Reginald Hill

Infobox Writer


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name = Reginald Hill
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birthdate = 1936
birthplace = West Hartlepool, County Durham
deathdate =
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occupation = Novelist
genre = Crime fiction
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Reginald Hill (born in 1936 at West Hartlepool in County Durham) is a contemporary English crime writer, and the winner in 1995 of the Crime Writers' Association Cartier Diamond Dagger for Lifetime Achievement.

Biography

Hill was born to a "very ordinary" [Adrian Muller, 'Interview: Reginald Hill', in "Crime Time" 2.3 (1998), p. 33.] working-class family—his father was a professional footballer long before sportsmen earned riches—but began reading young. His mother was a great fan of Golden-Age crime writers, and he discovered the genre while fetching her library-books. [John Lennard, 'Reginald Hill', in Jay Parini, ed., British Writers, Supplement IX (New York: Charles Scribner's Sons, 2004), p. 109.] After National Service (1955-57) and studying English at St Catherine's College, Oxford University (1957-60) he worked as a teacher for many years, rising to Senior Lecturer at Doncaster College of Education. In 1980 he retired from salaried work in order to devote himself full-time to writing.

Hill is best known for his more than 20 novels featuring the Yorkshire detectives Andrew Dalziel (pronounced [diːˈɛl] ), Peter Pascoe and Edgar Wield. The characters were used by the BBC in the "Dalziel and Pascoe" series, in which Dalziel was played by Warren Clarke, Pascoe by Colin Buchanan, and Wield by David Royle. He has also written more than 30 other novels, including five featuring Joe Sixsmith, a black machine operator turned private detective in a fictional Luton. Novels originally published under the pseudonyms of Patrick Ruell, Dick Morland, and Charles Underhill have now appeared under his own name. Hill is also a writer of short stories, and ghost tales.

Hill's novels employ various structural devices, such as presenting parts of the story in non-chronological order, or alternating with sections from a novel supposedly written by Peter's wife, Ellie Pascoe (née Soper). Clues may also be provided in such a way that readers sail past them, only realising at the end how their own assumptions have been exposed. He also frequently selects one writer or one oeuvre to use as a central organizing element of a given novel, such as one novel being a pastiche of Jane Austen's works, or another featuring elements of classical Greek myth. In a different kind of tease, the novella "One Small Step" (dedicated to "you, dear readers, without whom the writing would be in vain, and to you, still dearer purchasers, without whom the eating would be infrequent", [Reginald Hill, One Small Step: A Dalziel and Pascoe Novella (London: Collins, 1990), p. 7.] ) is set in the future, and deals with the EuroFed Police Commissioner Pascoe and retired Dalziel investigating the first murder on the moon. In another departure from the norm, the duo do not always "get their man", with at least one novel ending with the villain getting away and another strongly implying that while Dalziel and Pascoe are unable to convict anyone, a series of unrelated accidents actually included at least one unprovable instance of murder.

The unusual force of Hill's writing career is suggested by a comment he made in 1986:

I still recall with delight as a teen-ager making the earth-shaking discovery that many of the great “serious novelists,” classical and modern, were as entertaining and interesting as the crime-writers I already loved. But it took another decade of maturation to reverse the equation and understand that many of the crime writers I had decided to grow out of were still as interesting and entertaining as the “serious novelists” I now revered. [Reginald Hill, 'Looking for a Programme', in Robin Winks, ed., "Colloquium on Crime" (New York: Charles Scribner's Sons, 1986), p. 151.,]

Bibliography

Dalziel and Pascoe

#"A Clubbable Woman" (1970)
#"An Advancement of Learning" (1971)
#"Ruling Passion" (1973)
#"An April Shroud" (1975)
#"A Pinch of Snuff" (1978)
#"A Killing Kindness" (1980)
#"Deadheads" (1983)
#"Exit Lines" (1984)
#"Child's Play" (1987)
#"Under World" (1988)
#"Bones and Silence" (1990)
#"One Small Step" (1990), novella
#"Recalled to Life" (1992)
#"Pictures of Perfection" (1994)
#"The Wood Beyond" (1995)
#"Asking for the Moon" (1996), short stories
#*"The Last National Service Man"
#*"Pascoe's Ghost"
#*"Dalziel's Ghost"
#*"One Small Step"
#"On Beulah Height" (1998)
#"Arms and the Women" (1999)
#"Dialogues of the Dead" (2002)
#"Death's Jest-Book" (2003)
#"Good Morning Midnight" (2004)
#"The Death of Dalziel" (2007), US Title: "Death Comes for the Fat Man"
#"A Cure for All Diseases" (2008)

Joe Sixsmith

*"Blood Sympathy" (1993)
*"Born Guilty" (1995)
*"Killing the Lawyers" (1997)
*"Singing the Sadness" (1999)
*"The Roar of the Butterflies" (2008)

Other

*"Fell of Dark" (1971)
*"The Castle of the Demon" (1971) (As Patrick Ruell) (apa "The Turning of the Tide")
*"A Fairly Dangerous Thing" (1972)
*"Red Christmas" (1972) (As Patrick Ruell)
*"Heart Clock" (1973) (As Dick Morland) (apa "Matlock's System" as Reginald Hill)
*"Death Takes a Low Road" (1974) (As Patrick Ruell) (apa "The Low Road")
*"A Very Good Hater" (1974)
*"Albion! Albion!" (1974) (As Dick Morland) (apa "Singleton's Law" as Reginald Hill)
*"Beyond the Bone" (1975) (apa "Urn Burial" ) (As Patrick Ruell)
*"Another Death in Venice" (1976)
*"Captain Fantom" (1978) (As Charles Underhill)
*"The Forging of Fantom (1979)
*"Pascoe's Ghost and Other Brief Chronicles of Crime" [SS] (1979)
#"Pascoe's Ghost" # (A Dalziel and Pascoe story)
#"The Trunk in the Attic"
#"The Rio de Janeiro Paper"
#"Threatened Species"
#"Snowball"
#"Exit Line"
#"Dalziel's Ghost" (A Dalziel and Pascoe story)
*"Captain Fantom" (1978) (As Charles Underhill)
*"The Forging of Fantom" (1978) (As Charles Underhill)
*"The Spy's Wife" (1980)
*"Who Guards a Prince?" (1982)
*"Traitor's Blood" (1983)
*"Guardians of the Prince" (1983)
*"No Man's Land" (1985)
*"The Long Kill" (1986) (As Patrick Ruell)
*"There Are No Ghosts in the Soviet Union and Other Stories" [SS] (1987)
#"There Are No Ghosts in the Soviet Union" (Novella)
#"Bring Back the Cat!" (A Joe Sixsmith story)
#"Poor Emma"
#"Auteur Theory" (A Dalziel and Pascoe story)
#"The Bull Ring"
#"Crowded Hour"
*"The Collaborators" (1987)
*"Death of a Dormouse" (1987) (As Patrick Ruell)
*"Dream of Darkness" (1989) (As Patrick Ruell)
*"Brother's Keeper" (1992)
*"The Only Game" (1993) (As Patrick Ruell)
*"The Stranger House" (2005)

Footnotes

References

*BINYON, T. J., "‘Murder Will Out’: The Detective in Fiction" (Oxford & New York: Oxford University Press, 1989).
*HERBERT, Rosemary, ‘Reginald Hill’, in "The Fatal Art of Entertainment: Interviews with Mystery Writers" (New York: G. K. Hall, Toronto: Maxwell Macmillan Canada, & Oxford: Maxwell Macmillan International, 1994), pp. 194–223.
* LENNARD, John, ‘Reginald Hill’, in Jay Parini, ed., "British Writers Supplement IX" (New York & London: Charles Scribner’s Sons, 2004), pp. 109–26.
* -- "Reginald Hill: On Beulah Height" (Tirril: Humanities-Ebooks, 2007)
*SALO-OJA, Mari, "Lost in Translation? Translating allusions in two of Reginald Hill’s Dalziel and Pascoe novels" [http://ethesis.helsinki.fi/julkaisut/hum/engla/pg/salo-oja/lostintr.pdf] .

Further reading

Ling, Peter J. "Identity, Allusions, and Agency in Reginald Hill's "Good Morning, Midnight"." "CLUES: A Journal of Detection" 24.4 (Summer 2006): 59-71.

External links

* [http://www.randomhouse.com/features/reghill/ Hill's page on Random House site]
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