- August Klughardt
August Friedrich Martin Klughardt (
November 30 ,1847 –August 3 ,1902 ) was a German composer and conductor.Life
Klughardt, who was born in
Köthen , took his first piano and music theory lessons at the age of 10. Soon, be began to compose his first pieces, which were performed by a music circle Klughardt had founded himself at school. In 1863, his family moved toDessau . One year later, Klughardt gave his debut as pianist. After having finished school, he moved to Dresden in 1866. There, he took further lessons and brought his compositions to the public for the first time. One year later, he began to earn his living as a conductor. At first, he worked at the municipal theatre in Posen(Poznań ) for one season, then inNeustrelitz for one season, and finally inLübeck for several months. From 1869 to 1873, he worked at the court theatre inWeimar . There, he metFranz Liszt , which was very important for his creative development. In 1873, he returned to Neustrelitz where he became chief conductor. He was even appointed manager in 1880. In 1876, he visited the firstBayreuth Festival . From 1882 to the end of his life, he was director of music at the court in Dessau. In 1892 and 1893, he conductedRichard Wagner 's "Der Ring des Nibelungen ". He received many distinctions in his last years: he was appointed member of theBerlin Academy of Arts in 1898 and he was made honorary doctor by the University ofErlangen . He was also asked to direct the "Singakademie" in Berlin, but he rejected this offer. Klughardt died suddenly inRoßlau at the age of 54.Style
Klughardt's meeting with Liszt established his enthusiasm for the music of the "Neudeutsche Schule" around Wagner and Liszt. Indeed, his works reflect some of their conceptions. Nevertheless, Klughardt did not shy away from keeping up genres which Wagner and Liszt rejected. He wrote six symphonies and a lot of
chamber music . Likewise, he did not compose a singlesymphonic poem , a genre that was propagated by Liszt, but several more old-fashioned programmaticoverture s. In fact,Robert Schumann 's influence is probably more obvious in Klughardt's works. He intended to create a synthesis of these dissimilar tendencies. In hisopera s, he used Wagner'sleitmotif technique, but he held to the older number opera instead of Wagner's through-composed music-drama. Some of his compositions show Klughardt as a child of his times, for example his choral work "Die Grenzberichtigung (The correction of the frontier)", Op. 25, which was composed when Germany won theFranco-Prussian war in 1870/71. Altogether, Klughardt must be considered as a rather conservative composer in spite of his interest in more modern tendencies. Today, most of his output is nearly forgotten. Only hisVioloncello concerto , his "Schilflieder (Reed Songs)" and hisWind quintet are played from time to time.List of works
* Symphonies
** "Waldleben (Life in the forest)", symphony (1871, withdrawn)
** Symphony No.1, Op. 27 "Lenore" (1873)
** Symphony No.2 in F minor, Op. 34 (1876)
** Symphony No.3 in D major, Op. 37 (ca. 1880)
** Symphony No.4 in C minor, Op. 57 (1897)
** Symphony No.5 in C Minor, Op. 71 (1897, arrangement of the Sextet opus 58)
* other works for orchestra
** "Sophionisbe", ouverture, Op. 12 (1869)
** "Die Wacht am Rhein . Siegesouvertüre (The watch on the Rhine. Victory ouverture)", Op. 26 (1871)
**Suite in A minor, Op. 40 (1883)
** "Auf der Wanderschaft (On the tramp)", suite, Op. 67 (1896, originally for piano)
**Violin concerto in D major, Op. 68 (ca. 1895)
** Cello Concerto in A minor, Op. 59 (ca. 1890)
** Konzertstück for oboe and orchestra in F Major, Op. 18 (ca. 1870)
** Romance for bass clarinet and orchestra
* Operas
** "Mirjam", Op. 15 (ca. 1870)
** "Iwein", Op. 35 (1877/78)
** "Gudrun", Op. 38 (1883)
** "Die Hochzeit des Mönchs (The friar's wedding)", Op. 48 (ca. 1885)
* other vocal music
** "Die Zerstörung Jerusalems (The deletion ofJerusalem )",oratorio (ca. 1898)
** "Judith", oratorio (ca. 1900)
** choral works
** songs
* Chamber music
**String quartet in F major, Op. 42 (ca. 1883)
** String quartet in D major, Op. 61 (ca. 1890)
**String quintet in G minor, Op. 62 (ca. 1890)
**String sextet in C sharp minor, Op. 58 (ca. 1890)
**Piano trio in B flat major, Op. 47 (ca. 1885)
**Piano quintet in G minor, Op. 43 (ca. 1883)
** "Schilflieder (Reed songs)", 5 Fantasiestücke after poems by Lenau for piano, oboe and viola, Op. 28 (1872)
**Wind Quintet in C major, Op.79 (ca. 1898)External links
*
Listening
* [http://zephyroswinds.com/ZQ%20sound%20samples/klughardtMvt1.mp3 Wind Quintet, mvt. 1 (excerpt): Zephyros Winds]
Literature
* cite book|last=Eisenhardt|first=Günther|coauthors=Zabel, Marco|language=German|title=August Klughardt Ausgewählte Dokumente und Materialien zu Leben und Werk. Mit einem Bericht über die ersten Bayreuther Festspiele 1876|location= Potsdam|publisher=Universitätsbibliothek Publikationsstelle|date=2002
isbn=3935024428
oclc=51968064
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