- Future2Future
Infobox Album | Name = Future2Future
Type = Studio album
Artist =Herbie Hancock
Released = 2001
Recorded = 2001
Genre = JazzElectronica Jazz fusion
Length =
Label = Transparent, Columbia (Japan)
Producer =
Reviews = *Allmusic Rating|4|5 [http://allmusic.com/cg/amg.dll?p=amg&sql=10:vsyvad1kl8w3 link]
*Grove Dictionary of Music and Musicians - Rating|3|5 [http://www.oxfordmusiconline.com.ezproxy.bu.edu/subscriber/article/epm/11412?q=Herbie+Hancock+&search=quick&pos=1&_start=1#firsthit link]
*JazzTimes [http://www.jazztimes.com/reviews/cd_reviews/detail.cfm?article_id=12812 link]
*Wilson & Alroy's Record Reviews Rating-2|5 [http://www.warr.org/hancock.html#Future2Future link]
Last album = "Gershwin's World "
(1998)
This album = "Future2Future"
(2001)
Next album = ""
(2002)"Future2Future" is the forty-third
album byHerbie Hancock . Hancock reunited with bass playerBill Laswell (who worked on "Future Shock", "Sound-System" and "Perfect Machine") and the two of them tried to recapture the success of the three previous albums.In yet another innovative stylistic move, Herbie reunited with Bill Laswell in the creation of a 21st Century collaboration with some of the young hip-hop and techno artists who have drawn on his massive influence to create their own music of the future. The album was released in spring, 2001, and is entitled FUTURE2FUTURE. [ [http://www.herbiehancock.com/bio/today.php Herbie Hancock Official website: Biography] ]
This group of artists (minus
Tony Williams , due to his death four years prior) would go on tour, and produce a live concert that would eventually go onDVD (which features live versions of his songs "Rockit" and "Chameleon").Personnel
*
Herbie Hancock -Keyboard Instrument
*Wayne Shorter -Tenor saxophone andSoprano saxophone
*Bill Laswell -Bass guitar
*Charnett Moffett -Double bass
*Jack DeJohnette -Drum Kit (4, 8, 9, 10)
*Tony Williams -Drum Kit (6)
*Karsh Kale -Drum Kit (3, 7)Guest artists
* Elenni Davis-Knight
*Carl Craig (9)
* GiGi (9)
*Chaka Khan (3)
*Rob Swift
*A Guy Called Gerald (5)
* Dana Bryant (6)
* Imani UzuriTrack listing
# Kebero Part I - 3:10
# Wisdom - 0:33
# The Essence (featuringChaka Khan ) - 4:54
# This Is Rob Swift - 6:55
# Black Gravity - 5:29
# Tony Williams - 6:09
# Be Still - 5:12
# Ionosphere - 3:59
# Kebero Part II - 4:47
# Alphabeta - 5:29
# Virtual Hornets - 8:51Album Notes
Future2Future is the only album Hancock released on Transparent Music, a label he created in the late 90's with Chuck Mitchell (one time president of Verve Records) and David Passick (Hancock's manager). The main collaborative source is in
Bill Laswell , who Hancock had worked with many times before, including the incredibly successful Future Shock (most known for the club hitRockit ). Future2Future is very different from previous efforts due to its attempt to delve further intoelectronica . Hancock keeps most of his playing relatively conservative, holding to chords and sweeps while Laswell has short grooves on thebass guitar . The more intricate sounds on each track are in the drum beats (whether played on a kit or electronically generated) and the use of turntables.Tony Williams , a drummer Hancock had worked with multiple times throughout his career, is sampled on track 6 under softly spoken poetry by Dana Bryant.An album of remixes is released to make some of the songs more pop accessible. After releasing the album the band took the tracks on tour, and a film of the tour's stop at the
Knitting Factory inHollywood .Critical Reviews
*Grove Dictionary of Music - 3/5 [ [http://www.oxfordmusiconline.com.ezproxy.bu.edu/subscriber/article/epm/11412?q=Herbie+Hancock+&search=quick&pos=1&_start=1#firsthit Oxford Music Online] ]
*Wilson & Alroy's Record Reviews - 2/5 [ [http://www.warr.org/hancock.html#Future2Future Wilson & Alroy's Record Reviews: Herbie Hancock] ] The indie review site says the album is more passive or reminiscent ofNew Age music
*JazzTimes.com - no numeric rating [ [http://www.jazztimes.com/reviews/cd_reviews/detail.cfm?article_id=12812 JazzTimes.com - Future2Future] ] States the album is unfocused on the whole, with uninspired performances by performers and guests. The best tracks are the last four instrumentals (Ionosphere, Kebero Part II, Alphabeta, Virtual Hornets).
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