excitement+of+the+imagination
61theatre, Western — ▪ art Introduction history of the Western theatre from its origins in pre Classical antiquity to the present. For a discussion of drama as a literary form, see dramatic literature and the articles on individual national literatures.… …
62Western sculpture — ▪ art Introduction three dimensional artistic forms produced in what is now Europe and later in non European areas dominated by European culture (such as North America) from the Metal Ages (Europe, history of) to the present. Like… …
63Doppelgänger — For other uses, see Doppelgänger (disambiguation). In fiction and folklore, a doppelgänger (German double walker ) (pronounced [ˈdɔpəlˌgɛŋɐ] ( listen)) is a paranormal double of a living person, typically representing evil or misfortune. In… …
64romance — I (New American Roget s College Thesaurus) n. novel, love story; exaggeration, fiction, tall story; love affair, gest, fantasy. See description, imagination, falsehood. II (Roget s IV) n. 1. [Experiences that excite the imagination] Syn. fancy,… …
65Saltimbanco — is the oldest major touring show of Cirque du Soleil at the time of its last performance, having run from 1992 2006. Saltimbanco s last performance in its original form (under the Grand Chapiteau, or Big Top) was in Rio de Janeiro, Brazil, on… …
66Oscar Edelstein — Background information Born June 12, 1953(1953 06 12) La Paz, Argentina …
67Italy — /it l ee/, n. a republic in S Europe, comprising a peninsula S of the Alps, and Sicily, Sardinia, Elba, and other smaller islands: a kingdom 1870 1946. 57,534,088; 116,294 sq. mi. (301,200 sq. km). Cap.: Rome. Italian, Italia. * * * Italy… …
68MAPU, ABRAHAM — (1808–1867), creator of the modern Hebrew novel. One of the principal exponents of the Haskalah movement in Eastern Europe, he is best known for his first and most successful novel Ahavat Ẓiyyon ( The Love of Zion, Vilna, 1853), which represents… …
69Al Jolson — Background information …
70creativity — /kree ay tiv i tee, kree euh /, n. 1. the state or quality of being creative. 2. the ability to transcend traditional ideas, rules, patterns, relationships, or the like, and to create meaningful new ideas, forms, methods, interpretations, etc.;… …
