Andrei Ryabushkin

Andrei Petrovich Ryabushkin ( _ru. Андрей Петрович Рябушкин; OldStyleDate|October 29|1861|October 17 – OldStyleDate|May 10|1904|April 27) was a Russian painter. His major works were devoted to life of ordinary Russians of the 17th century.

Biography

Andrey Petrovich Ryabushkin was born in the village "Stanichnaya sloboda", "Borisoglebskiy" uezd, Tambov gubernia in 1861. His father and brother were icon-painters, and he started to help them from his early childhood. At 14 years old he became an orphan. A student of Moscow School of Painting, Sculpture and Architecture "A. Kh. Preobrazhensky", who used to spend the summer in the village, happened to see the boy’s drawings and was greatly impressed by them. He started to give him lessons and helped him to enter the Moscow School of Painting, Sculpture and Architecture. Ryabushkin was one of the youngest student of the school at all times.

Ryabushkin stayed for 7 years (1875-82) in the Moscow School, learning from Vasily Perov and Illarion Pryanishnikov. His first large work Peasant Wedding was bought by Pavel Tretyakov in 1880. After the death of Vasiliy Perov, Ryabushkin moved to Saint Petersburg, in 1882, and entered the Imperial Academy of Arts, where he learned from Pavel Chistyakov. The classes soon disappointed him, however, and he began to spend more and more time either in the library of the Academy or sketching in the streets.

His studies at the Academy came to an end in 1892; he did not receive an award for his diploma work "Descent from the Cross", as was expected, because he did not follow the approved project. But the work was so good that the President of the Academy, Grand Duke Vladimir Konstantinovich, provided Ryabushkin with a stipend for travel and studies abroad from his own means. Instead of going to Italy or Paris, Ryabushkin chose to make a tour of ancient Russian towns (Novgorod, Kiev, Moscow, Uglich, Yaroslavl). The inhabitants of them became his first models and his first critics. He studied the old architecture, items of folk crafts, old weapons, fabrics, tapestries, embroidery, icons, etc. He read ancient books, collected folklore.

He took part in Peredvizhniki exhibitions in 1890, 1892 and 1894 but later broke with the movement.

In the 1890s he lived and worked in the estate of his fiend V.F. Tymenev in town of Lubvino (Saint-Petersburg gubernia). In 1901 he built a studio in a village of Didvino close to Lubvino and the estate of his friend I. Belyaev.

His paintings were mostly devoted to the 17th century. He also worked on frescoes for Saint Sophia Cathedral in Novgorod and mosaics for the Church of the Savior on Blood in Saint-Petersburg. There are 24 of his mosaics on the walls of Church of the Savior on Blood (17 inside and seven outside) (1897-1900). In the later 1900s he became interested in the life of contemporary Russian peasant (such paintings as ). The deep study of history made his paintings very reliable, but they did not evoke any sympathy in his contemporaries. Unlike Vasily Surikov, who used the dramatic historical episodes as his subjects, Ryabushkin painted everyday life of the 17th century. His works lack action, they do not depict social conflicts, as the democrats liked. On the other hand they are not so “beautiful” to reflect the tastes of the rich conservatives. Nobody knew where to place Ryabushkin’s paintings and just did not accept them.

In 1903 Ryabushkin was diagnosed with tuberculosis. He went to Switzerland for treatment but it did not help. He died in his studio in Didvino on April 27 1904.

Works

External links

* [http://www.abcgallery.com/R/ryabushkin/ryabushkin.html On-line gallery of Ryabushkin works]
* [http://www.hrono.ru/biograf/ryabushkin.html Ryabushkin biography] in Russian
* [http://www.cathedral.ru/persons/ryabushkin Ðÿáóøêèí Àíäðåé Ïåòðîâè÷ ] at www.cathedral.ru
* [http://www.krugosvet.ru/articles/84/1008443/1008443a1.htm ÐßÁÓØÊÈÍ, ÀÍÄÐÅÉ ÏÅÒÐÎÂÈ× ] at www.krugosvet.ru
* [http://eng.cathedral.ru/saviour/topography Topography of mosaics in the Church of Savior on Spilled Blood]

ources

V.N. Alexanderov "History of Russian Art", Minsk, 2004, ISBN 985-13-1199-5