Herzog Blaubarts Burg

Infobox Film
name = Herzog Blaubarts Burg
(Bluebeard's Castle)


image_size = 215px
caption = Ana Raquel Satre and Norman Foster
director = Michael Powell
producer = Norman Foster
writer = Béla Balázs "(opera)"
starring = Norman Foster
Ana Raquel Satre
music = Bela Bartok
cinematography = Hannes Staudinger
editing = Paula Dvorak
distributor = Süddeutscher Rundfunk
released = 15 December fy|1963 "(West Germany)"
9 November fy|1978 "(UK)"
runtime = 60 minutes
country = West Germany
language = German
budget =
gross =
imdb_id = 0077672

"Herzog Blaubarts Burg" ("Duke Bluebeard's Castle") (fy|1963) is a film of the opera "Bluebeard's Castle" by the Hungarian composer Béla Bartók, written in 1911 to a symbolist libretto by the poet and later film theorist Béla Balázs. The film was made for West German television, Süddeutscher Rundfunk, and was produced by Norman Foster, who also performs the lead role. The designer was Hein Heckroth who brought in his old friend Michael Powell, for whom he had designed a number of films, to direct it. The film, which was shot at Dürer Film Ateliers in Salzburg, Austria, [IMDB [http://www.imdb.com/title/tt0077672/locations Filming locations] ] was out of circulation for decades because of legal problems.Erickson, Hal [http://www.allmovie.com/cg/avg.dll?p=avg&sql=1:85537 Overview (Allmovie)] ]

The opera tells the story of Bluebeard, a notorious 19th century Parisian murderer who woos women, marries them, and then kills them. He reluctantly and gradually reveals everything to his eighth wife, opening the seven doors in his castle to show her their bloody secrets. The only performers are Norman Foster as Bluebeard and Ana Raquel Satre as Judit, his eighth wife. It is sung in German although prints exist with English subtitles. A recent print was made which included Powell's notes on the production, displayed as subtitles.

Bartok's opera, which did not receive its first mounting until 1918, was widely regarded as "unperformable" due to its lack of stage action. Powell and Heckroth turn this quality to their advantage by creating an intense, expressionist psychodrama, where lighting and abstract décor convey the gradual revelation of Bluebeard's inner torment to his last wife. The vivid colours and semi-abstract, neo-primitive décor designed by Heckroth and his team give the film a suitably oppressive feel.

After the trauma of "Peeping Tom"'s reception, Powell succeeded with a musical project that is the equal of anything in his career. "Herzog Blaubarts Burg" stands as a final proof of The Archers' and Powell's claim that the essential unity of art can best be realized in cinema.

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External links

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* [http://www.powell-pressburger.org/Reviews/63_Bluebeard/index.html "Herzog Blaubarts Burg"] reviews and articles at the [http://www.powell-pressburger.org Powell & Pressburger Pages]