Eric John Stark

Erik John Stark is a character created by science fiction author Leigh Brackett. Stark is the hero of a series of pulp adventures set in a time when the Solar System has been colonized. His origin-story shares some characteristics with feral characters such as Mowgli and Tarzan; his adventures take place in the shared space opera planets of 1940s and 1950s science fiction.

Back-story

Stark was born on Mercury. His parents were employees of the mineral extraction company Mercury Metals and Mining. After his parents died in a cave-in caused by a quake, Stark was adopted by a tribe of humanoid Mercurian aborigines. They gave him the name N'Chaka, meaning "the man without a tribe." He believed himself to be one of them, rather than a human, and endured their rigorous way of life in the Mercurian Twilight Belt, surviving by hunting rock-lizards.

Before Stark was fully grown, another group of human miners exterminated his tribe, captured Stark and imprisoned him in a cage. They would ultimately have killed him if he had not been rescued by the police official Simon Ashton, who raised Stark to adulthood.

The stories of the adult Stark are fast-paced adventures, but Brackett manages to insert more pathos than most authors. Because of his background, Stark is keenly aware of the injustices visited on the planetary "primitives" by the colonialist Earth, and tends to side with them against official bodies. At the opening of the story in which he first appears, Stark is evading a twenty-year sentence placed on him for running guns to a Venusian native group that has been resisting Terran colonizers.

Appearance

A point about Stark's physical appearance which has been studiously ignored by every one of his illustrators: like Brackett's other Mercurian characters (e.g. Jaffa Storm in "The Nemesis from Terra"), Stark is black-skinned. His skin is "almost as dark as his black hair" and an antagonist refers to him scornfully as a "great black ape". The darkness of Stark's skin is reiterated in "Enchantress of Venus".

Illustrators, on the other hand, have universally drawn Stark as white, even sometimes blond [http://images.google.com/images?q=%22Eric+John+Stark%22&hl=en&btnG=Search+Images] . Brackett's use of a strong, independent, and attractive black character as hero for several of her stories was very unusual for the 1940s and 50s. The artists' choice, however, to ignore her verbal description and substitute for it a generic white blond pulp hero even as late as 1982, reflects the much stronger and more common prejudice against such characters. The effect of these misleading illustrations has been such that Stark is never remembered or referred to by critics as a black character, though he is clearly described as such in the stories. His actual race is never mentioned and his skin is clearly noted as a result of his exposure to mercury's sun in his youth. To refer to him as a black character means only his skin tone not his race. In any event , the character is much more interesting visually than usually depicted by illustrators.

tories

Stark first appeared in a group of novellas published in the pulp magazine "Planet Stories". These were: "Queen of the Martian Catacombs" (Summer 1949); "Enchantress of Venus" (Fall 1949), once published as "City of the Lost Ones"; and "Black Amazon of Mars" (March 1951). The first and last stories were expanded into short novels: "Queen of the Martian Catacombs" as "The Secret of Sinharat" and "Black Amazon of Mars" as "People of the Talisman". The expanded versions were first published in 1964 as an Ace Double paperback, and again in 1982 under the title "Eric John Stark: Outlaw of Mars". The internal chronology of the stories is different from the publishing order; in "Queen of the Martian Catacombs" Stark is on Mars, having fled capture on Venus; "Black Amazon of Mars" takes place soon after, but in an unexplored and barbaric area close to the north pole of Mars; and in "Enchantress of Venus", Stark has returned from Mars to Venus to look for a missing friend.

The two expanded novels have inconsistencies with their novella originals. "The Secret of Sinharat" is almost identical with "Queen of the Martian Catacombs" up to the point at which Stark arrives at Sinharat, but a crucial plot point is revealed earlier in the novella, and further developments diverge from (while occasionally overlapping) the storyline of "Catacombs." "Black Amazon of Mars" is largely different from "People of the Talisman", though founded on a similar premise.

Many years later Brackett returned to the character in a trilogy of books titled "The Ginger Star" (1974), "The Hounds of Skaith" (1974) and "The Reavers of Skaith" (1976). These stories are science fantasies set on a distant but primitive extrasolar planet, since Stark's original Solar System venue had become unacceptable to publishers. As a result, although the character's personality and origins are retained, there are few other links between the Skaith novels and the earlier Stark novellas.

A final story "Stark and the Star Kings" (2005) places Stark into the world of her husband Edmond Hamilton's "Star Kings" series, making it a rare collaboration between the two.

ee also

* Leigh Brackett Solar System