- Maynard Dixon
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Maynard Dixon
Maynard Dixon c. 1906Born January 24, 1875
Fresno, CaliforniaDied November 11, 1946 (aged 71)
Tucson, ArizonaNationality American Field Painter Movement Tonalist, Impressionism, Precisionism Maynard Dixon (January 24, 1875 – November 11, 1946) was a 20th-century American artist whose body of work focused on the American West. He was married for a time to American photographer Dorothea Lange.
Biography
Dixon was born in Fresno, California into a family of aristocratic Virginia Confederates who had found a new home there after the American Civil War. His mother, a well-educated daughter of a Navy officer from San Francisco, shared her love of classic literature with the young boy and encouraged him in his writing and drawing. Dixon later studied briefly with the tonalist painter Arthur Mathews at the California School of Design where he became close friends with Xavier Martinez and others of the Bohemian Club. To support himself he accepted numerous illustration jobs. Great illustrators were plentiful around the turn of the century, yet Dixon obtained work from the Overland Monthly and several San Francisco newspapers.
In 1900 Dixon visited Arizona and New Mexico. This was the start of his lifelong passion for roaming the West. The next year he accompanied artist Edward Borein on a horseback trip through several Western states. In California, he illustrated books and magazines with Western themes. Some of his most memorable work from these early years appeared in Clarence Mulford’s books about Hopalong Cassidy. For a time he lived in New York with his young wife and baby daughter Constance, but soon returned to the western United States where he said he could create “honest art of the west” instead of the romanticized versions he was being paid to create. Shortly after he began a new life in San Francisco, his first marriage ended.[citation needed]
Dixon developed his style during this early period, and Western themes became a trademark for him. In San Francisco, Dixon was considered a colorful character with a good sense of humor.[citation needed] He often dressed like a cowboy and seemed determined to impart a Western style, most often in the form of a black Stetson, boots and a bolo tie.
Influenced in part by the Panama Pacific International Exposition of 1915, Dixon began to search for a new expression, moving away from impressionism and into a simpler, more modern style. Meeting and marrying Dorothea Lange, a portrait photographer from the East, had a great influence on his art. They married in 1920 and by 1925, the year their first son Daniel Rhoades Dixon[citation needed] was born, Maynard’s style had changed dramatically to even more powerful compositions, with the emphasis on design, color, and self-expression. A true modernist emerged. The power of low horizons and marching cloud formations, simplified and distilled, became his own brand and at once were both bold and mysterious. In 1929 his second son was born, John Eaglefeather Dixon.[citation needed]
During the Great Depression, Dixon painted a series of social realism canvases depicting the prevailing politics of maritime strikes, displaced workers, and those affected by the depression. Simultaneously, Lange captured on film images of the migrant workers in the Salinas Valley and the city breadlines, images that eventually brought her fame. In 1933 the Dixons spent the summer in Zion National Park with sojourns to the hamlet of Mount Carmel, Utah. Lange was called back to San Francisco, a separation which led to the couple's divorce in 1935.
Two years later, Dixon married San Francisco muralist Edith Hamlin. The couple left San Francisco two years later for southern Utah, the source of some of Dixon’s greatest art. In 1939, the couple built a summer home in Mount Carmel, where Dixon found new friends and became reacquainted with the local natural landscapes. He lived near the cottonwood trees along an old irrigation ditch and took short hikes to a plateau where he loved the quiet. Dixon spent winter months in Tucson, where the couple also had a home and studio.
Dixon continued to create simple but powerful compositions in which non-essential elements were distilled or eliminated. In 1946 Maynard died at his winter home in Tucson. In the spring of 1947 his widow Edith brought his ashes to Mount Carmel where she buried them on a high bluff above the art studio being built on the property. This had been at his request and she felt it a fitting tribute where friends could come to pay respects and view the land that he loved.
Related links
- Works from the Permanent Collection of the Utah Museum of Fine Arts
- Maynard Dixon Museum, Maynard Dixon Museum, 7000 E. Tanque Verde Road, Suite 16, Tucson, AZ 85715, www.maynarddixonmuseum.com
- MaynardDixon.org
- www.MaynardDixonBooks.com, Books about Maynard Dixon for sale
- http://www.thunderbirdfoundation.org Thunderbird Foundation for the Arts, a non-profit organization furthering the legacy of American artist Maynard Dixon by preserving his estate and educating the public about his immeasurable contributions to American art. The Thunderbird Foundation also maintains the Maynard Dixon summer home and studio in Mt. Carmel, Utah.
- http://www.maynarddixoncountry.com/maynard-dixon-country.cfm Maynard Dixon Country, an annual an art show, gathering and sale of work by America's premier artists.
http://www.maynarddixondoc.com Award-winning documentary written by Jayne McKay and Daniel Dixon, narrated by Diane Keaton, original music: John McEuen, voice of Maynard Dixon: Don Edwards.
http://maynarddixon.posterous.com/
Research resources
- Guide to the Maynard Dixon Papers at The Bancroft Library
DVD- Maynard Dixon Art and Spirit 2008, produced/directed by Jayne McKay. Narrated by Diane Keaton.[1]
Categories:- 1875 births
- 1946 deaths
- American painters
- American muralists
- Social realist artists
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