Robert Volkmann

Friedrich Robert Volkmann (April 6, 1815 – October 30, 1883) was a German composer.

He was born in Lommatzsch, Saxony, Germany. His father was music director for a church, so the father trained the son in music to prepare him as a successor. Thus Volkmann learned to play the organ and the piano with his father, as well as violin and cello, and by age 12, he was playing the cello part in String Quartets by Haydn, Mozart and Beethoven. In 1832, Robert Volkmann entered the Freiberg Gymnasium for the purpose of becoming a teacher. There he studied music with Anacker, who encouraged him to devote himself to music more fully. [David Ewen, "Robert Volkmann" "Composers of Yesterday". New York: H. W. Wilson Company (1937): 452. "He was, however, not intended for music but for pedagogy."] From there he went on to Leipzig in 1836 to study with C.F. Becker. There, in Leipzig, Volkmann met Robert Schumann, who encouraged Volkmann. They met again several times after that.

When he finished his studies, he began working as voice teacher at a music school in Prague. He didn't stay there long, and in 1841, he moved to Budapest, [Viktor von Herzfeld, "Robert Volkman" "The Musical Quarterly" 1 3 (1915): 336 - 349] where he was employed as a piano teacher and a reporter for the "Allgemeine Wiener Musik-Zeitung". He pretty much composed in obscurity until 1852, when his Piano Trio in B-flat minor caught the ears of Franz Liszt and Hans von Bülow, who proceeded to play it several times all over Europe. In 1854, Volkmann moved to Vienna, only to return to Budapest in 1858.

Thanks to the publisher Gustav Heckenast, who in 1857 bought the rights to publish all Volkmann's works in exchange for regular income regardless of sales, Volkmann was able to fully dedicate himself to composition, until Heckenast closed down his Budapest publishing house in the early 1870s.

While visiting Vienna in 1864, Volkmann became acquainted with Johannes Brahms, and they became close friends. In letters they addressed each other as "lieber Freund" ("dear friend").

In the 1870s Volkmann began winding down on his life, composing very little. From 1875 until his death, Volkmann was professor of harmony and counterpoint at the National Academy of Music in Budapest. (Franz Liszt was the director there). Volkmann died on October 30, 1883.

Most of Volkmann's compositions are either for solo piano or ensembles including piano. It was his Piano Trio in B flat minor that first brought him renown. During his 4-year stay in Vienna, Volkmann composed his Variations on a Theme of Handel, String Quartets No. 3 and No. 4 in E minor, and the Cello Concerto in A minor.

Almost all of Volkmann's orchestral works date to the time of his association with Heckenast. (They are few enough to fit on two CDs.). These include an Overture for William Shakespeare's play "Richard III", an Overture in C major, the Symphony No. 1 in D minor (which was a major success when premiered in Moscow) and the Symphony No. 2 in B flat major, dedicated to the Russian Musical Society.

Volkmann believed that a composer should be satisfied with creating in the listeners' minds the desired mood and impression by purely musical means; if the contours of the action and the plot are recognized by the listener, this should be considered a happy coincidence.

When Volkmann's Symphony No. 1 was played on a Canadian Broadcasting Corporation Radio Two request show, in early 1998, announcer Shelagh Rogers remarked that "It sounds almost like a forgotten work by Brahms... almost."

Unlike the serious No. 1, the Symphony No. 2 is rather cheerful. Robert Volkmann's grandson and chief biographer, Hans Volkmann, [Ewen (1937): 453] remarks: "After Haydn, naïve cheerfulness was only extremely rarely chosen as the basic mood of an entire Symphony."

List of Works

Volkmann composed orchestral and chamber music. [Google books|IwcQAAAAYAAJ|Bakers Biographical Dictionary, 1919 ed. page 991. Provides most of this material accurately.]

Orchestral Works

* Symphony No. 1 in D minor, Opus 49 (1862/63)
* Symphony No. 2 in B-flat major, Opus 53 (1864/65)
* Serenade No. 1 in C major, for strings, Opus 62 (1869)
* Serenade No. 2 in F major, for strings, Opus 63 (1869)
* Serenade No. 3 in D minor, for cello and strings, Opus 69 (1870)
* Cello Concerto in A minor, Opus 33 (1853-55)
* Konzertstück in C major, for piano and orchestra, Opus 42 (1861)

Chamber Music

* Piano Trio No. 1 in F major, Opus 3, (1842/43)
* Piano Trio No. 2 in B-flat minor, Opus 5, (1850) [Smallman, "The Piano Trio: Its History, Technique, and Repertoire", Google_books|Ll86o0I1Gg8C|Smallman Piano Trio Reference, p. 117]
* String Quartet No. 1 in A minor, Opus 9 (1847/48)
* String Quartet No. 2 in G minor, Opus 14 (1846)
* String Quartet No. 3 in G major, Opus 34 (1856/57)
* String Quartet No. 4 in E minor, Opus 35 (1857)
* String Quartet No. 5 in F minor, Opus 37 (1858)
* String Quartet No. 6 in E-flat major, Opus 43 (1861)

Vocal Music

Lieder

Piano solo

* Sonata in C minor, Opus 12
* Variations on a Theme of Händel, Opus 26
* Lieder der Großmutter, Opus 27
* Hungarian Sketches, Opus 24 (4hdg., 1861)
* 3 Marches, Opus 40 (4hdg., 1859)
* Sonatina in G major, Opus 57 (4hdg., 1868)
* Little Pieces for 2 bzw. 4 Hände

External links

* [http://www.editionsilvertrust.com/music-books-s-to-z.htm Robert Volkmann String Quartet Nos.1, 4 & 5, & Piano Trio No.1] Soundbites & Information.
*IMSLP|id=Volkmann, Robert|cname=Robert Volkmann
*MutopiaComposer|VolkmannR

References