Piano Sonata No. 8 (Beethoven)

Ludwig van Beethoven's Piano Sonata No. 8 in C minor, op. 13, commonly known as Pathétique, was published in 1799, though written the year before, when the composer was 28 years old. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. [http://www.all-about-beethoven.com/patetica.html Beethoven Pathetique Sonata Op. 13] All About Beethoven. Retrieved May 1, 2008.] Although commonly thought to be one of the few works to be named by the composer himself, it was actually named (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. [Burkhart, Charles: "Anthology for Musical Analysis", page 233. Schirmer 2004.]

The Pathétique Sonata is perhaps the earliest of Beethoven's compositions to achieve widespread and enduring popularity. It is widely represented on the concert programs and recordings of professional pianists. As one of the more famous Beethoven pieces, it has been incorporated into several works of popular culture (e.g. it is used as the theme of the film "The Man Who Wasn't There" and Billy Joel's "This Night" from his album "An Innocent Man"). Beethoven's Pathetique remains one of his most popular sonatas.

Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart’s piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The spacious second movement of Mozart's sonata, especially, makes use of a theme remarkably similar to that of the second movement, "Adagio cantabile," of Beethoven's. [Marks, F. Helena. The Sonata : Its Form and Meaning as Exemplified in the Piano Sonatas by Mozart. Norbury Crescent: New Temple P, 1921.] However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart’s creation.

In its entirety, encompassing all three movements, the work takes approximately 19 minutes to perform.

Movements

The sonata has three movements:

#" Grave" (Slowly, with solemnity) - Allegro di molto e con brio" (Quickly, with much vigour)
#" Adagio cantabile" (Slowly, in a singing style)
#"Rondo: Allegro" (Quickly)

Grave - Allegro di molto e con brio

The first movement is in sonata form. It begins with a slow introductory theme, marked "Grave". The allegro section is in 2/2 time in the home key of C minor, modulating, like most minor-key sonatas of this period, to the mediant, E flat - however Beethoven makes use of unorthodox mode-mixture, as he presents the second subject in e-flat minor rather than its customary parallel major. Beethoven extends Haydn's compositional practice by returning to the introductory material, not once but twice - at the beginning of the development section as well as in the coda.

Beethoven did not specify precisely where the first movement's repeat should begin. Pianists traditionally start the repeat at the beginning of the "Allegro", but some choose to start from the very beginning of the piece ("Grave"). This latter option reflects Beethoven's beginning the development section with the slow theme.

"Grave" introduction : first four bars

Musicologist Donald Francis Tovey suggested leaving out the repeat altogether. []

Adagio cantabile

The "Adagio" movement opens with a famous "cantabile" ("in a singing style") melody. This theme is played three times, separated by two modulating episodes: the first episode moves from F minor to E-flat major, and the second from A-flat minor to E major. With the final return of the main theme, the accompaniment becomes richer and takes on the triplet rhythm of the second episode. There is a brief coda.

The famous "Adagio cantabile": first eight bars

Rondo: Allegro

The sonata closes with a 2/2 movement in C minor. The main theme closely resembles the second theme of the "Allegro" of the first movement: its melodic pattern is identical for its first four notes, and its rhythmic pattern for the first eight. The movement's sonata rondo form includes a coda. The three rondo episodes are in E flat, A flat, and C major. The common use of sforzandos create a forceful effect, although overall the rondo is relatively lightweight compared to the first movement.

Media

ee also

*Beethoven and C minor

References

External links

* [http://www.dlib.indiana.edu/variations/scores/aek3910/index1.html Ricordi edition of the score] . William and Gayle Cook Music Library at the Indiana University School of Music.
* A public domain engraving of the score using GNU LilyPond and MIDI files are [http://www.mutopiaproject.org/cgibin/make-table.cgi?collection=beetson&preview=1 available] from the [http://www.mutopiaproject.org Mutopia Project] in several formats.
* [http://www.all-about-beethoven.com/patetica.html Brief analysis] of the Pathétique Sonata and free score on the [http://www.all-about-beethoven.com All About Ludwig van Beethoven] Pages.
* [http://www.youtube.com/watch?v=T5PTHMOFujY A YouTube video] of this sonata played by Freddy Kempf.
* For a public domain recording of this sonata visit [http://musopen.com Musopen]
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