Bartolomé Ramos de Pareja

Bartolomé Ramos de Pareja

Bartolomé Ramos de Pareja [His given name is sometimes spelled "Bartolomeo", hsi surname "Ramis".] ("c".1440–1522) was a Spanish mathematician, music theorist, and composer. His only surviving work is the Latin treatise "Musica practica". [Available in an English translation by Clement A. Miller (American Institute of Musicology, 1999).]

By his own testimony at the end of his "Musica practica", Ramos de Pareja was born in Baeza, possibly around 1440. Most of the biographical details of his life must be culled from this treatise. He says that he was a student of Juan de Monte and that he obtained the chair of music at the University of Salamanca for his commentaries on the works of Boëthius ("cum Boetium in musica legeremus"). At Salamanca he had many debates with Pedro de Osma concerning his musical theories. In 1482, when he published his "Musica", he revolutionarily proposed a new, five-limit division of the monochord, breaking from the Pythagorean system that had dominated the medieval "ars antiqua" through Boëthius and Guido of Arezzo. This system of musical tuning yielded consonant perfect fourths and fifths, but the thirds and sixths were rough. [Donald Jay Grout and Claude V. Palisca (2001), "A History of Western Music", 6th ed. (New York: W. W. Norton & Co, ISBN 0 393 97527 4), p. 148.] Ramos de Pareja's new division was only slowly accepted. Afterwards he worked in Italy, primarily at Bologna, where his theories were engendered serious controversy, even polemics, from conservatives like Franchino Gaffurio. After a long stay there he moved to Rome, where he died shortly after 1521.

Ramos de Pareja sought to heal the divide between music in theory and in practice. To this end he sought to render the dissonant thirds and sixths consonant. He proposed the intervals 5/4, 6/5, 5/3, and 8/5 for the division of the monochord, subsequently accepted universally. Less successful was his attempt to replace "extrachordal" notation with a system of eight syllables denoting the eight sounds of a diatonic scale: "psal-li-tur-per-vo-ces-is-tas".

The "Musica practica" also contains interesting commentary on mensural notation, chromatic alterations, examples of counterpoint, musical instruments, and the division of music and its effects. Ramos de Pareja was the first theorist to label the method now known as the Guidonian hand the "manus Guidonis"; prior to him it was called the "manus musicalis". He chose the title "Musica practica" to emphasise the practical rather than the theoretical/mathematical component of music. Throughout Ramos de Pareja alludes to his own compositions, though few survive.

Notes


Wikimedia Foundation. 2010.

Игры ⚽ Нужно решить контрольную?

Look at other dictionaries:

  • Bartolomé Ramos de Pareja — Saltar a navegación, búsqueda Bartolomé Ramos de Pareja (ca. 1440 1522), teórico de la música y compositor español, desempeñó la cátedra de música en la Universidad de Salamanca. Contenido 1 Biografía 2 Aportaciones teóricas 3 …   Wikipedia Español

  • Bartolomé — Saltar a navegación, búsqueda El nombre propio Bartolomé hace referencia a varios artículos en la wikipedia: Bartolomé nombre propio Contenido 1 Artistas 2 Exploradores y navegantes 3 Políticos …   Wikipedia Español

  • Ramos Pareja — Ramos Pareja, Bartolomé …   Enciclopedia Universal

  • Ramos Pareja, Bartolomé — ► (¿1440 1521?) Compositor español. Autor de Música práctica, manual que sentó una de las bases de la armonía …   Enciclopedia Universal

  • Рамос де Пареха — Бартоломео Рамос де Пареха (Bartolomé Ramos de Pareja), или Рамис де Пареха (Ramis de Pareja), в латинизированной форме Bartolomeus Ramus (ок. 1440, Баэса, Андалусия после 1490, Рим) испанский теоретик музыки и композитор. Работал преимущественно …   Википедия

  • Historia del arte — Para la historiografía de la historia del arte, véase Estudio de la historia del arte. La creación …   Wikipedia Español

  • Diego del Puerto — (fl. early 16th century) was a Spanish music theorist. He was active at Salamanca, where he studied and later became cantor of the Colegio Mayor de S Bartolomé and curate at the church of Laredo. His only known work is the treatise Portus musice… …   Wikipedia

  • Solmisation — Le terme solmisation est généralement compris en France comme l étude du chant par la méthode des hexacordes et des muances, tel qu il a été enseigné par Guido d Arezzo au XIe siècle. Pourtant, dans les cultures anglo saxonnes, les mots… …   Wikipédia en Français

  • Festival de Música Antigua de Úbeda y Baeza — Saltar a navegación, búsqueda El Festival de Música Antigua de Úbeda y Baeza es una celebración musical que consolidada como evento de referencia cultural en la provincia de Jaén y uno de los más importantes de Andalucía e incluso del resto de… …   Wikipedia Español

  • Piano — Tesitura …   Wikipedia Español

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”