Grim Grinning Ghosts

"Grim Grinning Ghosts" (complete title: "Grim Grinning Ghosts (The Screaming Song)") is the theme song for the Haunted Mansion attractions at Disney theme parks. It was composed by Buddy Baker, with lyrics written by X Atencio. Its melody has been adapted for numerous uses since its composition in the late 1960s.

General overview

"Grim Grinning Ghosts" features Buddy Baker's melody, usually in the key signature of A minor, with lyrics by Disney legend Xavier "X" Atencio. Different variations use 4/4 or 3/4 for the meter. The following chord progression is used for all versions: Am, B7, Am, Bb, Am, F7, Am, F7b5, Am, E7, Am. Typically, each chord lasts for two beats of 4/4 or three beats of 3/4. This underlying chord progression provides a macabre mood for the Haunted Mansion attractions. The song modulates to B-flat minor thus: Am, E7, F7, Bbm and on to B-minor via Bbm, F7 and F#7. The melody then modulates back to A-minor after repeating a dissonant chord six times.

Variations

Haunted Mansion

Many different music loops are used throughout the Haunted Mansion attractions at Disneyland, Walt Disney World, and Tokyo Disneyland. Speakers disguised within the sets allow the music to fade in and out as guests pass through the different areas. The following variations of "Grim Grinning Ghosts" can be heard in these attractions.
* Entrance Foyer: As guests enter the dimly-lit foyer, a distant organ can be heard. "Grim Grinning Ghosts," played in the slow cadence of a funeral dirge, rumbles through the mansion. This simple arrangement is intended to set the spooky tone for the attraction. It features melody and bass line on a Robert Morton theater organ and an almost inaudible countermelody on tubular bells.
* Loading Area: Guests leave the "stretching room" and proceed down a hall of morphing portraits. One of the ride's most unconventional musical selections plays in the background. An alto flute plays a low rendition of Baker's composition, with tubular bells doubling the melody. There is also a wind-like sound effect that follows the pitches of the song.
* Piano Parlor: In the Walt Disney World and Tokyo Disneyland versions, guests pass by a decrepit music parlor. A shadowy phantom sits at the piano, playing "Grim Grinning Ghosts" as block chords with heavy rubato. This rendition isn't heard in the original Disneyland mansion, but it was recorded during the production of the original attraction. Many sources claim that Buddy Baker himself performed this piece.
* Seance Room: Guests pass through the ominous Corridor of Doors (while the foyer organ plays again) and enter Madame Leota's seance room. A variety of instruments float through the room, including a harp, a tambourine, and a trumpet. The song's melody hums softly on organ in the background, while the other instruments fade in and out.
* Ballroom: A convert|90|ft|m|sing=on-long mezzanine overlooks the mansion's ballroom, which is swarming with translucent ghosts. On the far left, spirits pour from the pipes of an organ prop as "Grim Grinning Ghosts" howls through the ballroom, this time as a waltz. This piece makes use of unusual chords, including minor/major sevenths and cluster chords. Baker originally approached organist Gaylord B. Carter, who had recorded the other organ tracks for the mansion, for this ballroom waltz. But Carter was taking too sensible an approach for Baker's tastes, so he took a transcription of Carter's improvisations to William Sabransky. Sabransky then improvised from "Carter's" attempts.
* Attic: A phantom pianist, similar to the one in the Walt Disney World piano parlor, is seen. He is laboring over a grim refrain of Richard Wagner's "Bridal Chorus" instead of "Grim Grinning Ghosts." This music loop, which was added to the Disneyland attraction several decades after it opened, is actually synchronized with the music in the next area. The piece has been transposed into the keys of A minor, A♭ minor, and B minor, with the chords and key changes mimicking those used in "Grim Grinning Ghosts." The piece's structure has also been modified to integrate seamlessly with the graveyard jamboree, which becomes more and more audible as the guests leave the attic.multi-listen item
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* Graveyard Jamboree: X Atencio's lyrics are first heard in the graveyard scene. A large number of different music loops play throughout area. Most of them are ghosts singing the lyrics over a background loop that provides the 1960s style bass line and rhythm section. One of the tracks features a harp, trumpet, oboe, flute, and set of stones. All four verses are present, with first two in A minor, the third in B♭ minor, and the fourth in B minor. This presentation of "Grim Grinning Ghosts" is by far the loudest and most noticeable in the ride.
* Exit Crypt: Guests exit their Doom Buggies and proceed through the exit crypt, which leads back up to New Orleans Square. A final, somber "a capella" refrain can be faintly heard with different lyrics.

One of the voice talents in the attraction is Thurl Ravenscroft, who was recognizable from other Disney projects, the annual Chuck Jones/Dr. Seuss Christmas special "How The Grinch Stole Christmas" and as the voice of Tony the Tiger. He leads "singing busts" in the graveyard scene with his characteristic voice.

"Grim Grinning Ghosts" has been covered by the Canadian rock group Barenaked Ladies. A variation of this song is also used at Disney World's Magic Kingdom "HalloWishes" fireworks show, and in parades at Disneyland Paris Resort and Hong Kong Disneyland during the Halloween season.

The seasonal "Haunted Mansion Holiday" overlay at the original Anaheim attraction mixes the tune with Danny Elfman's melody lines from "The Nightmare Before Christmas" together with "Jolly Old Saint Nicholas" and "Jingle Bells". One of the most prominent instances of this is a straight orchestral statement of the "Grim grinning ghosts come out to socialize" melody line that plays at the end of the cue for the stretching room.

Phantom Manor

On April 12, 1992, a new Disney mansion opened to the public at Disneyland Paris. This time, Imagineers named the attraction "Phantom Manor." Based on the original Disneyland ride but adapted to a Wild West theme, Phantom Manor featured a more coherent storyline and an all-new orchestral soundtrack by composer John Debney.

Phantom Manor takes a different approach to the same concept as the Haunted Mansion attractions. The intended mood is one of corrupted elegance, rather than morbid kookiness. As a result, the soundtrack is different as well. The Mansions feature music that is usually played or sung by characters in the scenery: an organist's waltz, a graveyard band jamboree, and so on. The Manor, however, has a full orchestral soundtrack that takes a more cinematic approach. All of the music is based on "Grim Grinning Ghosts." A variety of instrumentations are used. At various moments, guests hear piano, organ, alto flute, a boy's choir, a jazz band, and a female voice soloist who symbolizes the character of the Bride, all in addition to the ordinary orchestral complement.

The Movie

When Walt Disney Pictures released a Haunted Mansion movie, composer Mark Mancina was asked to write the film's music. Like Phantom Manor's soundtrack, the movie score is orchestral and uses "Grim Grinning Ghosts" frequently. However, Mancina used "Grim Grinning Ghosts" in somewhat different ways from Debney, focusing more on relatively light-hearted background music and ominous crescendos of orchestra and organ than on waltz-like passion. Cues such as the film's overture allowed Mancina to work with both "Grim Grinning Ghosts" and a theme of his own invention. A scene in the mansion's graveyard also features the attraction's singing busts, whose musical selections include a few lines from the song. The vast majority of the film's music, though, was never officially released as a soundtrack, though copies of a complete album given to staff and orchestra members can occasionally be found for sale. Four minutes of the score did make it onto the "Haunted Hits" CD release, which groups "Sara Passes Out," the overture, and "Going to Heaven" into one track entitled "Overture from The Haunted Mansion." However, none of the orchestral and/or organ statements of "Grim Grinning Ghosts" are heard on this album.