- Erling Wold
Erling Wold (born
January 30 ,1958 ) is aSan Francisco basedcomposer ofopera andcontemporary classical music . He is best known for his later chamber operas, especially "A Little Girl Dreams of Taking the Veil" and his early experiments as a microtonalist. Although he rejected religion in his teens, he returned many times to religious themes in his works, including many of his operatic works, and his Mass named for Notker the Stammerer commissioned by the Cathedral of St Gall. His earliest music was atonal and arrhythmic, but the influences ofjust intonation and the music of the minimalists led to the bulk of his music being composed in a variety of tonal genres. He was attracted by the theater and much of his music is either directly dramatic or is based on dramatic rather than purely musical structures. Wold is an eclectic composer who has also been called "theEric Satie of Berkeleysurrealist /minimalist electro-art rock " by theVillage Voice . He composed the soundtracks for a number of films by theindependent film directorJon Jost .Biography
Wold was born into a religious family, the son of Erling Henry Wold Sr, a
Lutheran minister and Margaret Barth Wold, an author of inspirational books and plays. He was given piano lessons at an early age but showed little interest in music until his teen years, when he became infatuated, teaching himself to play a variety of instruments and embracing the music of many of the modernist composers. It was also at this point that he started to write music. He first studied composition atOccidental College with Robert Gross where he was awarded theElinor Remick Warren Composition Award in 1978. Later teachers includedGerard Grisey ,Andrew Imbrie andJohn Chowning at theUniversity of California, Berkeley andStanford University , where he primarily studied computer music, gaining a facility with the mathematics ofsignal processing . While at Berkeley, he married Lynn Murdock, for whom he wrote a number of his early works. In 1985, they had a son, Duncan Renaldo Wold.After earning his
doctorate at Berkeley in 1987, he went to work for Yamaha Music Technologies, writing a number of patents in music synthesis and processing. During this period, most of his music was electronic, and he was an early advocate of theSynclavier . His work at this time with a number of San Francisco performance artists and dancers led to his continuing interest in theater. After leaving Yamaha in 1992, he cofounded Muscle Fish, an audio and music software company. By 1995 he had migrated back to writing instrumental music and wrote his first chamber opera based onMax Ernst 'scollage novel "A Little Girl Dreams of Taking the Veil", a critical and popular success which has been revived several times, including performances by thePaul Dresher Ensemble and by theKlagenfurt er ensemble in Austria and Germany. The success of the production led to a residency at ODC Theater in San Francisco, where he premiered his opera "Queer" based onWilliam Burroughs ' early autobiographical novel of the same name in 2001 and "Sub Pontio Pilato", anhistorical fantasy on the death and remembrance ofPontius Pilate in 2003. There have been few purely musical works during this period, but some notable exceptions are "Close", played by Relâche and others, and the piano pieces "Albrechts Fluegel", premiered by Finnish pianist Marja Mutru, and "Veracity".There are a number of
CD andDVD releases of Wold's music. He has published artistic and technical articles in several publications, including theLeonardo Music Journal ,IEEE MultiMedia, Proceedings of theInternational Computer Music Conference ,SIGGRAPH , the Just Intonation Network Journal 1/1, IEEE Transactions on Computers and several books.elected works
* "Missa Beati Notkeri Balbuli Sancti Galli Monachi" - 2006
* "La Lunga Ombra" - film by Jon Jost - 2005
* "Blinde Liebe" - an interactive dance opera - 2005
* "Brightness" - for clarinet and orchestra - 2004
* "Homecoming" - film by Jon Jost - 2004
* "Trio" (with Thom Blum) - a dance by Deborah Slater - 2004
* "Raheel" - text by Dima Hilal - 2003
* "Sub Pontio Pilato" - an opera with libretto by James Bisso - 2003
* "Veracity for piano" - 2001
* "die Nacht wird kommen..." - opera - 2002
* "queer" - opera based on Burroughs' novel - 2000
* "Harvest of Rage" - songs for tenor and orchestra - 2000
* "i brought my hips to the table" - text by Michelle Murphy - 1998
* "London Brief" - film by Jon Jost - 1997
* "Close" - for chamber ensemble - 1997
* "13 Versions of Surrender" - text by Michelle Murphy - 1996
* "Abstaende" - dance by Robert Wechsler - 1995
* "Albrechts Fluegel" - for piano - 1995
* "A Little Girl Dreams of Taking the Veil" - opera based onMax Ernst 's collage novel - 1995
* "The Bed You Sleep In" - film by Jon Jost - 1993
* "Sure Fire" - film by Jon Jost - 1990
* "Center Mother and Boss Puss" - text byAntonin Artaud - 1990
* "Seven Days Ago" - 1990
* "Egg" - dance by Gay White - 1990
* "It was in the summer..." - 1988
* "Dance of the Testifiers" - 1987
* "Dance of the Polygamists" - 1987
* "Crash" - 1987External links
* [http://www.erlingwold.com ErlingWold.com] website
* [http://www.usoperaweb.com/2003/spring/wold.htm UsOperaWeb] interviewources
The material in the article above comes from composer's own website, the usoperaweb.com interview and an interview in "20th Century Music" by Mark Alburger.
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