Ningalenne Communistakki

Ningalenne Communistakki

Ningalenne Communistakki (Malayalam: നിങ്ങളെന്നെ കമ്മ്യൂണിസ്റ്റാക്കി, meaning: you made me a communist) is a Malayalam socio-political play by Kerala People's Arts Club (KPAC). This was the second and most popular stage play of KPAC . This drama propelled KPAC into the forefront of kerala cultural scene and played a historical role in popularising the Communist movement in Kerala during 1950's eventually leading to the establishment of first democratically elected communist ministry in The World in 1957 in Kerala under E. M. S. Namboodiripad. [1]

Contents

The history

The drama was inaugurated at Chavara, Kollam, on December 6, 1952. It portrayed the transition of an elderly man from a conservative upper-caste Hindu into a Communist.The play was a protest against the feudalism that prevailed in kerala and it was the clarion call to rise and fight oppression and exploitation. On the 85th day of its inauguration in March 1953 the play was banned by the government under the Dramatic Performances Act alleging that the play propagated "subversive ideas" and encouraged the people to "rebel against the government". Defying the ban the troupe staged the play at Kovalam, near Thiruvananthapuram leading to arrest of all the artists and a case was registered against them.Following intense legal battle the ban was lifted after two months. Since its appearance this play remained the most popular in Malayalam and performed in more than six thousand stages and highly influenced the course of Kerala's political history. [2]

The artists

Thoppil Bhasi, then a young Communist activist who was underground for political reasons wrote the play under the pseudonym Soman. The drama was directed jointly by G. Janardhana Kurup and N Rajagopalan Nair MLA. The songs were written by ONV Kurup and G. Devarajan composed the music and sung by KS George and Sulochana. The main actors were Kampisseri Karunakaran MLA, Adv. G Janardhana Kurup, Adv. N Rajagopalan Nair MLA, O. Madhavan, Thoppil Krishna Pillai (Thoppil Krishna pillai, the younger brother of Thoppil Bhasi acted in different plays of KPAC for 37 years continuously), Bhaskara Panicker, V.Sambasivan, Sreenarayana Pillai, Sulochana, Sudharma, Bhargavi and Vijayakumari. Later highly talented artists like P. J. Antony, CG Gopinath and Adv. Kumarakom Sankunni Menon played leading roles in this play.

Patrons and prominent persons behind the staging of 'Ningalenne Communistakki'

M. N. Govindan Nair, Prof. MP Paul, R Sankara Narayanan Thampi, K Kesavan Potti, Adv. KS Rajamony, N Sreedharan (in Travancore-Cochin), K.P.R. Gopalan, E.M.S. Namboodiripad, AK Gopalan, KA Keraleeyan, NE Balaram, K Damodharan, MK Kelu, Azheekkodan Raghavan, Chathunni Master, AV Kunjambu, Justice. V.R. Krishna Iyer (in Malabar), E. Balanandan, Prithviraj Kapoor, Khwaja Ahmad Abbas, Balraj Sahni (in Bombay). [3]

Comments and Criticisms

The research scholar Robin Jeffrey commented: "It swept like a storm for months up and down kerala. You Made Me a Communist, both symbolised and extended kerala's changing political culture. The fact that audiences responded so enthusiastically indicated that they sympathized with the ideas of equality and struggle that the play sought to convey...The efforts to ban the play testified to its effectiveness."

E.M.S. Namboodiripad, in his essays "From 'Pattabacki' to 'Ningalenne Communistakki'" (1954) and "Malayalam Theatre: 'Ningalenne Communistakki' and After" (1973), wrote that one of the major flaws of "Ningalenne Communistakki" was that the Communist characters in the play failed to impress and did not correspond to real Communists. He commented that "They are puppets with no relationship to living Communist activists,". [4]

Trivia

The drama was made as a malayalam movie in 1970 with the same name with Prem Nazir and Sheela doing the lead roles. [5]

Thoppil Bhasi's son Mr. Soman formed the Thoppil Bhasi Theatres to stage a sequel of this play titled “Enum Ente Thampranum” (Me and My Lord), the staging date is not announced yet. [6] [7]

References


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