Xanadu (song)

Song_infobox
Name = Xanadu


SorA = album
Artist = Rush
Album = A Farewell to Kings
Released = August 18 1977
track_no = 2
Recorded = 1977, Rockfield Studios
Genre = Progressive rock
Length = 11:08
Writer = Peart
Composer = Lee & Lifeson
Label = Mercury Records
Producer = Rush & Terry Brown
Chart position =
prev = "A Farewell to Kings"
prev_no = 1
next = "Closer to the Heart"
next_no = 3
Misc = Extra tracklisting
Album = Exit...Stage Left
Type = live
prev_track = "The Trees"
prev_no = 9
this_track = "Xanadu"
track_no = 10
next_track = "Freewill"
next_no = 11

"Xanadu" is a song recorded by the Canadian progressive rock trio Rush for their 1977 album A Farewell to Kings. It is approximately eleven minutes long, beginning with a five-minute-long instrumental section, then transitioning to a narrative written by lyricist Neil Peart, inspired by the Samuel Taylor Coleridge poem Kubla Khan.

Lyrics

In Peart's lyrics, the narrator describes searching for something called "Xanadu" (although it is not explicitly stated what this is, references to the poem "Kubla Khan" imply that it is a mythical place based on the historical summer capitol of the Mongolian Empire) that will grant him immortality. cite web|url=http://etext.virginia.edu/stc/Coleridge/poems/Kubla_Khan.html|title=Kubla Khan|date=1797|accessdate=2007-11-20|work=University of Virginia Library]

Music

"Xanadu" is the first Rush song in which synthesizers are an integral part. Unlike the previous "2112" album or "Caress of Steel", "Xanadu" used both guitar and synthesizer effects, and thus represented a transitional phase for the group.

The song also marks Rush's clear foray into program music. Previous albums had displayed some elements of program music. Subsequent albums during the late '70's and early '80's would see the group explore program music more systematically.

"Xanadu" requires each member to utilize an array of instruments to affect the performance. Lifeson used a double-necked Gibson electric guitar (one twelve-string, the other six-string) as well as synthesizer pedals; Lee made use of a double-necked Rickenbacker (bass and six-string guitar) as well as extensive synthesizer arrangements (through both pedals and keyboards) while singing; and Peart took on various percussion instruments (notably temple blocks, tubular bells, bell tree, glockenspiel and wind chimes) in addition to his drum kit work.

More recent performances of the song have been altered in order to simplify the arrangement. For example, when played during the tour, the end of the song was changed so that Geddy Lee did not play the rhythm guitar part, as in the original arrangement.

Covers and tributes

* "Xanadu" was covered by Silver Sun and released on their "Too Much, Too Little, Too Late EP" in 1998. Their version while generally faithful compressed the epic into a 4 minute pop song.

* Van Halen based their song "Pleasure Dome", off of their 1991 "For Unlawful Carnal Knowledge" album, on this Rush song. Fact|date=February 2007

* Foo Fighters occasionally copy the ending snare drum pattern of "Xanadu" onto live performances of their song "My Hero"
*On Dream Theater's 2008 live album/DVD "Chaos in Motion 2007–2008", John Petrucci plays the guitar line first heard at approximately 1:50 in "Xanadu" during the "Trial of Tears" portion of the album's closing medley.

References