- Poi E
"Poi E" is a
New Zealand 1984 number-one hit song by the groupPatea Māori Club off of the album of the same name. Its popularity is unique in New Zealand asMāori music rarely reaches popular status. Released in1984 , the song was sung entirely in the Māori language and featured a blend of Māori cultural practices in the song and accompanyingmusic video , including "Māorichanting ,poi dancing," and the wearing of traditional Māori garments. Mitchell, Tony. "Kia Kaha! (Be Strong!): Maori and Pacific Islander Hip-hop in Aotearoa-New Zealand." In Global Noise: Rap and Hip-Hop Outside the USA, ed. Tony Mitchell, 280-305. Middletown: Wesleyan University Press, 2001. ] Not only did the song top the New Zealand pop charts for four weeks, but the single also became the biggest seller in New Zealand for 1984, "outselling all international recording artists." "The History." accessed11 April ,2008 . [http://www.digitalus.co.nz/poi/index.html Poi-E home page] .] Today the song maintains its status as a cult classic in white New Zealand, as the group behind it, Patea Māori Club, was aone-hit wonder . However, for the Māori people, the song is much more important, as it became "the anthem of a new generation," the generation known as the "hip-hop generation."The song was written by Māori linguist
Ngoi Pewhairangi ; the music was scored byDalvanius Prime . Pewhairangi's intent for writing the song in such a way was to promote Māori ethnic pride among young Māori people in a popular format. The two faced indifference from record labels, so Prime produced the song and album under his self-made label, Maui Records. Without radio play and barely any commercial TV airing, a TV news story is credited with shooting the song up to #1 on New Zealand charts in March 1984. Its popularity that same year grew further when it was well-received by British listeners as the Patea Māori Club toured theUnited Kingdom , playing at theLondon Palladium and theEdinburgh Festival , as well as giving aRoyal Command Performance ."Poi E" and hip-hop
In addition the Māori cultural influences in the music video for the song, there are also some interesting influences from hip-hop culture present in the video. Among the most obvious are
rapping andbreakdancing , and the song itself actually "combined traditional Māori vocals and show-band and concert-party idioms withgospel andfunk ," two of hip-hop's own influences as major African-American musical genres. Hip-hop was mixed with the traditional Māorichanting and cultural music because the Patea Māori Club wanted to give the younger hip-hop generation " their language and culture through the medium they were comfortable with," that medium being hip-hop. At the same time as it was helping to teach the children about Māori culture, hip-hop also "provided Māori youth in particular with a viable substitute for their own culture." In this way, hip-hop began to get a hold on the people of New Zealand and the Māori in particular, and soon Māori hip-hop crews would be springing up throughoutAuckland andWellington suburbs.References
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