Negar Mottahedeh

Negar Mottahedeh is an Associate Professor in the Program in Literature at Duke University.

Negar Mottahedeh is a cultural critic and film theorist specializing in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film Studies.^[1] She is known for her work on Iranian Cinema, but has also published on the history of reform and revolution, on Bábism, Qajar history, performance traditions in Iran, the history of technology, visual theory, Majid Tavakoli and the Men in Scarves Movement (also known as the "I am Majid" campaign),^[2] and the role of social media in the 2009–2010 Iranian election protests.^[3][4][5] She received her Ph.D in 1998 from the University of Minnesota. She has taught at the Ohio Wesleyan University in Delaware, Ohio and in 2002 began teaching at Duke University, where she is Associate Professor in the Program in Literature and in the Women’s Studies Program. Mottahedeh curated the "Reel Evil: Films from the Axis of Evil"^[6] film festival with Miriam Cooke in 2003 and created Brainquake with Golbarg Bashi in response to Boobquake on April 26, 2010.^[7]

Publications

Books

• Displaced Allegories: Post-Revolutionary Iranian Cinema. Duke University Press, 2008.
• Representing the Unpresentable: Images of Reform from the Qajars to the Islamic Republic of Iran. Syracuse University Press, 2008.

Articles

• "Iranian Cinema in the Twentieth Century: A Sense History." Iranian Studies 42:4 (September 2009).
• “Collection and Recollection: on studying the early history of the motion pictures in Iran." Early Popular Visual Culture (June, 2008).
• "Karbala Drag Kings and Queens." The Drama Review (Winter, 2005), pp. 73-85.
• "Ruptured Spaces, Effective Histories: Tahirih in History: Perspective on Qurrat al-‘Ayn from East and West. Studies in the Babi and Baha’i Religions, vol. 16 (Fall, 2004).
• "Off the Grid: Reading Iranian Memoirs in Our Time of Total War." Middle East Research and Information Project (September 2004), online at merip.org.
• "Life is Color! Towards a transnational feminist analysis of Mohsen Makhmalbaf's Gabbeh." Special issue on film, in Feminism Signs (2004).
• "Where are Kiarostami's Women?" On the Foreignness of Film (2004).
• "Resurrection, Return, Reform: Ta’ziyeh as Model for Early Babi Historiography." Iranian Studies 32:3 (2000), pp 387-399.
• "Bahram Bayza`i's Maybe Some Other Time: The un-Present-able Iran." Camera Obscura: Feminism, Culture and Media Studies, 43 (2000), pp. 163-191.
• "Images of Women: [08] Middle East." In Angharad N. Valdivia, ed., The Routledge International Encyclopedia of Women's Studies (2000).
• "Bahram Bayza`i: Filmography." in Life and Art: the New Iranian Cinema (1999), pp 74-82. Translated into Persian as Zindihgi va honar: sinama-yi novin-i Iran, trans. by Parvanih Faridi and Omid Rawhani (Tehran, 1379), pp. 101-110,
• "The Mutilated Body of the Modern Nation." Comparative Studies of South Asia, Africa and the Middle East 18:2 (1998), pp. 38-50, online at Baha'i Library Online.
• "Scheduled For Judgment Day: The Ta’ziyeh Performance in Qajar Persia and Walter Benjamin’s Dramatic Vision of History." Theatre InSight 8:1 (Spring, 1997), pp. 12-20.
• "Ruptured Spaces and Effective Histories: The Unveiling of the Babi Poetess Qurrat al-’Ayn-Tahirih in the Gardens of Badasht." First published in UCLA Historical Journal 17 (1997): 59-81, then in H-Bahai's Occasional Papers in Shaykhi, Babi and Baha'i Studies, 2:2 (February, 1998) — a refereed on-line journal — at h-net.org.

Other

• Co-curated with Hamid Dabashi and La Frances Hui the Asia Society's tribute to the silenced Iranian director Jafar Panahi (February 25-March 11, 2011).^[8]
• "Where the Future Nests: 19th Century Babi and Bahai Photography." Lecture hosted by the Ezri Center for Iran & Persian Gulf Studies at the University of Haifa (April 23 2009), online at gulfc.haifa.ac.il.
• "Negative Refractions: Recent feminist writing on the Middle East." Women's Studies Quarterly (Winter 2006).
• Review of "Abbas Kiarostami" by Mehrnaz Saeed-Vafa and Jonathan Rosenbaum". Historical Journal of Film, Radio and Television 29:3 (August 2009).
• Review of "The Making of a Rebel Filmmaker: Makhmalbaf at Large by Hamid Dabashi". (Winter 2009).
• Review of Ed. Richard Tapper, "The New Iranian Cinema: Politics, Representation, and Identity". Iranian Studies 38:2 (June 2005), pp. 341-344.
• Review of "Iranian Islam: The Concept of the Individual by Nader Ahmadi and Fereshteh Ahmadi". Iranian Studies 33:1-2 (2005).
• Review of Hamid Naficy, "An Accented Cinema: Exilic and Diasporic Filmmaking". Iranian Studies 36:3 (2004).

Awards

• Persian Heritage Foundation "Latifeh Yarshater Award" for Representing the Unpresentable (2008)^[9]
• Persian Heritage Foundation Book Award for Displaced Allegories (2008)^[10]

References

1. ^ CNN: "Iranian Film Industry Thriving, Hollywood Learns"
2. ^ NPR The World: "Men in Scarves"
3. ^ NPR All Tech Considered: "An Internet Coup D'Ta-tas"
4. ^ WUNC The State of Things: "Witnessing Iran on the 30th Anniversary of the American Hostage Crisis"
5. ^ The Chronicle: "Social Media lauded as a Witness to Iran"
6. ^ BBC: "'Axis of evil' films to screen in US"
7. ^ Herald de Paris: "Baring Beauty or Brains? Debate Over 'Earthquake' Comment Splits Feminist Activists" (May 3, 2010)
8. ^ San Francisco Gate: "Jafar Panahi, Mohammad Rasoulof tribute at YBCA"
9. ^ Syracuse University Press
10. ^ Duke Program in Literature

External links

• Negar Mottahedeh's technology and the human experience blog
• Negar Mottahedeh's NYC blog
• Duke Program in Literature
• Duke Women's Studies
• Duke Islamic Studies Center
• Duke Live Online Office Hours with Negar Mottahedeh Ustream
• Mideast Youth Podcast interview with Negar Mottahedeh
• Duke University Press interviews Negar Mottahedeh on the 30th Anniversary of the Islamic Republic of Iran
• Second Cinema interviews Negar Mottahedeh on Post-Revolutionary Iranian Cinema
• Tehran Bureau interviews Negar Mottahedeh

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