Connected: An Autoblogography About Love, Death & Technology

Connected: An Autoblogography About Love, Death & Technology
Connected: An Autoblogography About Love, Death & Technology

Connected poster
Directed by Tiffany Shlain
Produced by Tiffany Shlain
Carlton Evans
Written by Tiffany Shlain
Carlton Evans
Sawyer Steele
Ken Goldberg
Music by Gunnard Doboze
Editing by Dalan McNabola
Tiffany Shlain
Sawyer Steele
Distributed by Paladin Films (US)
ro*co films (outside US)
Release date(s) January 21, 2011 (2011-01-21) (Sundance Film Festival)
Running time 85 minutes
Country United States
Language English

Connected: An Autoblogography About Love, Death, & Technology (2011) is a documentary film directed by Tiffany Shlain about world interconnection and about her father Leonard Shlain.

Contents

Release dates

The film premiered at the Sundance Film Festival in January 2011, and is scheduled to open theatrically in San Francisco, Marin, and Berkeley on 16 September 2011 in limited release.

Reception

"Connected has been one of the truly thrilling experiences of Sundance 2011, and easily the best documentary in competition. Director Tiffany Shlain delivered what was, improbably, both the most thought-provoking and the most personally emotional documentary of the whole festival. It will change your thinking, and what more can a documentary do?"[1] -Michael Dunaway, Paste Magazine[2]

"Indeed, Shlain’s film does go wide — it’s like a rubber band stretching in multiple directions while not breaking. Examining the ways in which technology can productively unite our global citizenry, Connected details nothing less than the history of consciousness and its arrival within today’s always-on, hyper-wired mind."[3] Scott Macaulay, Filmmaker Magazine[4]

"A highly energized romp through a myriad of ideas about where the human race is headed."[5] James Greenberg, The Hollywood Reporter[6]

"The excerpts (from Connected) shown were not just beautiful but deeply resonant, and it was hard not to be swept along by the elegance and optimism on the screen."[7] David Shaywitz, Forbes Magazine.[8]

References


External links



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