Música Ficta

Música Ficta
Disambiguation:
  • See musica ficta for the Latin musical term, feigned music.
There are five early music ensembles with a similar name:
  • Musica Ficta (Argentina) founded 1975 by Rubén Soifer.
  • Musica Ficta (Colombia) founded in 1988 - the subject of this article.
  • Musica Ficta (Spain) founded 1992 by Raúl Mallavibarrena.
  • Musica Ficta (Denmark) founded 1996 by Bo Holten.
  • Musica Ficta (New Zealand) founded 2007 by Chris Burcin and others.
The accent on the word música would indicate that the name is to be read as Spanish not Latin. (The adjective ficta is the same in both Latin and Spanish). The Argentinian, Colombian, and Spanish, Música Ficta groups all use the accent on their homepages.
Música Ficta
Background information
Origin Bogota, Colombia
Genres Baroque music, Renaissance music
Occupations Early music
Years active 1988 - present
Website www.musicafictaweb.com
Members
Carlos Serrano, Jairo Serrano, Elisabeth Wright, Julián Navarro

Música Ficta is an early music ensemble founded in Bogotá, Colombia, in 1988. The ensemble is specialized in the performance of Latin-American and Spanish renaissance and baroque music. It has performed in over 20 countries in Europe, the USA, Latin America, the Far and Middle East. It has recorded for the labels Jade (France), Arion (France), Centaur (USA) and Arts Music (Germany).

The ensemble has recorded various unedited or scarcely known works from Latin-American musical archives, such as Bogotá, Mexico, Guatemala, Lima and Chiquitos (Bolivia). The group is also known for bringing to light unedited pieces by major 17th century Spanish composers such as Sebastián Durón, Juan de Navas and José Marín.

Current members of the group are: Jairo Serrano (voice, percussion), Carlos Serrano (early woodwinds), Julián Navarro (vihuela de mano, baroque guitar, theorbo) and Elisabeth Wright (harpsichord). The members have taught mainly the Early Music Institute of Indiana University and Pontificia Universidad Javeriana in Bogotá.

Discography

  • 1996, p. 2001 - Romances & Villancicos from Spain and the New World. Éditions Jade No. 198-142-2 (France).
  • 1999, p. 2000 - De Antequera sale un moro - Music of the Christian, Moorish and Jewish Spain c. 1492. Éditions Jade No. 74321-79256-2 (France).
  • 2003, p. 2006 - Sepan todos que muero - Music of Peasants and Courtiers in the Viceroyalty of Peru, 17th-18th Centuries. Centaur Records CRC 2797 (USA).
  • 2005, p. 2006 - Esa Noche Yo Bailá - Feast and Devotion in High Peru of the 17th Century. Arts Music No. 47727-8 (Germany).
  • 2007, p. 2008 - Del mar del alma - Music and Poetry in Colonial Bogota (17th-18th c.). Arion ARN68789 (France)

External links


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Look at other dictionaries:

  • Musica ficta — (from Latin, false , feigned , or contrived music) was a term used in European music theory from the late 12th century to about 1600 to describe any pitches, whether notated or to be added by performers in accordance with their training, that lie …   Wikipedia

  • Musica Ficta — On parle de musica ficta, par opposition à la musica recta, dans le cadre de la théorie des hexacordes et de la solmisation décrite par Guido d Arezzo Sommaire 1 Les deux définitions de la musica ficta 2 De la musica recta à la musica ficta 2.1 …   Wikipédia en Français

  • Musica ficta — Musica fịcta   [lateinisch »künstlich gebildete Musik«], Musica fạlsa [lateinisch »falsche Musik«], in der Musiktheorie des 13. 16. Jahrhunderts gebräuchliche Bezeichnung für Töne, die im System der Hexachorde nicht enthalten sind und nur unter …   Universal-Lexikon

  • Música ficta — Para otros usos de este término, véase Musica ficta (desambiguación). La musica ficta (de latín, música “falsa”, “fingida” o “ideada”) era un término usado en teoría de la música europea a partir de finales del siglo XII hasta cerca de 1600 para… …   Wikipedia Español

  • Musica ficta — On parle de musica ficta, par opposition à la musica recta, dans le cadre de la théorie des hexacordes et de la solmisation décrite par Guido d Arezzo Sommaire 1 Les deux définitions de la musica ficta 2 De la musica recta à la musica ficta 2.1… …   Wikipédia en Français

  • musica ficta — /myooh zi keuh fik teuh/; Lat. /mooh si kah fik tah/ the use of chromatically altered tones in the contrapuntal music of the 10th to the 16th centuries. Also, musica falsa /myooh zi keuh fawl seuh/; Lat. /mooh si kah fahl sah/. [1795 1805; < ML… …   Universalium

  • Musica ficta — Als Musica ficta (von lat. fingere, PPP fictum „gestalten, (um)formen“; auch Musica falsa von lat. falsus „nachgemacht, unecht“; dt. etwa „abweichender Ton“) wurden in der Musiktheorie ab dem Beginn des 13. Jahrhunderts diejenigen Töne bezeichnet …   Deutsch Wikipedia

  • Musica Ficta — (Lat. false music )    The performance practice of adding accidentals to written diatonic pitches, chiefly in medieval, Renaissance, and early Baroque music. The specifics of the tradition are inconsistent in both musical and theoretical sources… …   Historical dictionary of sacred music

  • Musica Ficta (grupo) — Musica Ficta Datos generales Origen España Información artística …   Wikipedia Español

  • Música Ficta (Colombia) — Música Ficta is an early music ensemble founded in Bogotá, Colombia, in 1988. The ensemble is specialized in the performance of Latin American and Spanish renaissance and baroque music. It has performed in over 20 countries in Europe, the USA,… …   Wikipedia

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