The Constance Perkins House

The Constance Perkins House is a house designed by Richard Neutra and built in Pasadena, California, 1952-55.cite book |author=Friedman, Alice T. |title=Women and the Making of the Modern House |publisher=Yale University Press |location=New Haven, Conn |year=2007 |pages=160-188 |isbn=0-300-11789-2 |oclc= |doi= |url=http://books.google.co.uk/books?id=-WXuEAwKcSQC&pg=PA160&vq=Perkins&client=firefox-a&source=gbs_search_s&cad=4&sig=l1lyIRDX0tiKIYR50dwLTOEjgh0|accessdate=2008-04-27]

Constance Perkins was born in Denver in 1913. Her father was a Doctor and her mother was an invalid. She studied art and got her BA at the University of Denver. In 1937 she attained her Masters degree in Art History at Mills College in San Francisco.

In 1947, Perkins started working at Occidental College as a professor of Art History and it is here she meets Richard Neutra and eventually asks him to design her home.

When Neutra was designing the house for her "he had to reexamine the single-family home and rework conventional patterns of the type." The house itself sits on a little hill in Pasadena California. "The tiny house was constructed of inexpensive materials- wood, plaster, and glass; a spiderleg beam extended the space by projecting out into a small reflecting pool that meanders through one of the glass walls of the house...He also measured the physical dimensions of his clients. Constance Perkins was a small woman, so he scaled the house to her." [Design and Feminism: Re-visioning Spaces, Places, and Everyday Things. Joan Rothschild, Alethea Cheng]

Her home is influential in modern architecture because of its design and the type of family that would occupy such a space. Perkins herself was a single working woman who had chosen a career over a family. She has requested no main bedroom, but would perfer sleeping in her workspace. She wanted a space "as a domestic environment in which individual creativity and work, rather than family and leisure activities were the central concept."

Neutra and Perkins worked closely together on the development of her new home. In August of 1953, Perkins sent Neutra a list of "Likes and Dislikes" with her autobiography so that Neutra could get a feel for what exactly she wanted for her new home.

In October of 1953 Neutra had completed the preliminary drawings for her house and after approval and construction, Perkins was finally allowed to move into her new home in December of 1955. The Perkins house is one of Neutra's smaller designs. It was formatted special for Perkins and her budget. The house consists of "a free-from pool extending into the living room." [Drexler, Arthur and Hines, Thomas A., "The Architecture of Richard Neutra" The Museum of Mondern Art, 1982] Apparenlty Neutra and Perkins had some disagreement over what the pool should look like. She didn't want it to be of a surrealist nature but wanted, "something relaxing and more intimate." The final cost of the house came to about $17,166, which was over her original budget, nonetheless she was happy with the results.

Both Perkins and Neutra were influenced by John Entenza's "Arts and Architecture" Magazine. The magazine feature a lot of Neutra's work and other famous architects. "The avowed purpose [of the magazine] was to present good, contemporary design to the magazine’s largely lay audience and nudge its professional and architectural student subscribers into a truer path. The results were remarkable and A&A’s readers, who held architecture and art close to their hearts, would curl up with a cup of coffee for an hour or so to read the latest issue of the magazine." [ [http://www.artsandarchitecture.com/issues/index.html Arts & Architecture Mag: Issue Date ] ] Perkins saw a great deal of Neutra's designs from this magazine and no doubt inspired her even further to have him design her own home.

Perkins died in March of 1991 and left the house to the Huntington Library and Art Gallery in which she volunteered the last years of her life. The house is now privately owned.

Quotes

Constance Perkins critique on Richard Neutra's book "Survival Through Design":

*"The greatest enjoyment derived from re-readings of "Survival Through Design" may be gained from the unique and penetrating manner in which the author has related the numerous philosophies of eighteenth-century rationalism through twentieth-century concepts of a space-time experience, to problems of contemporary design." [Constance M. Perkins The Journal of Aesthetics and Art Criticism, Vol. 13, No. 2 (Dec., 1954), pp. 273-274 Published by: Blackwell Publishing on behalf of The American Society for Aesthetics ]

References