- Anna-Louise Milne
Anna-Louise Milne is a specialist of Twentieth Century Parisian History and Culture. In particular she has been a leading commentator on the writer
Jean Paulhan and theNouvelle Revue Française , an important literary review of the 1930s and 1940s. She has published widely on French history and culture. She currently lectures at theUniversity of London Institute in Paris (ULIP).Publications
Books
* "The Extreme In-Between: Jean Paulhan's Place in the Twentieth Century" (Oxford: Legenda, 2006), pp 164.
Edited text
* Correspondance Jean Paulhan–Yvon Belaval (Paris: Gallimard, coll. Cahiers de la NRF, 2004), pp 309.
Translation
* "Translation of Mieke Bal, The Mottled Screen: Reading Proust Visually" (Stanford: Stanford University Press, 1997).
Edited collections
* Guest editing of special issue of The Romanic Review (99:1-2) entitled 'La Nouvelle Revue Française' in the Age of Modernism (2006)
Articles
* "Préface à une traduction à venir", Dossier Bernard Lamarche-Vadel, L'Infini, 70 (Summer 2000), pp 65-69.
* "Placing the Commonplace: Translation According to Jean Paulhan", Palimpsestes, 13 (Summer 2001), pp 129-140.
* Review article of Malcolm Bowie, Proust Among the Stars, Cambridge Quarterly, 30, no 3 (Spring 2001), pp 275-278.
* "Faux et usage de faux: Paulhan joue Stendhal contre Valéry", Bulletin des Etudes Valériennes, 14 (January 2003), pp 101-116.
* "Food for Thought: ethnographie et rhétorique selon Jean Paulhan", Littérature, 129 (March 2003), pp 107-123.
* "Getting Impersonal", review article of Christophe Charle, La Crise des sociétés impériales : Allemagne, France, Grande-Bretagne 1900–1940, Franco-British Studies, 32 (Spring 2003), pp 72-77.
* "Sensing the Obscure, Obscuring the Sense: Estrangement in the Translation and Re-Translation of Proust's A la recherche du temps perdu", Palimpsestes, 15 (October 2004), pp 109-119.
* "The Power of Dissimulation: ‘When you are only three white men...’", Yale French Studies, 106 (March 2005), pp 109-124.
* "Hallucinatory Figures: Some Examples from Michel Tournier's Vendredi ou les limbes du Pacifique and its Translation Friday by Norman Denny", Palimpsestes, 17 (September 2005), pp 95-111.
* "Seeing Under the Skin", review of Sara Danius, The Senses of Modernism: Technology, Perception, and Aesthetics, The Senses and Society, 1, no 2 (July 2006), pp 273-275.Sources
* http://www.ulip.lon.ac.uk/staff/staff/staff-profiles/anna-louise-milne.html
* http://www.rhul.ac.uk/modern-languages/Research/Conferences/May-68-Conference.html
* http://www.abdn.ac.uk/modernthought/archive/publications/tarbes.php
* http://www.sllf.qmul.ac.uk/french/centenary_programme.pdf
* http://www.atelierpdf.com/paulhan.sljp/acrobat/bulletins/bulletin28-bilan.pdf
* http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-diplo&month=0608&week=c&msg=Itmpe978912Kv3%2BrEqeMiw&user=&pw=
* http://www.swan.ac.uk/french/Research/Conferences/2007RomanceStudiesColloquium/Programme/
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