- Jean-François Marmontel
Jean-François Marmontel (
July 11 ,1723 –December 31 ,1799 ) was a Frenchhistorian andwriter , a member of theEncyclopediste movement.Biography
He was born of poor parents at
Bort-les-Orgues , inCorrèze . After studying with the Jesuits atMauriac ,Cantal , he taught in their colleges atClermont andToulouse ; and in 1745, acting on the advice ofVoltaire , he set out forParis to try for literary success. From 1748 to 1753 he wrote a succession of tragedies ("Denys le Tyran" (1748); "Aristomene" (1749); "Cleopâtre" (1750); "Heraclides" (1752); "Egyptus" (1753)), which, though only moderately successful on the stage, secured Marmontel's introduction into literary and fashionable circles.He wrote a series of articles for the "
Encyclopédie " evincing considerable critical power and insight, which in their collected form, under the title "Eléments de Littérature", still rank among the French classics. He also wrote several comic operas, the two best of which probably are "Sylvain" (1770) and "Zémire et Azore" (1771). In the Gluck–Piccinni controversy he was an eager partisan of Piccinni with whom he collaborated in "Didon " (1783) and "Penelope" (1785).In 1758 he gained the patronage of
Madame de Pompadour , who obtained for him a place as a civil servant, and the management of the official journal "Le Mercure", in which he had already begun the famous series of "Contes moraux". The merit of these tales lies partly in the delicate finish of the style, but mainly in the graphic and charming pictures of French society under King Louis XV. The author was elected to theAcadémie française in 1763. In 1767 he published "Bélisaire", now remarkable in part because of a chapter on religious toleration which incurred the censure of the Sorbonne and thearchbishop of Paris . Marmontel retorted in "LesInca s" (1777) by tracing the cruelties in Spanish America to the religious fanaticism of the invaders.He was appointed historiographer of France (1771), secretary to the Academy (1783), and professor of history in the Lycée (1786). As a historiographer, Marmontel wrote a history of the regency (1788). Reduced to poverty by the
French Revolution , Marmontel retired during theReign of Terror toEvreux , and soon afterwards to acottage at Abloville in the "département" ofEure . There he wrote "Memoires d'un pere" (4 vols., 1804), including a picturesque review of his life, a literary history of two important reigns, a great gallery of portraits extending from the venerableJean Baptiste Massillon , whom more than half a century previously he had seen at Clermont, toHonoré Mirabeau . The book was nominally written for the instruction of his children. It contains an exquisite picture of his own childhood in the Limousin; its value for the literary historian is great.Marmontel lived for some time under the roof of Mme Geoffrin, and was present at her famous dinners given to artists; he was welcomed into most of the houses where the encyclopaedists met. He thus had at his command the best material for his portraits, and made good use of his opportunities. After a short stay in Paris when elected in 1797 to the "Conseil des Anciens", he died at Abloville. See Sainte-Beuve, "Causeries du lundi", iv.; Morellet, "Eloge" (1805).
He was a member of the Masonic lodge
Les Neuf Sœurs .John Ruskin named him as one of the three people in history who were the most influential for him. [John Ruskin: Sesame and Lillies, [http://www.scribd.com/doc/898020/Sesame-and-Lilies-by-John-Ruskin] ]References
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*cite journal | author=Mallet du Pan, Jacques. | year=1800 | title=Character of Marmontel | journal=The European Magazine, and London Review | volume=37 | pages=103–104
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