Ichi the Killer

Infobox Film
name = Ichi the Killer


image_size =
caption = Original Japanese poster
director = Takashi Miike
producer = Akiko Funatsu
Dai Miyazaki
writer = Sakichi Satō
Hideo Yamamoto (comic)
narrator =
starring = Tadanobu Asano
Shinya Tsukamoto
Nao Omori
Alien Sun
music = Karera Musication
Seiichi Yamamoto
cinematography = Hideo Yamamoto
editing = Yasushi Shimamura
distributor = Media Blasters (USA)
released = flagicon|Japan December 22, 2001
flagicon|UK May 30, 2003
flagicon|Germany September, 2004
runtime = 123 min
country = Japan
language = Japanese
budget =
preceded_by =
followed_by =
website =
amg_id = 1:255250
imdb_id = 0296042

nihongo|"Ichi the Killer"|殺し屋１|Koroshiya Ichi is a 2001 Japanese film directed by Takashi Miike, based on Hideo Yamamoto's manga series of the same name.

Plot

The film stars Tadanobu Asano as Kakihara, a sadomasochist yakuza enforcer who enjoys giving and receiving pain in about equal measures. Kakihara's boss Anjo is murdered in a particularly gruesome fashion and a mysterious group arrives to clean up all evidence of the murder, stealing 3 million yen Anjo had in his room while there.

Many of Kakihara's compatriots, including Anjo's English-, Cantonese-, and Japanese-speaking girlfriend Karen (Alien Sun), suspect that Anjo simply took the money and ran, and Kakihara is convinced the man is alive. His investigation leads him to brutally torture a member of a rival clan, Suzuki (Susumu Terajima), by suspending him from a ceiling with metal hooks through the man's back, shoving stilettos through his body, and pouring boiling grease (from a meal of tempura) on him. In an example of the film's extremely black humor, when asked what he is doing, Kakihara responds nonchalantly, "Just a little torture."

The man turns out to be innocent. To make restitution, Kakihara slices off part of his tongue and offers it to Suzuki's boss (Jun Kunimura). However, the man who tipped Kakihara off to Suzuki and may have more real information, a disheveled old man nicknamed Jiijii ("grandpa" or "old man") (Shinya Tsukamoto), is nowhere to be found.

Jijii is, as it turns out, secretly orchestrating events. Under his wing is a young man, Ichi (Nao Omori), a confused and apparently psychotic individual who is normally unassuming and cowardly, but becomes homicidal when enraged (and who has crying fits when committing his murders). Ichi outfits himself in a rubber stuntman suit with shoes that have razors concealed in the heels, and after spying on a pimp brutalizing a prostitute kills first the pimp, then the girl. Jiijii has so manipulated Ichi as to confuse sexual arousal with homicidal lust in him, and accomplished this by creating a false memory in him of witnessing a rape in high school -- which he felt ashamed for wanting to participate in rather than stop.

Kakihara is eventually thrown out of the syndicate for his transgressions, but not before catching word of Ichi. He becomes fascinated with this "total sadist," since perhaps through him he can finally find the ultimate pain he has been seeking -- one which neither his girlfriend nor his boss could give him. In a related plot development, Jiijii attempts to get better control over Ichi by having Karen seduce him, but the plan backfires horribly and Karen is slaughtered.

Kakihara, along with two corrupt police-detective twin brothers, find Myu-Myu, a prostitute connected with Jiijii's gang. In one of the film's more disturbing scenes, they torture her for information. They find one of Jiijii's henchmen and torture him to find out where Ichi is. However, at this point, Ichi shows up at Kakihara's compound. He kills Kaneko in front of his son Takeshi, who then goes and kicks Ichi while he is lying on the floor crying. Kakihara soon realizes Ichi can't hurt him, so he inserts two pins into both his ears, to the extent where he is deaf in a suicide attempt. He then looks up as the camera pans to Ichi, standing up in tears holding Takeshi's head in his hand, with the child's corpse lying next to where he stands. He charges at Kakihara and, following a small fight, embeds one of his razor-bladed boots in the center of Kakihara's head. Kakihara stumbles back, claiming it is the greatest feeling ever and falls off the rooftop to his death. Kakihara is found on the compound floor by Jijii, dead but apparently unwounded by Ichi's final attack, revealing that Kakihara was hallucinating the attack (most likely due to sticking the pins into his ears too far and poking his brain), and thus committed suicide. Jiijii begins to cry, most likely because he realizes that Kakihara killed himself instead of being killed by Ichi. In essence, Kakihara died under his own terms, whereas Jiijii wanted it to be as a result of his doing (in the form of Ichi).

For reasons not made clear to the viewer, Jiijii himself is found hanging from a tree in the last moments of the movie; whether he himself committed suicide, or was killed, is unknown. In the last few seconds, a man turns around to face the camera; though his identity is unclear.

Cast and roles

Production

Pre-production

Director Takashi Miike intended for the author of the original manga, Hideo Yamamoto, to write a script entirely in manga form, but the idea fell through when Yamamoto felt he could not complete it due to writer's block.

Filming

Director Takashi Miike reveals on the US TokyoShock DVD release that the semen used in the close-up during the intro sequence, when the film's title raises out of a puddle of semen, is real. It was supplied by Japanese director Shinya Tsukamoto ("Iron Man Tetsuo") who plays the muscle bound mastermind that controls Ichi. Miike gave a bucket to Tsukamoto to fill but was unable to provide enough material for the shot. He passed the bucket to three other crew members to add the remaining amount.

Miike planned to have the pimp beat up the prostitute with three punches. In the end, he increased the number to fifteen because he could not stand the actress, Mai Goto. For the sequence in which his character is suspended from hooks and tortured, actor Susumu Terajima required twelve hours of makeup and other preparation, and then spent twelve more hours shooting the scene.

Promotion

As a publicity gimmick, vomit bags were handed out at the Toronto International Film Festival (TIFF) to those attending the midnight screening of this film.

External links

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