- Taikomochi
The taikomochi (太鼓持) or hōkan (幇間), were the original
male geisha ofJapan .History
The Japanese version of the
jester , these men were once attendants to "daimyo " (feudal lords) from the1200s , originating from the 'Ji Sect of Pure Land Buddhism', which focused ondancing . These men both advised and entertained their lord and came to be known as "doboshu" ('comrades'), who were alsotea ceremony connoisseurs andartists . By the1500s , they became known as "otogishu" or "hanashishu" (story tellers), where they focused on story telling,humour ,conversation . They were sounding boards for military strategies and they battled at the side of their lord.A time of peace began in the
1600s and the "otogishu" and "hanashishu" no longer were required by their lords, and so they had to take on a new role. They changed from being advisors to becoming pureentertainers , and a number of them found employment with the "Oiran ", high class Japanesecourtesans . "Seisuisho" ('Laughs to Banish Sleep'), a collection of comic stories written by Sakuden Anrakuan, was compiled during this time."Geisha" means "arts person", while "hōkan" was the formal name for "jester". "Taikomochi" was a less formal name for these men, which literally means "drum (
taiko ) bearer", though not all of them used the drum. It could also have been a corrupted way of saying "to flatter someone". These three terms came into use during the1600s . In1751 the first "onna geisha" (female geisha) arrived at a party and caused quite a stir. She was called "geiko" ("arts girl"), which is still the term for geisha in Kyoto today. By the end of the1700s these "onna geisha" outnumbered the male geisha - the "taikomochi" - and the men became so few that they started by "otoko geisha" ("male geisha"). The geisha even took over from the "yujo" due to their artistic skills, their contemporary outlook and their sophistication. The men continued to assist the women - this time the geisha - in the entertainment field.Decline
In "Geisha: The Secret History of a Vanishing World",
Lesley Downer wrote that inYoshiwara in1770 , there were 16 female geisha and 31 male geisha. In1775 there were 33 female geisha, but still 31 male geisha. But in1800 there were 143 female geisha and 45 male geisha. The females started to take over the field and the role of the males was again changed - this time the males took on a role of supporting the women at parties.There were between five or six hundred "taikomochi" in Japan during the peak of their popularity. Since then the geisha started to decline as the popularity of the "jokyu" (cafe girls) in the
1920s due towesternisation . This in turn caused the decline of the "taikomochi". Their decline sped up withWorld War II , and the "taikomochi" continue to decline today. Although there are still small communities of geisha in Kyoto and Tokyo, there are only five "taikomochi" inJapan . Four "taikomochi" are in Tokyo, one is in Kyoto. Unfortunately few young women are interested in becoming geisha, and even fewer young men are interested in becoming "taikomochi".Taikomochi Shichiko
In "Geisha: The Secret History of a Vanishing World", Lesley Downer interviewed Taikomochi Shichiko, a "taikomochi" from Tokyo. She calls "taikomochi" the party masters who ensure that the guests have a fun time at the party by telling
jokes , tellingerotic tales and acting outskits , playing games and drinkingsake . These parties, like with geisha, can be very expensive. Taikomochi Shichiko joked that "taikomochi agete suideno taikomochi" - that a man who spends all of his time and money on "taikomochi" will fall into ruin and his wife will kick him out, and he will have nothing left to do but become a "taikomochi" himself. Apparently this is why a lot of men became "taikomochi" in earlier times.As part of his repertoire, Ms. Downer was shocked by one particular skit - one that is a classic erotic skit. The "taikomochi" pretends to be talking to a pretend "danna" (
patron ) who obviously wants to havesex . The "taikomochi" explains that he isn'thomosexual , and that he's called a geisha, but the pretend "danna" is impatient. So the "taikomochi" gives in to please the client, and acts out (half hidden by a screen) the sex with moans and rolling of eyes, until the climax. The "taikomochi" then gets a tissue to 'clean up'. The audience roared with laughter because they all knew that this was ajoke , making fun of how geisha and "taikomochi" please their customers! Of course they don't go that far, which is why this classic erotic skit is so amusing to the Japanese.Taikomochi Arai
A Kyoto "taikomochi", Taikomochi Arai, wants to promote this traditional
art both in Japan and around the world. He entertains at "ozashiki " (geisha parties) with "maiko " and "geiko" as well as striking out on his own, to try and keep his profession alive. He tells sophisticated erotic stories and is well versed in performing arts for the parties, keeping the party lively and fun for the guests. This sort of entertainment is grounded in thefertility related banquet ("enkai") linked with theagriculture of ancient Japan. He also plays games at the "ozashiki " as well as acting out stories, singing or dancing - making a merry and enjoyable party for the guests. Outside of these "ozashiki", he responds to requests for his performance and appearance at various events including homeparties for women which focus on thehistory andculture of "ozashiki". He also giveslectures at the Asahi Culture Centers in Osaka and Kobe, writesnewspaper columns and has his ownradio show about Japan's traditional entertainment culture. He has also published a book, "Ma no Gokui" ('The Essence of Timing in Performing Arts'). He was involved with giving advice for the "taikomochi" character in the movie "Nagasaki Burabura Bushi". He runs his ownweb site about his profession, and hopes to share thehistory andculture of the "taikomochi" with the world. He comments::"However, unlike other showy traditional cultures appearing on the main stage, "Taikomochi" is a backstage one, which I have dared to pursue as my occupation, knowing that nobody can guarantee and protect it, but still receiving inquiries from top enterprise leaders for attendance at their traditional banquets, where they have shown interest in what I am doing, while trying to get business hints from their conversation with me during such entertainment sessions. I have also been encouraged to take pride in my business by receiving requests from young enterprise managers to give lectures on my experiences in the entertainment business involving human relations. I really hope that I will be able to continue to be of service to people somehow through my occupation".
References
"Geisha:The Secret History of a Vanishing World", Downer, Lesley, 2001, Headline, ISBN 0-7472-7106-2
External links
* [http://www.thekeep.org/~kunoichi/kunoichi/themestream/taikomochi.html Taikomochi or Houkan, the Male Counterpart to the Geisha] (Original source of this entry)
* [http://www.mitene.or.jp/~houkan/ Taikomochi Arai] home page
* [http://www.mitene.or.jp/~houkan/2002/e01.html Japan's Traditional Male Entertainer] historical description by Taikomochi Arai
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