindranath Tagore 'sVisva-Bharati University in 1999.She has not recorded any music albums. But some of her performances (notably, 1. Raga Kaushi Kanara and Raga Majh Khamaj, Surbahar recital; and 2. Raga Yaman duet Surbahar recital with Pandit Ravi Shankar) that have been secretly taped from her earlier (1950s) concerts, are non-commercially available among a percentage of music lovers in India.
In spite of her avoidance of media-limelight, she continues to be thought of as a classical instrumentalist of the highest calibre in India.
Footnotes and references
" [http://www.hindu.com/br/2005/06/28/stories/2005062800181400.htm Unveiling the Mystique of a Reclusive Artiste] ", Jaya Ramanathan,
The Hindu , 28 June 2005.Swapan Kumar Bondyopadhyay: "An Unheard Melody: Annapurna Devi – an Authorised Biography", Roli,
New Delhi , 2005. ISBN 81-7436-399-8.External links
* [http://www.sawf.org/audio/tt/annapurna_kaushiki.ram Annapurna Devi playing Raga Kaushiki, Source: The Vijaya Parrikar Library of Indian Classical Music]
* [http://www.sawf.org/audio/tt/annapurna_manjkhamaj.ram Annapurna Devi playing Raga Manj Khamaj, Source: The Vijaya Parrikar Library of Indian Classical Music]
* [http://www.sawf.org/audio/tt/annapurna_ravi_yamankalyan.ram Annapurna Devi playing a duet with Ravi Shankar, Raga Yaman Kalyan, Source: The Vijaya Parrikar Library of Indian Classical Music]
* [http://www.kamat.com/database/articles/annapurna_devi.htm Annapurna Devi] by Mohan Nadkarni
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