- Vilém Blodek
Vilem Blodek (
October 3 ,1834 ,Prague –May 1 ,1874 , Prague) was a Czechcomposer ,flautist , andpianist .Blodek was born into a poor family and was educated at a German Piarist school in Prague. After studying with
Dreyschock (piano) and at the Prague Conservatory (1846–52) withAntonín Eiser (flute) andJohann Friedrich Kittl (composition) [cite web|date=2005-07-18
first=Jean-Marc|last=Warszawski|title=Blodek Vilèm: 1834-1874|url=http://www.musicologie.org/Biographies/b/blodek.html|language=French|accessdate=2008-06-21] , he became a music teacherLubycza , Galicia (1853–5). On returning to Prague, he worked as a concert pianist and music teacher and, briefly, as second conductor of the PragueMännergesangverein , for which he wrote a number of patriotic choruses. In 1860 he succeeded Eiser as professor of * flute at the conservatory, and, as a basis for teaching, he wrote his own flute tutor (1861). He was active as a writer of incidental music for the German and Czech theatres: from 1858 onwards he wrote music for 60 plays and collaborated with Smetana on music for the tableaux for the 1864 Shakespeare celebrations. In 1865 he married his pupil Marie Doudlebská. Overwork caused a nervous breakdown, and after a spell in a mental home in 1870, he returned there permanently in May 1871.Blodek began composing at the conservatory at the age of 13 (wind sextet, 1847) in a style that owed much to his teacher Kittl, to Mendelssohn, and to the early German Romantics. His Symphony in D minor (1858–9), his most ambitious work at the time. His Flute Concerto (1862) is a brilliant and attractive flute work.
Blodek’s best-known work is his one-act opera "V studni" ("In the Well"), first performed at the Provisional Theater in November 1867. One of several comic village operas written to Sabina librettos (The Bartered Bride is the most famous), it has a cast of four characters and is made up of a handful of closed numbers: five solos, two duets, one quartet, an overture and an intermezzo, and three brief ensembles for chorus and soloists. It was the first Czech comic opera to replace spoken dialogue with recitative. Blodek’s opera is often considered to be one of the most ‘Czech’ operas after those of Smetana – it was written shortly after the première of The Bartered Bride. Blodek’s next opera, "Zítek", again to a Sabina libretto (a historical comedy set in the 14th century), was a more ambitious work both in its musical vocabulary and in its operatic form. A full-length three-act opera with a large cast, it made some attempt to break down the divisions between the closed numbers of its predecessor, using arioso and a chorus more integrated into the action. Blodek completed only one act and part of the second before his death; Smetana, already ill, declined to finish it, but it was eventually completed by F.X. Vaňa and was performed for the first time in 1934 on the 100th anniversary of Blodek’s birth.
Works
Stage
* Mlhavé obrazy [Misty Pictures] (incidental music to J. Brandeis’s play), Prague, 1859
* Clarissa (op), 1861, unfinished
* Chorista (vaudeville, F. Hainiš-Zdobnický), 1861, Prague, 22 March 1862, lost
* Hudba k slavnosti Shakespeareově [Music for the Shakespeare Celebrations] , Prague, 23 April 1864
* V studni [In the Well] (comic op. 1, K. Sabina), Prague, Provisional, 17 Nov 1867
* Svatojánská pouť [St John’s Pilgrimage] (incidental music to F.F. Šamberk’s play), Prague, 1868
* Zítek (comic op. 3, Sabina), 1868–9, unfinished, completed by F.X. Váňa, Prague, National, 3 Oct 1934
* Incidental music to 60 playsVocal
* "Die Kapelle"
* Písně milostné [Love Songs] (Prague, 1909)
* 6 mužských sborů [6 Male-Voice Choruses] , 1859,
* K bratrům [To the Brothers]
* 20 choruses for male voices, some to German texts byJoseph von Eichendorff ,Heinrich Heine , andAdalbert von Chamisso , and to Czech texts byVáclav Hanka ,J. V. Jahn ,J. Pick , andKarel Sabina ; several published, including Ach ty Labe tiché [O quiet Elbe] , 1865; Pijácká (Společná) [A Drinking-Song (A Social Song)] , 1867; Pochod [March] , 1867
* Sacred: Solemn Mass, D, 1853; Ave Maria, C, mixed choir, 1863 (Prague, 1888); Otče náš [Our Father] , F, male voices, 1863; Veni Creator, C, mixed voices, 1863; Off, C, 1863, inc.; Mass, D, 1865Instrumental
Orchestral:
* Concert overture., C, op.2, 1850
* Overture., D, 1854
* Symphony, d, 1858–9
* Concert Overture, E, 1859
* Overture, e, 1862
* Flute Concerto, D, 1862, edited by J. Kàan (Prague, 1903)
* Skladba [Composition] , A, 2 flutes and orchestra, ?1862Chamber:
* Sextet, D, flute, 2 violins, oboe, horn, trombone, 1847
* Salon Piece, C, violin, piano, 1850
* Grand Solo, D, flute, piano, op.1, 1851
* Allegro di bravura, D, flute, piano, 1852
* Fantasie e Capriccio, F, flute, piano, 1863
* Andante cantabile, D, flute, piano, 1863Principal publishers: Urbánek, Vilímek, E. Starý, J.A. Christophe & Kuhé, Český hudební fondBiography based on article by John Tyrrell in "Grove Music Online" (Cambridge, 1988)
References
External links
*cite web|language=Czech|title=Short biography|publisher=Czech Music|url=http://www.czechmusic.org/main.php?action=osobnosti&id=20|accessdate=2008-06-21
*cite web|language=English|title=Brief info and selected wiorks|publisher=Classical Composers Database|url=http://www.classical-composers.org/comp/vilem|accessdate=2008-08-27
*cite web|language=English|title=Short biography|publisher=Answers.com|url=http://www.answers.com/topic/vil-m-blodek-1|accessdate=2008-08-27
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