Investigations into Germanic Mythology

Investigations into Germanic Mythology

Infobox Book
name = Investigations into Germanic Mythology
title_orig = Undersökningar i germanisk mythologi


image_caption =
author = Viktor Rydberg
illustrator =
country = Sweden
language = Swedish
subject = Germanic mythology
genre = Non-fiction
publisher =
release_date = 1886, 1889
english_release_date =
media_type =
pages =
isbn =

"Undersökningar i germanisk mythologi" ("Investigations into Germanic Mythology") is a two-volume work by Viktor Rydberg, published in 1886 and 1889.

Henrik Schück wrote at the turn of the 20th century that he considered Rydberg the "last —and poetically most gifted —of the mythological school founded by Jacob Grimm and represented by such men as Adalbert Kuhn" which is "strongly synthetic" in its understanding of myth. [ Henrik Schück, quoted by Karl Warburg in Viktor Rydberg, En Lefnadsteckning, 1900.] Of this work, Jan de Vries said:

At a time, when one was firmly convinced that the Old Norse myths were a late product, Rydberg’s voice resounds. At that time, he swam against the stream, but he clearly expressed that which has become an ever stronger certainty today: a large part of the myths of the Germanic tradition —and that is to say basically the Old Norse tradition—must be set back in a time when the undivided Proto-Indo-European people themselves created the vessel of their worldview in myths. [Jan De Vries, "Forschungsgeschichte der Mythologie", 1961, p. 250.]

Reception

There is no shortage of scholarly opinion and no consensus on Viktor Rydberg's works on Indo-European and Germanic mythology. Some scholars feel that his work is ingenious, [Commenting on specifics of Rydberg's comparative mythology, the Dutch scholar Jan de Vries calls him "sagacious." De Vries, writing in "The Problem of Loki", 1933, said:

The resemblance between Loki and Prometheus, which indeed cannot be denied, was mostly considered to be a proof of his character as a fire-god, even going back to the Aryan period. The sagacious Swedish scholar V. Rydberg argued in the same way, considering him only more particularly to be connected with the heavenly fire, the lightning; this seems to be shown by the etymological meaning of the names Byleistr and Farbauti both parents of Loki.”
] while others feel the work is too speculative. One scholar expressed the opinion that "Rydberg's views" concerning resemblances of Thor and Indra were carried to extremes, therefore receiving "less recognition than they deserved." [E.O.G. Turville-Petre, "Myth and Religion of the North", 1964, p. 103] Others refute individual points of the work. [Marlene Ciklamini observed in 1962, "Since Suttungr is unanimously declared to be the possessor of the poetic mead, it is difficult to agree with Rydberg that Hávamál 140 represents Bölþorn's son as the owner. His hypothesis is based on a misinterpretation of the stanza, since Háv. 140 represents the boast of a god who deprived his enemies of the exclusive right to magic and the ownership of the mead.... Rydberg's suggestion that Mímir is Bölþorn's son is not substantiated by any source." Marlene Ciklamini, "Óðinn and the Giants," "Neophilologus" 46:145-58 (1962), p. 151. ] Still others have commented on what they see as fundamental flaws in Rydberg's methodology. [ Anatoly Liberman, who characterizes Rydberg as a "thunderous Snorri basher" remarks that “ [m] erging Eddic characters and looking for hypostases is an unprofitable occupation. It allows any god (giant, dwarf) to become anybody else, as happened under Rydberg’s pen,” from "Some Controversial Aspects of the Myth of Baldr," 11 Alvíssmál 17-54 (2004), pp. 33-34.] While many modern scholars object to any systematization of the mythology including the one imposed by Snorri Sturlusson, believing it artificial, John Lindow [Lindow, "Handbook of Norse Mythology", p. 39-45] and Margaret Clunies Ross [Ross, "Prolonged Echoes", pp. 234-238] have recently supported a chronological systemization of the most important mythic episodes as inherent in the oral tradition underlying Eddic poetry. Rydberg, however, believed that most of the Germanic myths could be fit into such a chronology. H. R. Ellis Davidson has characterized this approach as as "fundamentalist". [ Hilda R. Ellis Davidson: “Another approach is the fundamentalist one, illustrated by the 19th century scholar Rydberg. He accepted every detail in Old Norse mythological literature as reliable, and showed much ingenuity in building up a complex mythological scheme to include it all, smoothing over apparent contradictions. Such approaches arise from an assumption that the mythology was once complete and rational," "Myths and Symbols in Pagan Europe", 1988.] . While Rydberg's ingenuity has been recognized by some, [ Mary E. Litchfield wrote: "Rydberg’s researches have made it possible, for the first time, for one to form a definite conception of the cosmology of the mythology, and also because it clears away many inconsistencies that have long clung to it.” "The Nine Worlds, Stories from Norse Mythology", 1890 (reprinted by Freedonia Books, Amsterdam in 2001)] his work has most often been criticized for being too subjective. Yet, within his work, many find points on which they can agree. [Britt-Mari Näsström (1995) "Freyja: The Great Goddess of the North". University of Lund, ISBN 9122016945.:
“Victor Rydberg suggested that Siritha is Freyja herself and that Ottar is identical with same as Svipdagr, who appears as Menglöd’s beloved in Fjölsvinnsmál. Rydberg’s intentions in his investigations of Germanic mythology were to co-ordinate the myths and mythical fragments into coherent short stories. Not for a moment did he hesitate to make subjective interpretations of the episodes, based more on his imagination and poetical skills than on facts. His explication of the Siritha-episode is an example of his approach, and yet he probably was right when he identified Siritha with Freyja.”
] In the first comprehensive review of the work in English, in 1894, Rydberg's "brilliancy" and "great success" were recognized, alongside an acknowledgement that he sometimes "stumbles badly" in his effort to "reduce chaos to order." [In the introduction to the first English translation of Danish historian Saxo Grammaticus' "Gesta Danorum" by Oliver Elton, Frederick York Powell wrote in 1894:
No one has commented upon Saxo's mythology with such brilliancy, such minute consideration, and such success as the Swedish scholar, Victor Rydberg. More than occasionally he is over-ingenious and over-anxious to reduce chaos to order; sometimes he almost loses his faithful reader in the maze he treads so easily and confidently, and sometimes he stumbles badly. But he has placed the whole subject on a fresh footing, and much that is to follow will be drawn from his "Teutonic Mythology," adding "The skeleton-key of identification, used even as ably as Dr. Rydberg uses it, will not pick every mythologic lock, though it undoubtedly has opened many hitherto closed."
] In 1976, German-language scholar Peter-Hans Naumann published the first evaluation of the full range of Viktor Rydberg's mythological writings. One of Rydberg's mythological theories is that of a vast World Mill which rotates the heavens, which he believed was an integral part of Old Norse mythic cosmology. The controversial 1969 work "Hamlet's Mill" by Georgia de Santilliana and Hertha von Duchend utilizes this theory.

In 1997, William H. Swatos, Jr. and Loftur Reimar Gissurarson reference Rydberg's explanation of "draugur" ('mound-dwellers') in their work, "Icelandic Spiritualism", ["Viktor Rydberg (1886, vol 1: 554-58) refers to the latter part living in the "haugur" as the 'ghost' ("draugur"). For the pagan he explains a ghost or "draugur" meant a branch of a tree cut from its tree of life, and would wither away eventually.", etc. in "Icelandic Spiritualism: Mediumship and Modernity in Iceland", pp. 38-39.] while Marvin Taylor cites Rydberg’s definition of the phrase, “dómr um dauðan hvern,” as predating that of a more contemporary writer cited by the author. Both the comprehensive multi-volume "Kommentar zu den Liedern der Edda," [Currently one of four volumes commenting on Eddic poems individually, edited by Klaus Von See, Beatrice LaFarge, Eve Picard, Ilona Priebe, and Katja Schultz, ISBN3825305341.] and Carol Clover's article "Hárbardsljóð as Generic Farce", [in "The Poetic Edda, Essays on Old Norse Mythology," edited by Paul Acker and Carolyne Larrington, 2002, ISBN 0815316607, p.117-118 n.55.] name Rydberg as one of the early writers who believed the ferryman Harbard of the Eddic poem "Hárbardsljóð" to be Loki, rather than Odin, although both sources note that this theory has not been accepted by scholars since the late 19th century. The Kommentar states: "Because there is no explicit revelation in the poem Hárbardsljóð concerning the identity of the title figure, Harbard, who is concealed under this name remained disputed until the end of the 19th century. [ Bd. 3, p. 836.] In the third volume of the same work, Rydberg's theory regarding the World Mill is discussed in relationship to the eddic poem Grottosöngr. He has also been mentioned as one of several writers who proposed analogs for Askr and Embla from comparative mythology, ["The Askr and Embla Myth in a Comparative Perspective" (2008) by Anders Hultgård, in "Old Norse Religion in Long-Term Perspectives: Origins, Changes, and Interactions", Edited by Anders Andrén, Kristina Jennbart, and Katharina Raudvere, Nordic Academic Press, 2008.] and who sought Indo-Iranian analogs for the Eddic Poem, Völuspá. [ Simek, Rudolf, "Dictionary of Northern Mythology", pp. 366-67.]

In 2004, Swedish Doktorand (PhD student) Anna Lindén reviewed the full two-volume work on mythology, concluding in part that it was not more widely received because it was not fully available in one of the three international languages of scholarship: English, German or French. ["Viktor Rydberg and the comparative study of the history of Indo-European religion", by Anna Lindén, Doktorand, Lund University; Himlens blå, Örjan Lindberger, Veritas 5 (1991)] A German translation was being prepared in 1889 by literary historian, Phillip B. Schweitzer, who died in a skiing accident shortly thereafter. A French translation planned by a group of scholars in Lund in 1891 was never completely realized. [Karl Warburg, Viktor Rydberg, En Lefnadsteckning, Vol. II, (1900), p.615] Rydberg himself knew that his mythology would be regarded as "folly" to the German philologists, who, as adherents to the school of nature-mythology, regarded him as a heretic, in regard to his methods and results. [Karl Warburg, Viktor Rydberg, En Lefnadsteckning, Vol. II, (1900), p.615-616] As Fredrik Gadde explained,

“the book was reviewed by several German scholars, who all took up a more or less disparaging attitude towards Rydberg’s methods of investigation and his results.” [Gadde, Fredrick (1942). “Viktor Rydberg and Some Beowulf Questions,” Studia Neophilologica 15:72.]
Those contemporary scholars "although they speak with high praise of the author's learning, his thorough insight, his ability occasionally to throw light upon intricate problems by means of ingenious suggestions" were especially critical of what they see as Rydberg’s “hazardous etymologies, his identification of different mythical figures without sufficient grounds, his mixing up of heroic saga and myth, and, above all, his bent for remodelling myths in order to make them fit into a system which (they say) never existed.” [Ibid. p. 72]

Editions

*1886, "Undersökningar i germanisk mythologi, första delen", ("Investigations into Germanic Mythology, Volume I").
**"Teutonic Mythology" translated by Rasmus B. Anderson 1889
*1889, "Undersökningar i germanisk mythologi, andre delen".
**Viktor Rydberg's Investigations into Germanic Mythology, Volume 2, Parts 1 & 2, translated by William P. Reaves, 2004-2007.

References

ee also

*"Deutsche Mythologie"
*"Hamlet's Mill"

External links

* [http://books.google.com/books?hl=en&id=1cYLAAAAIAAJ&dq=rydberg+teutonic+mythology&printsec=frontcover&source=web&ots=xB1e47TAZz&sig=dUpyQCLI73PVZ6SaM-RWX7gnEZo Viktor Rydberg's "Teutonic Mythology: Gods and Goddesses of the Northland" 1906 edition, e-book]
* [http://www.vethist.idehist.uu.se/lychnos/summaries2004.html, Viktor Rydberg and the comparative study of the history of Indo-European religion, by Anna Lindén, Doktorand, Lund University.]


Wikimedia Foundation. 2010.

Игры ⚽ Нужен реферат?

Look at other dictionaries:

  • Viktor Rydberg — Infobox Writer name = Viktor Rydberg imagesize = caption = Rydberg in 1876 pseudonym = birthname = Abraham Victor Rydberg birthdate = birth date|1828|12|18 birthplace = Jönkopig, Sweden deathdate = Death date and age|1895|09|22|1828|12|18… …   Wikipedia

  • Ullr — The Böksta Runestone shows a figure on skis and with a bow, possibly Ullr. In early Germanic paganism, *Wulþuz ( glory ; Old Norse Ullr) appears to have been a major god, or an epithet of an important god, in prehistoric times. The term… …   Wikipedia

  • Höd — Pour le Sephiroth, voir Sephiroth (Kabbale)#Hod. Höd Hǫðr, Hodr, Hoder, Hodur, Hother, Høtherus …   Wikipédia en Français

  • Loki — Pour les articles homonymes, voir Loki (homonymie). Loki Loptr, Hveðrungr …   Wikipédia en Français

  • World Mill — The World Mill (also heavenly mill , cosmic mill and variants) is a mytheme suggested as recurring in Indo European and other mythologies. It involves the analogy of the cosmos or firmament and a rotating millstone.The mytheme was extensively… …   Wikipedia

  • Rydberg, Viktor — ▪ Swedish author in full  Abraham Viktor Rydberg   born Dec. 18, 1828, Jönköping, Swed. died Sept. 21, 1895, Djursholm       author of the Romantic school who, with his broad range of achievements, greatly influenced Swedish cultural life.… …   Universalium

  • Loddfáfnir — est un personnage de la mythologie nordique à qui les strophes 111 à 138 du poème eddique des Hávamál sont adressées (ces strophes sont alors nommées Loddfáfnismál ou les « Dits de Loddfáfnir »[1]). Malgré le nom de cette partie du… …   Wikipédia en Français

  • Höðr — (often anglicized as Hod [The name Höðr is thought to be related to höð , battle , and mean something like killer . This would seem to fit with the god s mythological role. In the standardized Old Norse orthography the name is spelled… …   Wikipedia

  • literature — /lit euhr euh cheuhr, choor , li treuh /, n. 1. writings in which expression and form, in connection with ideas of permanent and universal interest, are characteristic or essential features, as poetry, novels, history, biography, and essays. 2.… …   Universalium

  • France — /frans, frahns/; Fr. /frddahonns/, n. 1. Anatole /ann nann tawl /, (Jacques Anatole Thibault), 1844 1924, French novelist and essayist: Nobel prize 1921. 2. a republic in W Europe. 58,470,421; 212,736 sq. mi. (550,985 sq. km). Cap.: Paris. 3.… …   Universalium

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”