- Cançoneret de Ripoll
The Cançoneret de Ripoll ( _la. Carmina Riulpullensa), now manuscript 129 of Ripoll in the
Arxiu de la Corona d'Aragó , is a short Catalan-Occitan chansonnier produced in the mid-fourteenth century but after 1346, whenPeter IV of Aragon held a poetry competition which is mentioned in the chansonnier. [This dating, fromMartín de Riquer (1964), "Història de la Literatura Catalana", vol. 1 (Barcelona: Ariel), 509 and n3, has been disputed, Lola Badia placing it as early as the 1320s.] Influenced byCerverí de Girona , the chansonnier and its idealogy are transitionary in the history ofCatalan literature between the dominance of thetroubadour s and the new developments ofAusiàs March .The provenance of the manuscript has been debated. Arguments in favour of an origin with the monastic community of Ripoll, where the manuscript is first recorded in the library before heading to the archives in
Barcelona , include the use ofLatin headings to introduce some of the poems and the abundance of authors of clerical background cited. On the other hand, an aristocratic or "courtly" provenance has been taught, notably byMartín de Riquer , on the basis of the references toPeter, Count of Ribagorza , to people and places in theCounty of Roussillon and theKingdom of Majorca , and evidence ofGoliard ic influence.The Cançoneret contains a copy of the "Regles de trobar" of
Jaufre de Foixa and an anonymous untitled continuation thereof, dealing mainly with poetic genre and form. Eighteen complete poems and one fragment accompany the grammatical treatise to illustrate the points. All the cited poets are Catalans but only five or six are named. The generic classifications of the Cançoneret follow those of the "Doctrina de compondre dictats", possibly ofRaimon Vidal , and the "rules" of theConsistori del Gay Saber , codified in the "Leys d'amors ". The following genres are recognised: cançó, tençó, sirventès (serventesch), cobles d'acuyndamens, cobles de qüestions,vers , dança (dans), desdança (desdansa), andviadera . The Cançoneret confirms that the vers was merely a canso "de matèria tota moral" (of entirely moral material) and that the viadera (traveller's song) was "la pus jusana spècies qui és en los cantàs" (the most humble genre of song there is). The distinction between cobles, exchanges of stanzas between troubadours, that are "d'acuyndamens" and those "de qüestions" is unique to the Cançoneret. Cobles d'acuyndamens broke bonds of vassallage, love, or fidelity.Among the classical troubadours cited by the treatise are
Guillem de Cabestany ,Raimbaut de Vaqueiras ,Arnaut Daniel ,Peire Cardenal , andFolquet de Marselha (though the reference is a mistake, the poet should bePons Fabre d'Uzès ). Among the named Catalan poets whose pieces are preserved as exemplars areDalmau de Castellnou ,Pere Alamany , and theCapellà de Bolquera . Theincipit of another Catalan piece, "De l'ordre suy de noble infant En Pedro", byPere de Vilademany is also mentioned in the treatise. There are several unidentifiable authors with works in the Cançoneret: a "poeta anònim" (anonymous poet), a "frare" (friar ), "dos frares" (two friars), a "monja" (nun ), "frayr'Uguó, prior" (brother Hugh,prior ), "Francesc", and an "arxiprest" (archpriest ).Notes
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