- Klaus Schulze
Infobox musical artist
Name = Klaus Schulze
Img_capt = Klaus Schulze with Lisa Gerrard, 2007
Img_size =
Background = non_vocal_instrumentalist
Birth_name =
Alias =
Born = birth date and age|1947|8|4
Died =
Origin =Berlin, Germany
Instrument =
Genre =Electronic music New Age music Space music Trance music
Krautrock/Kosmische Musik Berlin School
Occupation = Musician, Producer
Years_active = 1969–present
Label =Ohr Records Brain Records Virgin Records
Metronome
Manikin RecordsIsland Records
IC
InteamZYX Records
WEA
RainhorseSynthetic Symphony FAX +49-69/450464
Associated_acts =Tangerine Dream Ash Ra Tempel Cosmic Jokers
URL = [http://www.klaus-schulze.com Official Site]
Notable_instruments =Klaus Schulze (born
August 4 ,1947 ) is a Germanelectronic music composer and musician. He also used the alias "Richard Wahnfried". He was briefly a member of the electronic bandsTangerine Dream andAsh Ra Tempel before launching a solo career consisting of more than 40 albums (more than 110 CDs) lasting over 3 decades.History
In 1969, Klaus Schulze was the drummer of one of the early incarnations of
Tangerine Dream for their debut album "Electronic Meditation ". In 1970 he left this group to formAsh Ra Tempel withManuel Göttsching . In 1971, he chose again to leave a newly-formed group after only one album, this time to mount a solo career. In 1972, Schulze released his debut album "Irrlicht" with organ and a recording of an orchestra filtered almost beyond recognition. Despite the lack of synthesizers, this proto-ambient work is regarded as a milestone in electronic music. The follow up, "Cyborg", was similar but added the EMS Synthi A synthesizer.He has had a prolific career, with more than 40 original albums to his name since "Irrlicht", some highlights being 1976's "
Moondawn ", 1979's "Dune", and 1995's double-album "In Blue" (featuring one long track with electric guitar by his pal Manuel Göttsching ofAsh Ra Tempel ). He often takes German events as a starting point in his compositions, particularly on his album ""X"" (the title signifying it was his tenth album) in 1978 which was subtitled "Six Musical Biographies", including such notables asLudwig II of Bavaria ,Friedrich Nietzsche , andWilhelm Friedemann Bach . His use of the pseudonym "Richard Wahnfried" indicates his interest inRichard Wagner , which also informs other albums of his music, notably "Timewind ".Throughout the 1970s he worked mostly in the musical vein of the above-mentioned
Tangerine Dream , albeit with far lighter sequencer lines and a more reflective, dreamy edge, not unlike theambient music of contemporaryBrian Eno . Some of his lighter albums are appreciated bynew age music fans, but Schulze has always denied connections to this genre.Klaus Schulze had a more organic sound than other electronic artists of the time. Often he would throw in decidedly non-electronic sounds such as acoustic guitar and a male operatic voice in "
Blackdance ", or a cello in "Dune" and "Trancefer ". Schulze developed aMinimoog technique that sounds uncannily like an electric guitar, which is quite impressive in concert.In the 1980s Schulze moved from analog to digital instruments, and his work accordingly became less experimental and more accessible. Although the switch to purely digital recording and instruments is evident in the style of "Dig It" (1980) It was not until the release of "
Trancefer " (1981) that the shift in style became evident. "Trancefer " was far more obviously reliant on sequencers than previous recordings, and the resultant effect transformed Schulze's style from gentle melodic journeys to and ever growing crescendo of music consisting of multi layered rhythmical passages. This is particularly evident in the "Trancefer "'s first track "A few moments after Trancefer", although the second track "Silent Running" is more reminiscent of Schulze's earlier works.This newer style can also be found in Schulze's next release "
Audentity ". Both "Cellistica" and "Spielglocken" are composed in a similar, sequencer based, style as "Trancefer ", but this is certainly not the case of all of "Audentity "'s tracks, indeed "Sebastian in Traum" hints towards the Operatic style to be found in some of Schulze's much later work. The predominance of sequencing can also be found in the follow up live album "Dziekuje Poland Live '83 ", although it should be noted that many of its tracks are re-workings of those to be found on "Audentity ". Schulze's next studio-based album "Angst" (soundtrack to the namesake 1983 film) moved away from the harshness of sharp, heavily sequenced style of the 3 previous albums and, once again, had the more "organic feel" of earlier recordings. Another highlight of this era was "En=Trance " with the dreamy cut "FM Delight". The album "Miditerranean Pads " marked the beginning of very complex percussion arrangements that continued into the next two decades.Starting with "
Beyond Recall ", the first half of the 1990s was the notorious "sample" period, when Schulze used a variety of pre-recorded sounds of screeching birds and sensuous female moans in his studio albums and live performances. Sampling was such an unpopular diversion that when "In Blue" was released in 1995 without samples it was hailed as a return to form. The decade also saw the release of copious amounts of previously unreleased material, of varying quality, in several limited-edition boxed sets. Some live recordings were discovered on pristine but forgotten reels of tape which had been used to provide echo in concerts.Recently Schulze began incorporating elements of
jazz and classical music, working with more contemporary techno dance music such as trance, and creating twoopera , the second still awaiting release. Also, in 2005 he began re-releasing his classic solo and Wahnfried albums with bonus tracks of unreleased material recorded at roughly the same time as the original works.June 2007, Klaus Schulze released a new album entitled Kontinuum.
Both Klaus Schulze and
Lisa Gerrard (Dead Can Dance ) have produced an album called Farscape, released in July 2008. Later that month, Schulze and Gerrard appeared at an open-air music festival on theLoreley rock in Germany.Richard Wahnfried
"Richard Wahnfried", then simply "Wahnfried" after 1993, is the long-time and only real alias for Klaus Schulze – originally a pseudonym, later an official
side project name. Seven albums were released under this name between 1979 and 1997.The main characteristics of the Wahnfried albums (as opposed to Schulze's regular works) are:
* Often being oriented towards more mainstream genres (some would say "more commercial"), such as rock, dance, techno and trance.
* Always allowing for collaborative and less electronic albums, with known or unknown guest musicians performing along Schulze's synths.The pseudonym's etymology stems from Schulze's love for
Richard Wagner :
* Richard, evidently from Wagner's first name. Richard is also the name of Schulze's first son.
*Wahnfried ("Peace from delusion and/or madness", in German), from the name Wagner gave to his villa inBayreuth (and where he was later buried).In his 1975 album "
Timewind " (four years before the first alias use), Schulze had already named a track "Wahnfried 1883" (in reference to Wagner's death and burial in his Wahnfried's garden in 1883). The other track on "Timewind" is called "Bayreuth Return". After 1993, the albums are simply credited to "Wahnfried", and namedrop Schulze ("featuring Klaus Schulze", "Produced by Klaus Schulze")."Wahnfried" is the only known alias of Schulze (albeit on the 1998 "Tribute To Klaus Schulze" album, among 10 other artists, Schulze contributed one track barely hidden behind the "Schulzendorfer Groove Orchester" pseudonym).
Discography
Studio and live albums
Schulze's concert performances are original compositions recorded live and thus listed as albums:
*1972 "Irrlicht" - Re-released 2006
*1973 "Cyborg" - Re-released 2006
*1974 "Blackdance " - Re-released 2007
*1975 "Picture Music " - Re-released 2005
*1975 "Timewind " - Re-released 2006
*1976 "Moondawn " - Re-released 2005
*1977 "Body Love " (soundtrack) - Re-released 2005
*1977 "Mirage" - Re-released 2005
*1977 "Body Love Vol. 2 " - Re-released 2007
*1978 ""X"" - Re-released 2005
*1979 "Dune" - Re-released 2005
*1980 "...Live... " Re-released 2007
*1980 "Dig It" - Re-released 2005
*1981 "Trancefer " - Re-released 2006
*1983 "Audentity " - Re-released 2005
*1983 "Dziekuje Poland Live '83 " (live) - Re-released 2006
*1984 "Angst" (soundtrack) - Re-released 2005
*1985 "Inter*Face " - Re-released 2006
*1986 "Dreams" - Re-released 2005
*1988 "En=Trance " - Re-released 2005
*1990 "Miditerranean Pads " - Re-released 2005
*1990 "The Dresden Performance " (live)
*1991 "Beyond Recall "
*1992 "Royal Festival Hall Vol. 1 " (live)
*1992 "Royal Festival Hall Vol. 2 " (live)
*1993 "The Dome Event " (live)
*1994 "Le Moulin de Daudet " (soundtrack) - Re-released 2005
*1994 "Goes Classic "
*1994 "Totentag "
*1994 "Das Wagner Desaster - Live - " (live) - Re-released 2005
*1995 "In Blue" - Re-released 2005
*1996 "Are You Sequenced? " - Re-released 2006
*1997 "Dosburg Online " - Re-released 2006
*2001 "Live @ KlangArt 1 " (live) - Re-released 2008
*2001 "Live @ KlangArt 2 " (live) - Re-released 2008
*2005 "Moonlake "
*2005 "Vanity of Sounds " - Re-released 2005 from "Contemporary Works I" box set
*2006 "The Crime of Suspense " - Re-released 2006 from "Contemporary Works I" box set
*2006 "Ballett 1 " - Re-released 2006 from "Contemporary Works I" box set
*2006 "Ballett 2 " - Re-released 2006 from "Contemporary Works I" box set
*2007 "Ballett 3 " - Re-released 2007 from "Contemporary Works I" box set
*2007 "Kontinuum "
*2007 "Ballett 4 " - Re-released 2007 from "Contemporary Works I" box set
*2008 "Farscape"In 2005 an intensive re-release program of Schulze CDs started, mostly with extended or bonus tracks, sometimes a whole additional CD. They are published by the label Revisited Records (a division of German company
InsideOut Music [http://www.insideout.de/indexx.php?arg=AQcGBEtBUjMBBEtBUjM 1] ), and distributed by SPV.Richard Wahnfried albums
Composed by Schulze and performed with guest artists under alias "Richard Wahnfried":
*1979 "
Time Actor "
*1981 "Tonwelle "
*1984 "Megatone"
*1986 "Miditation "
*1994 "Trancelation "
*1996 "Trance Appeal " - Re-released 2007
*1997 "Drums 'n' Balls (The Gancha Dub) " - Re-released 2006Personnel
; (1979) "Time Actor":*
Klaus Schulze - synths:* Arthur Brown - vocals (1970s shock/prog rocker):*Vincent Crane - keyboards (ex Arthur Brown,Atomic Rooster ):* Wolfgang Tiepold - cello :*Michael Shrieve - percussion (Santana drummer); (1981) "Tonwelle":*
Klaus Schulze - synths:* Manuel Göttsching - guitar (Ash Ra Tempel) :* "Karl Wahnfried" - guitar (unrevealed guest, just 'happens' to sound exactly likeCarlos Santana ):*Michael Shrieve - drums (Santana drummer):* Michael Garvens - vocals; (1984) "Megatone" :*
Klaus Schulze - synths:* Michael Garvens - voice :* Olduer Madchenchor - voice :* Axel-Glenn Müller - saxophone :* Ulli Schober - drums :*Michael Shrieve - percussion (Santana drummer):* Harald Katzsch (guitar); (1986) "Miditation" :*
Klaus Schulze - synths:* Steve Jolliffe - flute (exTangerine Dream ); (1994) "Trancelation":*
Klaus Schulze - synths:* U. W. Überschall - sampling :* Georg Stettner - keyboards; (1996) "Trance Appeal":*
Klaus Schulze - synths:* Jörg Schaaf - keyboards; (1997) "Drums 'n' Balls (The Gancha Dub)":*
Klaus Schulze - keys, computer, recording, mix:* Joe "Dum Dum" Loevenstone - ritual percussion :* Sloto Olatunye - sirophone, melomanica, bubble drum :* Katarina Nevaseynewa - singing voice :* Venus "Fretless" Dupond - bassCD Box Sets
*1993 "Silver Edition" - Limited edition 10 disc box set of 2000 sets. Sold out.
*1995 "Historic Edition" - Limited edition 10 disc box set of 2000 sets. Sold out.
*1997 "Jubilee Edition" - Limited edition of 25 disc box set 1000 sets. Sold out.
*2000 "The Ultimate Edition" - Re-released Silver, Historic and Jubilee Edition box sets expanded with bonus material. (tentatively scheduled for re-release in 2008)
*2000 "Contemporary Works I" - 10 disc box set with guest performers.
*2002 "Contemporary Works II" - 5 disc box set with guest performers (limited 6th disc included with the first 333 sets)"The Dark Side of the Moog" series
In collaboration with the extremely prolific ambient techno guru
Pete Namlook (joined also byBill Laswell on volumes 4 to 7). Each title is a humorous distortion of aPink Floyd title, included in brackets:*1994 "The Dark Side of the Moog I" - "Wish You Were There" (Wish You Were Here)
*1994 "The Dark Side of the Moog II" - "A Saucerful of Ambience" (A Saucerful of Secrets )
*1995 "The Dark Side of the Moog III" - "Phantom Heart Brother" (Atom Heart Mother )
*1996 "The Dark Side of the Moog IV" - "Three Pipers at the Gates of Dawn" (The Piper at the Gates of Dawn )
*1996 "The Dark Side of the Moog V" - "Psychedelic Brunch" (Alan's Psychedelic Breakfast )
*1997 "The Dark Side of the Moog VI" - "The Final DAT" (The Final Cut )
*1998 "The Dark Side of the Moog VII" - "Obscured by Klaus" (Obscured by Clouds )
*1999 "The Dark Side of the Moog VIII" - "Careful With the AKS, Peter" (live) (Careful with that Axe, Eugene )
*2002 "The Dark Side of the Moog IX" - "Set the Controls for the Heart of the Mother" (Set the Controls for the Heart of the Sun )
*2005 "The Dark Side of the Moog X" - "Astro Know Me Domina" (Astronomy Domine )
*2008 "The Dark Side of the Moog XI" - "The Heart Of Our Nearest Star" (Set the Controls for the Heart of the Sun )The series was officially concluded with volume 10. On
21 March 2005 at 14:52 CET, Pete Namlook sold the Big Moog synthesizer that was the symbol of the series.Surprisingly, appeared in early April the presentation of the volume XI on [http://www.namlook.de/infos/PK08182.html Pete Namlook's site] , which was available from April 15, 2008Other collaborations
*1970 "
Electronic Meditation " (withTangerine Dream )
*1971 "Ash Ra Tempel" (withAsh Ra Tempel )
*1973 "Join Inn" (withAsh Ra Tempel )
*1973 "Tarot" (withWalter Wegmuller )
*1973 "Lord Krishna von Goloka" (withSergius Golowin )
*1974 "The Cosmic Jokers" (withThe Cosmic Jokers )
*1974 "Planeten Sit In" (withThe Cosmic Jokers )
*1974 "Galactic Supermarket" (withThe Cosmic Jokers )
*1974 "Sci Fi Party" (withThe Cosmic Jokers )
*1974 "Gilles Zeitschiff" (withThe Cosmic Jokers )
*1976 "Go" (with Go, includingStomu Yamash'ta )
*1976 "Go Live From Paris" (with Go, includingStomu Yamash'ta )
*1977 "Go Too" (with Go, includingStomu Yamash'ta )
*1984 "Aphrica " (withRainer Bloss andErnst Fuchs )
*1984 "Drive Inn " (withRainer Bloss )
*1984 "Transfer Station Blue" (withMichael Shrieve andKevin Shrieve )
*1987 "Babel" (withAndreas Grosser )
*2000 "Friendship" (withAsh Ra Tempel )
*2000 "Gin Rosé at the Royal Festival Hall" (withAsh Ra Tempel )
*2008 "Sehnsucht" (with Schiller)Lone tracks
*1985 "Macksy" - Vinyl single made for the discos on company's request.
*1994 "Conquest Of Paradise" - Single, Schulze commissioned to replay a track of byVangelis .
*2002 "Manikin Jubilee" - On a Manikin Records 2-CD sampler limited to 777 copies.
*2004 "Schrittmacher" - On a Manikin Records CD sampler.Samplers and promos
*1991 "2001"
*1994 "The Essential 72-93"
*1999 "Trailer"
*2003 "Andromeda" (Promo CD)
*2004 "Ion" (Promo CD)See also
*
Berlin School
*Kosmische Musik
*Tangerine Dream
*Ash Ra Tempel
* EarthstarExternal links
* [http://www.klaus-schulze.com Klaus Schulze.com] - The official Klaus Schulze website.
*
* [http://www.emforum.li/ Klaus Music Discussion] - The Discussion about Klaus Schulze.
* [http://users.bart.nl/~klooster/ The Unofficial Klaus Schulze Discography] - Discography, FAQ.
* [http://www.sdiycut.com SDIYcut] - Cardboard kits of some Klaus Schulze instruments, including the Big Moog !
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