Arturo Martini

Horse, 1926 ca. (Fondazione Cariplo)

Arturo Martini (1889-1947) was a leading Italian sculptor between World War I and II. He moved between a very vigorous (almost ancient Roman) classicism and modernism. He was associated with public sculpture in fascist Italy, but later renounced his medium altogether.

Futurism

Martini seems to have been an active supporter of the Futurist movement between 1914 and 1918. He certainly corresponded with Umberto Boccioni and produced a modernist booklet in 1918.^[1] His early works show an archaically tendency, two-dimensionality and polychrome effects^[2]

In Fascist Italy

His later works returned to a more traditional style, but with "irony, agility and an eclectic capacity to combine or reinterpret sources".^[2] Between the wars, he became the semi-official sculptor of the fascist regime. He was literally overwhelmed by commitments: great monuments and commemorative works for courthouses, churches and universities. Examples include the great bronze at La Sapienza University in Rome and the memorial to the aviator Tito Minniti.

Post-war

After the fall of Mussolini, feeling that his art had been corrupted, he published an essay against sculpture in the magazine La Martini in 1945: "scultura, lingua morta" (sculpture, a dead language). He writes for example: "La scultura un'arte è da negri e senza pace" (sculpture is a black and unquiet art).

Despite this attack on his own métier, he created one significant work after the war, a marble sculpture in a tribute to the guerrilla leader Primo Visentin, known as "Masaccio", who had been killed at the end of the war in Loria (Padua) in unexplained circumstances.

Martini is as important Italian sculptor in the period between the world wars. He worked with many materials (clay, wood, plaster, stone, especially marble, bronze, silver) but never moved far from figuration, although he was able to model abstract forms, as his atmosfera di una testa (vibrations of a head) of 1944 testifies. He exercised great influence on later Italian sculptors such as Marino Marini, Emilio Creco, Marcello Mascherini and Pericle Fazzini.

Gallery

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  Judith and Holferenes, Kröller-Müller Museum

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  A high relief from Arturo Martini, on main portal of Sacro Cuore di Cristo Re church

References

1. ^ Günter Berghaus, International futurism in arts and literature, Walter de Gruyter, 2000, p.475.
2. ^ ^{a b} Gloria Fossi, Marco Bussagli, Italian Art, Giunti Editore, 2004, p.556.

Other projects

Media related to Arturo Martini at Wikimedia Commons

External links

• Web galley of 20th Century figure sculpture
• 1200 years of Italian sculpture (critical biography)

Persondata
Name	Martini, Arturo
Alternative names
Short description
Date of birth	1889
Place of birth
Date of death	1947
Place of death