César Awards 2010

César Awards 2010

The 35th Annual César Awards ceremony was held by the Académie des Arts et Techniques du Cinéma to honor its selection of the best films of 2009 on February 27, 2010. Marion Cotillard was chosen as the Hononary President of the ceremony.[1] Harrison Ford was presented with an Honorary César by Sigourney Weaver.

Contents

Winners and nominees

Best Film

Best Director

Best Actor – Leading Role

Best Actress – Leading Role

Best Actor – Supporting Role

Best Actress – Supporting Role

  • Emmanuelle DevosA l’Origine
    • Aure Atika – Mademoiselle Cambon
    • Anne Consigny – Rapt
    • Audrey DanaWelcome
    • Noemie Lvosvsky – Les Beaux Gosses

Most Promising Actor

  • Tahar RahimA Prophet
    • Firat Ayverdi – Welcome
    • Adel Bencherif – A Prophet
    • Vincent Lacoste – The French Kissers
    • Vincent Rottiers – Je suis hereux que ma mere soit vivante

Most Promising Actress

  • Mélanie ThierryLe dernier pour la route
    • Pauline Etienne – Qu’un seul tiene et les autres suivront
    • Florence Loiret-Caille – Je l’amais
    • SokoA l’Origine
    • Christa TheretLOL (Laughing Out Loud)®

Best First Work

  • Les Beaux GossesRiad Sattouf
    • Le Dernier pour la Route – Philippe Godeau
    • Espions – Nicolas Saada
    • La Premiere Etiole – Lucien Jean-Baptiste
    • Qu’un Seul Tienne et les Autres – Suivront Lea Fehner

Best Writing – Adaptation

Best Writing – Original

  • Jacques Audiard, Thomas Bidegain, Abdel Raouf Dafri, Nicolas PeufaillitA Prophet
    • Xavier Giannoli – A l’Origine
    • Jean-Paul Lilienfeld – La journée de la jupe
    • Philippe Lioret, Emmanuel Courcol, Oliver Adam – Welcome
    • Radu Mihăileanu, Alain-Michel Blanc – Le Concert

Best Cinematography

Best Editing

  • Juliette WelflingA Prophet
    • Celia Lafitedupont – A l’Origine
    • Hervé de LuzeLes Herbes folles
    • Andrea Sedlackova – Welcome
    • Ludo Troch – Le Concert

Best Sound

  • Pierre Excoffier, Bruno Tarriere, Selim AzzaziLe Concert
    • Pierre Mertens, Laurent Quaglio, Eric Tisserand – Welcome
    • Francois Musy, Gabriel Hafner – A l’Origine
    • Brigitte Taillandier, Francis Wargnier, Jean-Paul Hurier – A Prophet
    • Jean Umansky, Gerard Hardy, Vincent Arnardi – Micmacs à tire-larigot

Best Music Written for a Film

Best Costume Design

Best Production Design

Best Documentary

  • L’Enfer d’Henri-Georges ClouzotSerge Bromberg and Ruxandra Medrea
    • La DanseFrederick Wiseman
    • Himalaya, le chemin du ciel – Marianne Chaud
    • Home – Yann-Arthus Bertrand
    • Ne me liberez pas je m’en charge – Fabienne Godet

Best Short Film

  • C’est gratuit pour les fillesClaire Burger and Marie Amachoukeli
    • ¿Donde Esta Kim Basinger? – Edouard Deluc
    • La Raison De L’Autre – Foued Mansour
    • Seance Familiale – Cheng-Chui Kuo
    • Les Williams – Alban Mench

Best Foreign Film

Honorary César

Special Tributes

During the ceremony, actor Fabrice Luchini presented a tribute to filmmaker Éric Rohmer, who had died the month before.

I’m gonna read a remarkable text written by Jacques Fieschi: "Writer, director; creator of “the cinematographe”, challenger of "Les cahiers du cinema", which recently published a special edition on Eric Rohmer. Truffaut once said he was one of the greatest directors of the 20th century, Godard was his broher, Chabrol admired him, Wenders couldn’t stop taking photos of him. Rohmer is a tremendous international star. The one and only French director who was in coherence with the money spent on his films and the money that his films made. I remember a phrase by Daniel Toscan Du Plantier the day “Les Visiteurs” opened, which eventually sold 15 million tickets: “Yes but there is this incredible film called "L'arbre, le maire et la médiathèque" that sold 100,000 tickets, which may sound ridiculous in comparison, but no, because but it was only playing in one theater for an entire year." A happy time for cinema when this kind of thing could happen. Rohmer." Here is a tribute from Jacques Fieschi: "We are all connected with the cinema, at least for a short time. The cinema has its economical laws, its artistic laws, a craft that once in a while rewards us or forgets us. Eric Rohmer seems to have escaped from this reality by inventing his own laws, his own rules of the game. One could say his own economy of the cinema that served his own purpose, which could skip the others, or to be more accurate that couldn’t skip the audience with its originality. He had a very unique point of view on the different levels of language and on desire that is at work in the heart of each and every human being, on youth, on seasons, on literature, of course, and one could say on history. Eric Rohmer, this sensual intellectual, with his silhouette of a teacher and a walker. As an outsider he made luminous and candid films in which he deliberately forgot his perfect knowledge of the cinema in a very direct link with the beauty of the world." The text was by Jacques Fieschi and it was a tribute to Eric Rohmer, Thank You.

References

External links


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