- Yang Lu-ch'an
Yang Lu-ch'an or Yang Luchan, 楊露禪, also known as Yang Fu-k'ui (楊福魁) (1799-1872), born in Kuang-p'ing (
Guangping ), was an influential teacher of the soft stylemartial art known astai chi chuan inChina during the second half of the 19th century, known as the founder ofYang style tai chi chuan . [cite book|last=Wile|first=Douglas|title=Tai Chi Touchstones: Yang Family Secret Transmissions|publisher=Sweet Ch'i Press|date=1983|isbn=978-0912059013] cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548]History
Yang Lu Chan’s family was from Hebei Province, Guangping Prefecture, Yongnian County and since childhood his family was poor. He would follow his father in planting the fields and as a teenager held temporary jobs. One period of temporary work was spent doing odd jobs at the Tai He Tang Chinese pharmacy located in the west part of Yongnian City (the pharmacy was opened by Chen De Hu of the Chen Village in Henan Province, Huaiqing Prefecture, Wenxian County). As a child, Yang liked martial arts and started studying
Chang Chuan , gaining a certain level of skill.One day some hoodlums came to Tai He Tang looking for trouble. One of the partners of the pharmacy used a kind of martial art that Yang Lu Chan had never before seen to easily subdue the troublemakers. Because of this, Yang requested to study with the owner, Cheng De Hu. Cheng saw Yang's sincerety and referred him to the Chen Village to seek the 14th generation of the Chen Family,
Ch'en Chang-hsing . [cite book|last=Wile|first=Douglas|title=Tai Chi Touchstones: Yang Family Secret Transmissions|publisher=Sweet Ch'i Press|date=1983|isbn=978-0912059013] cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548] , as his teacher. [Yang Jun]After mastering the martial art, Yang Lu Chan was subsequently given permission by his teacher to go to
Beijing and teach his own students, including Wu Yu-hsiang and his brothers, who were officials in the ImperialQing dynasty bureaucracy .cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548] . In 1850, Yang was hired by the Imperial family to teach tai chi chuan to them and several of their éliteManchu Imperial Guards Brigade units in Beijing'sForbidden City , in whose number was Yang's best known non-family student,Wu Ch'uan-yü . [cite book|last=Wu|first=Kung-tsao|title=Wu Family T'ai Chi Ch'uan (吳家太極拳)|publisher=Chien-ch’uan T’ai-chi Ch’uan Association|date=1980, 2006|isbn=0-9780499-0-X ] This was the beginning of the spread of tai chi chuan from the family art of a small village in central China to an international phenomenon. [cite magazine|last=Yip|first=Y. L.|title=A Perspective on the Development of Taijiquan – Qi, The Journal of Traditional Eastern Health and Fitness Vol. 8 No. 3|publisher= Insight Graphics Publishers |date=Autumn 1998|ISSN=1056-4004] Due to his influence and the number of teachers he trained, including his own descendants, Yang is directly acknowledged by 4 of the 5 tai chi chuan families as having transmitted the art to them. [cite magazine|last=Yip|first=Y. L.|title=A Perspective on the Development of Taijiquan – Qi, The Journal of Traditional Eastern Health and Fitness Vol. 8 No. 3|publisher= Insight Graphics Publishers |date=Autumn 1998|ISSN=1056-4004] [cite book|last=Wile|first=Douglas|title=Tai Chi Touchstones: Yang Family Secret Transmissions|publisher=Sweet Ch'i Press|date=1983|isbn=978-0912059013] cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548]Yang Wu Di
Having refined his martial skill to an extremely high level, Yang Lu Chan came to be known as Yang Wu Di ("Yang the Invincible"). After emerging from Chenjiagou, Yang became famous for never losing a match and never seriously injuring his opponents. Several noteworthy episodes worth mentioning illustrate his level of attainment:
*Once while fishing at a lake, two other martial artists hoped to push Yang in the water and ruin his reputation. Yang -- sensing the attacker's intention -- arched his chest, rounded his back, and executed the High Pat on Horse technique. As his back arched and head bowed, the two attackers were bounced into the water simultaneously. He then said to them that he would be easy on them today; but if they were on the ground, he would have punished them more severely. The two attackers quickly swam away. [T.T. Liang]
*Yang was invited to the abode of a rich man in Beijing called Chang who had heard of Yang's great skills to demonstrate his art. Yang Lu Chan was small of build and did not look like a boxer, when Chang saw him, he thought little of his ability and so served him a very simple dinner. Yang Lu Chan was fully aware of his host's thoughts but continued to behave like an honoured guest. Chang later questioned if Yang's Tai Ch'i, being so soft, could defeat people. Given that he invited Yang on the basis of his reputation as a great fighter, this question was clearly a veiled insult. Yang replied that there were only three kinds of people he could not defeat: men of brass, men of iron and men of wood. Chang invited out his best bodyguard by the name of Liu to test Yang's skill. Liu entered aggressively and attacked Yang. Yang, employing only a simple yielding technique, threw Liu across the yard. Chang was very impressed and immediately ordered a banquet to be prepared for Yang. [ [http://www.itcca.it/peterlim/histnote.htm] ]
*When Yang was at Guangping, he often fought with people on the castle wall. One opponent was unable to defend against Yang's attacks and kept on retreating to the edge of the wall. Yang's opponent, unable to keep his balance began to fall over the edge. At the instant before the opponent fell, Yang, from about thirty feet away, leaped forward, caught the opponent's foot and saved him from falling to his death. [ [http://celestialtaichi.com/content/view/7/49/] ]ubsequent lineage
Yang Lu-ch'an passed his art to:
*his second son, but oldest son to live to maturity,Yang Pan-hou (楊班侯, 1837-1890), was also retained as a martial arts instructor by the Chinese Imperial family. [cite book|last=Wile|first=Douglas|title=Tai Chi Touchstones: Yang Family Secret Transmissions|publisher=Sweet Ch'i Press|date=1983|isbn=978-0912059013] Yang Pan-hou became the formal teacher ofWu Ch'uan-yü (Wu Quanyou), aManchu Bannercavalry officer of the Palace Battalion, even though Yang Lu-ch'an was Wu Ch'uan-yü's first T'ai Chi Ch'uan teacher.cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548] Wu Ch'uan-yü's son,Wu Chien-ch'üan (Wu Jianquan), also a Banner officer, became known as the co-founder (along with his father) of the Wu style. [cite magazine|last=Yip|first=Y. L.|title=A Perspective on the Development of Taijiquan – Qi, The Journal of Traditional Eastern Health and Fitness Vol. 8 No. 3|publisher= Insight Graphics Publishers |date=Autumn 1998|ISSN=1056-4004]
*his third sonYang Chien-hou (Jianhou) (1839-1917), who passed it to his sons,Yang Shao-hou (楊少侯, 1862-1930) andYang Ch'eng-fu (楊澄甫, 1883-1936). [cite magazine|last=Yip|first=Y. L.|title=A Perspective on the Development of Taijiquan – Qi, The Journal of Traditional Eastern Health and Fitness Vol. 8 No. 3|publisher= Insight Graphics Publishers |date=Autumn 1998|ISSN=1056-4004] [cite book|last=Wile|first=Douglas|title=Tai Chi Touchstones: Yang Family Secret Transmissions|publisher=Sweet Ch'i Press|date=1983|isbn=978-0912059013] cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548]
*Wu Yu-hsiang (Wu Yuxiang, 武禹襄, 1813-1880) who also developed his own Wu style, which eventually, after three generations, led to the development ofSun style tai chi chuan . [cite magazine|last=Yip|first=Y. L.|title=A Perspective on the Development of Taijiquan – Qi, The Journal of Traditional Eastern Health and Fitness Vol. 8 No. 3|publisher= Insight Graphics Publishers |date=Autumn 1998|ISSN=1056-4004] cite book|last=Wile|first=Douglas|title=Lost T'ai-chi Classics from the Late Ch'ing Dynasty (Chinese Philosophy and Culture)|publisher=State University of New York Press|date=1995|isbn=978-0791426548]Family tree
This family tree is not comprehensive.
LEGENDARY FIGURES
Zhang Sanfeng * circa 12th century NEI CHIA
Wang Zongyue * T'AI CHI CH'ÜAN
THE 5 MAJOR CLASSICAL FAMILY STYLES
Chen Wangting 1600-1680 9th generation Chen CHEN STYLE
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Chen Changxing Chen Youben 1771-1853 14th generation Chen circa 1800s 14th generation Chen Chen Old Frame Chen New Frame
Yang Lu-ch'anChen Qingping 1799-1872 1795-1868 YANG STYLE Chen Small Frame, Zhao Bao Frame
+---------------------------------+-----------------------------+
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Yang Pan-hou Yang Chien-hou Wu Yu-hsiang 1837-1892 1839-1917 1812-1880 Yang Small Frame | WU/HAO STYLE
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Wu Ch'uan-yü Yang Shao-hou Yang Ch'eng-fu Li I-yü 1834-1902 1862-1930 1883-1936 1832-1892
Yang Small Frame Yang Big Frame
Wu Chien-ch'üan |Hao Wei-chen 1870–1942Yang Shou-chung 1849–1920 WU STYLE 1910–1985
108 Form
Sun Lu-t'ang Wu Kung-i 1861–1932 1900-1970 SUN STYLE
Wu Ta-kuei Sun Hsing-i 1923-1970 1891-1929Note to Family tree table
"Names denoted by an asterisk are legendary or semilegendary figures in the lineage, which means their involvement in the lineage, while accepted by most of the major schools, isn't independently verifiable from known historical records."
References
External links
* [http://www.yangfamilytaichi.com/ Yang Family Website]
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