A footnote (or bootnote [ [ British to American Translator] ] ) is a note of text placed at the bottom of a page in a book or document. The note comments on and may cite a reference for part of the main body of text. A footnote is normally flagged by a superscript number following that portion of the text the note is in reference to.

:1 for the first footnote on the page, 2 for the second footnote, and so on.

Occasionally a number between brackets or parentheses, is used instead, thus: [1] . Typographical devices such as the asterisk (*) or dagger (†) may also be used to point to footnotes; the traditional order of these symbols is *, †, ‡, §, ‖, . [Robert Bringhurst (2005). "The Elements of Typographic Style" (version 3.1). Point Roberts, WA: Hartley and Marks. pp 68–69.] In documents like timetables, many different symbols, as well as letters and numbers, may be used to refer the reader to particular footnotes.

Endnotes are similar to footnotes, but instead of appearing at the foot of the page they are collected together at the end of the chapter or at the end of the work. They do not impair the image of the page, but may cause inconvenience for the reader who has to move back and forth between the main text and the endnotes, especially if each chapter starts afresh with number 1.

The U.S. Government Printing Office Style Manual devotes six pages to the topic. [cite web | title=Chapter 15: Footnotes, indexes, contents, and outlines | work=U.S. Government Printing Office Style Manual | url= | accessmonthday=March 24 | accessyear=2005] NASA has guidance for footnote usage in its historical documents. [cite web | title=A Guide to Footnotes and Endnotes for NASA History Authors | work=NASA History Style Guide | url= | accessmonthday=March 24 | accessyear=2005]

Academic usage

Footnotes are most often used as an alternative to long explanatory notes that can be distracting to readers. Most literary style guidelines (including the Modern Language Association and the American Psychological Association) recommend limited use of foot and endnotes. However, publishers often encourage note references in lieu of parenthetical references. Aside from use as a bibliographic element, footnotes are used for additional information or explanatory notes that might be too digressive for the main text.

The MLA (Modern Language Association) requires the superscript numbers in the main text to be placed following the punctuation in the phrase or clause the note is in reference to. The exception to this rule occurs when you have a hyphen in a sentence, in which case the superscript would appear afterwards.

Aside from their technical use, authors use footnotes for a variety of reasons:
*As signposts to direct the reader to information the author has provided or where further useful information is pertaining to the subject in the main text.
*To attribute to a quote or viewpoint.
*As an alternative to parenthetical references; it is a simpler way to acknowledge information gained from another source.
*To escape the limitations imposed on the word count of various academic and legal texts which do not take into account footnotes. Aggressive use of this strategy can lead the text to be seen as affected by what some people call "footnote disease". Fact|date=May 2007

Footnotes as a literary device

At times, footnotes and endnotes have been used for their comical effect, or as a literary device.
* In [ The Banjo Players Must Die] , footnotes constitute a significant portion of the entire text, and often serve to distract the reader from an already complex storyline. Other uses of footnotes in this work include insulting the reader, shedding more light on the alluded-to incompetence of the characters, and using expletives (presumably because no one reads the footnotes and the risk of causing offense is therefore mitigated).
*Mark Z. Danielewski's "House of Leaves" uses what are arguably some of the most extensive and intricate footnotes in literature. Throughout the novel, footnotes are used to tell several different narratives outside of the main story. The physical orientation of the footnotes on the page also works to reflect the twisted feeling of the plot (often taking up several pages, appearing mirrored from page to page, vertical on either side of the page, or in boxes in the center of the page, in the middle of the central narrative).
* Flann O'Brien's "The Third Policeman" utilizes extensive and lengthy footnotes for the discussion of a fictional philosopher, de Selby. These footnotes span several pages and often overtake the main plotline, and add to the absurdist tone of the book.
* David Foster Wallace's "Infinite Jest" includes over 400 endnotes, some over a dozen pages long. Several literary critics suggested that the book be read with two bookmarks. Wallace uses footnotes in much of his other writing as well.
*Manuel Puig's "Kiss of the Spider Woman" (originally published in Spanish as "El beso de la mujer araña") also makes extensive use of footnotes.
*Mark Dunn's "" is written entirely in endnotes.
*Luis d'Antin Van Rooten's, "Mots d’Heures: Gousses, Rames" (the title is in French, but when pronounced, sounds similar to the English "Mother Goose Rhymes"), in which he is allegedly the editor of a manuscript by the fictional François Charles Fernand d’Antin, contains copious footnotes purporting to help explain the nonsensical French text. The point of the book is that each written French poem "sounds" like an English nursery rhyme.
*Terry Pratchett has made numerous uses within his novels. The footnotes will often set up running jokes for the rest of the novel.
*Susanna Clarke's "Jonathan Strange & Mr Norrell" uses dozens of footnotes referencing a number of fictional books including magical scholarship and biographies.
*Jonathan Stroud's "The Bartimaeus Trilogy" uses footnotes to insert comical remarks and explanations by one of the protagonists, Bartimaeus.
*Michael Gerber's "Barry Trotter" parody series used footnotes to expand one-line jokes in the text into paragraph-long comedic monologues that would otherwise break the flow of the narrative.
*John Green's "An Abundance of Katherines" uses footnotes in which he says: " [They] can allow you to create a kind of secret second narrative, which is important if, say, you're writing a book about what a story is and whether stories are significant."
*Jasper Fforde's "Thursday Next" series exploits the use of footnotes as a communication device (the "footnoterphone") which allows communication between the main character’s universe and the fictional bookworld.
*Ernest Hemingway's "Natural History of the Dead" uses a footnote to further satirize the style of a history while making a sardonic statement about the extinction of "humanists" in modern society.
*Pierre Bayle's "Historical and Critical Dictionary" follows each brief entry with a footnote (often five or six times the length of the main text) in which saints, historical figures, and other topics are used as examples for philosophical digression. The separate footnotes are designed to contradict each other, and only when multiple footnotes are read together is Bayle's core argument for Fideistic skepticism revealed. This technique was used in part to evade the harsh censorship of 17th century France.
*Mordecai Richler's novel "Barney's Version" uses footnotes as a character device that highlights unreliable passages in the narration. As the editor of his father's autobiography, the narrator's son must correct any of his father's misstated facts. The frequency of these corrections increases as the father falls victim to both hubris and Alzheimer's disease. While most of these changes are minor, a few are essential to plot and character development.

Opponents of footnotes

Associate Justice Stephen Breyer of the Supreme Court of the United States is famous in the American legal community for his writing style, in which he never uses footnotes. He prefers to keep all citations inline (which is permitted in American legal citation). [cite news | first= | last= | coauthors= | title=In Justice Breyer's Opinion, A Footnote Has No Place | date=1995-07-28 | publisher= | url = | work =The New York Times | pages = | accessdate = 2008-04-30 | language = ]

See also



Further reading

*Grafton, Anthony (1997). "The Footnote: A Curious History". Cambridge, Mass.: Harvard University Press. ISBN 0-674-90215-7.
*Zerby, Chuck (2002). "The Devil's Details: A History of Footnotes". New York: Simon & Schuster.

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