YYZ (song)

Song_infobox
Name = YYZ


SorA = album
Artist = Rush
Album = Moving Pictures
Released = February 28, 1981
track_no = 3
Recorded =
Genre = Progressive rock, hard rock, progressive metal
Length = 4:25
Writer = Lee & Peart
Composer =
Label = Mercury Records
Producer = Rush & Terry Brown
Chart position =
prev = "Red Barchetta"
prev_no = 2
next = "Limelight"
next_no = 4
Misc = Extra tracklisting
Album = Exit...Stage Left
Type = live
prev_track = "Red Barchetta"
prev_no = 2
this_track = "YYZ"
track_no = 3
next_track = "A Passage to Bangkok"
next_no = 4

"YYZ" (the title of which is properly pronounced "Y-Y-Zed") is an instrumental rock piece by Rush, from the 1981 album "Moving Pictures."Following its initial release, it became one of the band's most popular pieces and has been a staple of the band's live performances. It appears on all live concert video recordings following its release (except ""; it was performed during that show but omitted from the DVD.) On both the live album "Exit...Stage Left" (1981), and the concert video recording "A Show of Hands" (1989), a version of the track is played with drummer Neil Peart integrating his full-length drum solo. (On all later live Rush recordings featuring a drum solo, the solo is its own separate track.) This song also appeared as the 2nd last encore in the game "Guitar Hero II" and appears as a downloadable song for "Rock Band", along with the rest of the "Moving Pictures" album.

Title and composition

YYZ is the IATA airport identification code for Toronto Pearson International Airport, of Rush's native area of Toronto. It is common practice for air navigation aids to broadcast their identifier code in Morse Code using VHF omnidirectional range (VOR). A plane using VOR equipment would then always know it's tracking the right station. The song's introduction, played in a time signature of 5/4, repeatedly renders the letters "Y-Y-Z" in Morse Code using various musical arrangements.

"YYZ" is structured in the following arrangement: A-B-C-B-A. The song starts with the YYZ Morse Code played by Peart on the crotales (A). The guitar and bass join this pattern, using the dissonant interval of the tritone to distinguish Morse Code dots and dashes. The guitar and bass render the code by playing the root note of C for the "dashes" and the tritone F# for the "dots". The synthesizer melody played over this arrangement is an example of the Locrian mode. In live performances, the synthesizer part is played by bassist/keyboardist Geddy Lee using a foot-pedal MIDI controller (Korg MPK-130 & Roland PK-5) [ [http://www.onstagemag.com/ar/performance_rush_rolls_again/index.htm Rush Rolls Again] ] while he simultaneously plays the bass part. After two cycles of the melody, the synth ceases, and the bass drops one octave, the introduction ending on the guitar, bass, and drummer making hits on only the "dashes". A brief rest follows, before the next section.

The next section features the guitarist, bassist, and drummer playing up- and down-scale runs for several measures, in unison. The next pattern follows a verse structure, going from an F#m9 chord to a Am9 chord, then back to an F#m9, then to a Am9 again. Alex Lifeson plays another riff along with a F#m9 chord, where the bassist plays supporting bass notes. The chord structure goes from a F#m9, to a C altered dominant chord. This cycle of riffs repeats twice.

In the next section (C), the guitar provides structure with rhythmic B major and C7 chords, with the bass and drum trading fills at the end of each cycle. After the final, extended drum fill, the guitar plays an oriental scale oriented solo in B Phrygian Dominant. The solo climaxes with a guitar run, followed by a synthesizer break. Following this section, the song returns to the arrangement established earlier in the song, after which it ends it a musical run combining bass and drums (with the guitar sustaining its last note from the previous section), a short reprise of the tritone section from the beginning held at the end according to a fermata, and finally, a short run in unison by bass, guitar, and drums to close the song.

Quotes

Drummer and lyricist Neil Peart has said, in reference to the airport code, "It's always a happy day when "YYZ" appears on our luggage tags." [http://www.2112.net/powerwindows/transcripts/HarriganRush.htm] .

Awards and nominations

"YYZ" was nominated for a Grammy in the Best Rock Instrumental category in 1982. YYZ lost to "Behind My Camel", by The Police, from their album Zenyatta Mondatta.

Performances by other artists

The song has been covered in whole or in part by Tuesday's Coming, Godsmack (in "Batalla De Los Tambores" on the Changes live DVD), Primus (in the performance of "John the Fisherman" released on their 1989 live album "Suck on This" and in full during other concerts), Umphrey's McGee, and Dream Theater (as Majesty); and has been featured as a playable encore song in the video game "Guitar Hero II". A clip of the YYZ intro cover from the earlier mentioned "Suck on This" is played at the beginning of their song To Defy the Laws of Tradition on the "Frizzle Fry" album. Geddy Lee and Alex Lifeson performed the song with Foo Fighters drummer Taylor Hawkins, during a concert at Toronto's Air Canada Center in March 2008.

The metal band Atheist has stated that their upcoming album will include a cover of YYZ.

External links

* [http://www.neilpeart.net/movies/yyz_vid.html Animated video for "YYZ,"] at Neil Peart's website

References