New Media Artist

A New Media artist may utilize the following methods to create works of art: The internet, computer hardware, computer software-servers, routers, personal computer, database applications, script(recorded media) and files, all of which are governed by protocols such as: HTTP, TCP/IP, and DNS. These artists utilize the aforementioned technologies in conjunction with video and computer games, surveillance cameras, wireless phones, hand-held computers, Apache Web server, Hypertext Markup Language and Global Positioning System devices(GPS). (Tribe2007, p.7) The Dada and Pop art movements greatly influence New Media artists and provide a foundation from which to borrow and reinvent conceptual and aesthetic ideas. tribe p.8) Vic Cosic, a Slovanian artist trained in archaeology, is among one of the pioneering New Media artists. ASCII History of Moving Images (Psycho), 1999,http://www.ljudmila.org/~vuk/ascii/film/ He also coined the term "net art". (Tribe2007 p.38) For his piece, he uses ASCII characters to construct images. It is not a new practice for artists prior to the 90s to construct images using this method, and these images can be made manually or by using software that converts images into ASCII characters. Cosic then incorporates the use of films and television programs to convert these images into animation with a retro-futuristic aesthetic. (Tribe2007, p.38).

Influences

Pop art and Dada influence the conceptual and aesthetic roots of New Media art. (Tribe2007 p. 7) The photomontage and readymade occur multiple times throughout various New Media works. In the genres of corporate parody and hacktivism, influences from Pop artists play a highly influential role for New Media artists. Claos Oldenburg designed in a collaborative effort the Second American Revolution monument for Yale's school of architecture in the 1960s. A caterpillar tractor of painted steel, aluminum, and fiberglass tip which subverts the warlike reference by casting a large tube of lipstick in place of a missile, in protest of the Vietnam war. (Stockstad2005 ,p.1104) both humor and critical approach were used to drive home a definitive anti-war statement and sentiment. New Media artists approach differs in that the audience must interact and come to find their own conclusion. The message is straightforward but arriving there requires thought and investigation into the deeper message. An example of this is seen in CarnivorePE designed by Radical Software Group RSG, founded by Alex Galloway in 2000and a team of other artists under the title of " clients" parodies FBI surveillance activity. what comes into question is the whether the use of technological sophisticated devices on everyday citizens is reasonable or furthermore has rationality behind the reasoning of such a practice. Carnivore PE was in response to a digital wiretapping software called Carnivore in which the FBI used to surveil internet traffic in the 1990s. Agents could listen into chat room conversations and emails. carnivore PE uses an open source tool called a packet sniffer to listen in on the network on which it was installed. It detects the packets of data that make up emails sent and received, text and images posted online and websites browsed by individuals on the network. The data harvested is then used to develop clients: which is raw material for artistic interfaces. These clients are produced by New Media artists who then used computer application Flash interface to create brightly hued translucent circles to represent each active user. Each is represented with a diffeent color, Deep Green for example represents someone using AOL. (Tribe2007,p.78) The intent of these artists is to observe the utilitarian definition of surveillance, examine the use of it, and then to construct an artistic spectacle which demonstrates perhaps that wiretapping on ordinary citizens can be a spectacle in of itself. Software is then transformed into a colorful work of art with moving images and a powerful message. Pop artists main goal was to expose the power of commercial culture interestingly, while both embracing and parodying popular culture. (Stockstad2005, p1104) In contrast to Pop art, New Media artists commonly employ a level of absurdity or purposeless (Tribe2007, p.38)

History

Vera Molnar a pioneer in computer art utilized geometric and mathematical abstraction to aid her artistic expression. In 1959 she began working with a computer to create images with the aid of a computer and terminals like a plotter and a cathode-ray tube screen. Early works of computer art include "(Des)orders" (1969). Manfred Mohr influenced by German philosopher Max Bens and French composer Pierre Barbaud, constructed hypercube founded on a constructivist, aesthetic, and algorithmic art. In 1969 he used a computer to superimpose multiple rules and found that this was the only way possible to superimpose multiple rules without losing track of the general concept. This strategy made the information become deeply buried and a certain participation is demanded from the viewer. Each work is based in a subset of a defined structure, ranging from cubes to 6-dimensional hypercubes. (Popper2007, p.68)

References

* Tribe2007. "New media Art". Taschen GmbH. ISBN 978-3-8228-3041-3* Stockstad, M (2005). "Art History". Pearson Education INC. ISBN 0-13-145529-X* Popper, F (2007). "From Technological to Virtual Art". The MIT Press Cambridge, Massachusettes London, England. ISBN 0-262-16230-X