Periaktos

Periaktos

Periaktos (plural form Periaktoi, from Greek "revolving") is a device used for displaying and rapidly changing theatre scenes. It has been first mentioned in Vitruvius' book on architecture, "De architectura" (ca. 14 BC) but its most intense use began in Renaissance theatre, as a result of the work of important theatrical designers, such as Nicola Sabbatini (1574-1654). Other solid polygons can be used, such as cubes, but triangular prisms offer the best combination of simplicity, speed and number of scenes per device.

It consists of a revolving solid isosceles triangular prism made of wood. On each of its three faces, a different scene is painted, so that, by revolving quickly the periaktos, another face can appear to the audience. A series of periaktoi positioned one after the other along the stage's depth can produce the illusion of a longer scene, composed by its faces as seen in perspective. These periaktoi must therefore be rotated simultaneously to a new position, thus achieving interesting and even awesome illusions. This is made by coupling them by using sprocket gears at their bases and a flat chain or conveyor belt mechanical transmission system.

A similar concept is used in some modern tri-faced multi-message billboards, which are made up of a series of triangular prisms arranged so that they can be rotated to present three separate flat display surfaces at the same time.

Early motion picture mechanical devices, such as the praxinoscope, were also based on rapidly rotating solid polygons, which had the successive animation or photographic plates affixed or projected to each face, thus providing the optical illusion of movement.

ee also

* Scenic painting
* Scenography
* Set construction
* Skene
* Stagecraft
* Scenic design

External links

* [http://www.digitalsquirrel.net/soundofmusic/ Geauga Lyric Theatre Guild's The Sound of Music] . Scene by scene breakdown of design, in which the use of periaktoi is illustrated very well.
* [http://www1.appstate.edu/orgs/spectacle/Pages/16thscenechange.html Early Illusionistic Scene Changes] . In: The Development of Scenic Spectacle. This excellent article shows periaktoi inventions by Sabbatini, Furttenbach and Danti, with QuickTime animations and descriptions.
* [http://courses.ncssm.edu/gallery/collections/toys/html/exhibit11.htm The Praxinoscope]


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Look at other dictionaries:

  • Periaktos — (gr. Ant.), Drehmaschine auf dem Theater, durch welche die Veränderung der Decoration der Bühne bewirkt wurde …   Pierer's Universal-Lexikon

  • periaktos — ▪ ancient theatrical device (Greek: “revolving”),plural  Periaktoi,         ancient theatrical device by which a scene or change of scene was indicated. It was described by Vitruvius in his De architectura (c. 14 BC) as a revolving triangular… …   Universalium

  • periaktos — peri·ak·tos …   English syllables

  • periaktos — …   Useful english dictionary

  • theatre — /thee euh teuhr, theeeu /, n. theater. * * * I Building or space in which performances are given before an audience. It contains an auditorium and stage. In ancient Greece, where Western theatre began (5th century BC), theatres were constructed… …   Universalium

  • periact — periáct s. n., pl. periácte Trimis de siveco, 10.08.2004. Sursa: Dicţionar ortografic  PERIÁCT s.n. 1. Balistă mobilă. 2. Maşină care permitea schimbarea decorurilor în teatrul antic grec. [pron. ri act. / < fr. périacte, gr. periaktos] …   Dicționar Român

  • Katablēma — (gr.), 1) Grundlage: 2) Vorhang, Vorzug; daher 3) im Theater ein Tuch od. Bret an der Drehmaschine (Periaktos, s.d.) …   Pierer's Universal-Lexikon

  • stage machinery — Devices designed for the production of theatrical effects, including rapid scene changes, lighting, sound effects, and illusions. Such devices have been in use since the 5th century BC, when the Greeks developed a crane to lower to the stage an… …   Universalium

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