War Room (Wally Hedrick)

War Room (Wally Hedrick)

The War Room (1967/68-2002), by Wally Hedrick (1928-2003), consists of eight canvases approximately 5. 5’ wide and 11’ tall, all painted a deep black. Hedrick referred to these canvases as “wounded veterans.” These canvases are bolted together to create a freestanding square room that could be entered via a small door in one of the canvases, thus creating architectural painting. The black painted surfaces of the canvases face inward and the backs of the canvases face outward. [http://theboxla.com/exhibitions/index.html]

The War Room is an 'environmental' painting where the viewer enters a small enclosure of painted blackness. The viewer is left to consider the encompassing darkness and contemplate the vacuity that this space creates. Hedrick refused to ignore the war and instead created a work of cultural and political significance. After the Vietnam War ended he repainted these canvases black in protest of the Gulf War in 1992 and the Iraqi war in 2002. [http://theboxla.com/exhibitions/index.html]

During this time, Hedrick was accused of stealing paintings, including a canvas by Clyfford Still, from the San Francisco Art Institute, where he was teaching, then either painting them black or painting his own iconoclastic pictures over them.Peter Selz and Susan Landauer, Art of Engagement: Visual Politics in California and Beyond, UC Press, 2006, pg.89. ]

Importance

The "War Room", a significant item of Bay Area art history. [ Kenneth Baker, San Francisco Chronicle (2003) [http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2003/01/18/DD129080.DTL&hw=Wally+Hedrick&sn=010&sc=160] ]

Influence and Legacy

The War Room is an acknowledged reference in another recent art historical landmark, House Where The Bottom Fell Out (2007), by LG Williams.

Literature

" Wally Hedrick: The Dark Millennium, by Gina Dorré and LG Williams, is an in-depth account of The War Room and Black Painting Series between 1953 - 2003.

Exhibition History

* 2008, the box, Los Angeles, CA, March 21 - April 26. Curated by Mara McCarthy. [http://theboxla.com/exhibitions/index.html]
* 2003, University Art Gallery, Sonoma State University, Rohnert Park, CA, Feb. 20 - March 16, Curated by Michael Schwager.
* 1992, San Francisco International Art Fair, January 18 -20, Curated by LG Williams. [http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2003/01/18/DD129080.DTL&type=printable]

Additional Resources

* " [http://www.youtube.com/watch?v=_sJQYIWotnM Wally Hedrick: My Last Photos Of Wally] " (2007). A short documentary of the last photographs of Wally Hedrick taken by his friend LG Williams.

See also

* Wally Hedrick
* Bruce Conner
* Jay DeFeo
* Allen Ginsberg
* Beat Generation
* Rat Bastard Protective Association
* LG Williams and House Where The Bottom Fell Out
* Six Gallery reading

Footnotes

External links

* [http://www.wallyhedrick.com Estate of Wally Hedrick]

References

* Albright, Thomas. "Art in the San Francisco Bay Area 1945-80, An Illustrated History", published by University of California Press, 1985.
* Albright, Thomas. "Alternative of Mainstream", San Francisco Chronicle, March 26, 1982
* Anderson, Wayne. "American Sculpture in Progress", 1930-1970, New York Graphic Society, 1975, Boston, Massachusetts
* Bahr, Jeff. "Sheldon Show Gives a View of the Bay Area", The Lincoln Star, Lincoln Nebraska, Sept, 20, 1984
* Baker, Kenneth. "Wally Hedrick at Paule Anglim", San Francisco Chronicle, March 8, 1994, p. E3 Benetti, David. San Francisco Examiner, March 4, 1994.
* Baker, Kenneth. "A Bay Area Biennial", L.A. Review, Nov. 9, 1986
* Kenneth Baker, “Mass appeal: Art comes at visitors from all directions at the S.F. International Art Fair”, San Francisco Chronicle, Saturday, January 18, 2003. [http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2003/01/18/DD129080.DTL&hw=Wally+Hedrick&sn=010&sc=160]
* Boetteger, Suzaan. "Painting from Raunch to Cotton Candy", San Francisco Chronicle, July 1, 1982
* Bruns, Rebecca. "Critics Choice", San Francisco Focus Magazine, May, 1985
* Brunson, Jamie. "Wally Hedrick", Monograph for Catalogue, "2nd Newport Biennial-The Bay Area, Newport Harbor Art Museum, Newport Beach, California, 1986.
* Ann Charters, The Portable Sixties Reader (Penguin Classics), 2002.
* John Coplans. "The New Paintings of Common Objects." Artforum, Dec. 1962, p.26
* John Coplans. "Circles of Style on the West Coast", Art in America, June 1964, p.28
* Thomas E. Crow, The Rise of the Sixties: American and European Art in the Age of Dissent (New York, 1996)
* Curtis, Cathy. "A Visit from Another World: The Bay", The Orange County Register, Oct.3, 1986.
* Dorre, Gina and LG Williams, "Envisioning The Dark Millennium - Wally Hedrick’s Black Paintings 1953 - 2003" 2005.
* Eggers, Ron. "Bay Area Artists", Orange Coast Magazine, Oct. 14, 1986
* Freid, Alexander. "Artistic Vaudeville and the Beer Can Question", San Francisco Examiner, Sept. 16, 1962, p.38
* Giles, Gretchen. "Word Play: Artist Wally Hedrick Stretches his Canvases". The Sonoma County Independent, July 25-31, 1996. Volume 84, Number 3.
* Goldman, Leah. "A View to the North", Artweek, Vol. 17, No 37, Nov. 8, 1986
* Greer, Ted. "Wally Hedrick," A Video Produced by Ted Greer Productions, Indian Valley College, Novato, California, 1981
* Greil, Marcus. "The Incredible Disappearing Art", San Francisco Focus, Oct 1991.
* Hammond, Miki. "Diversity Keynotes 12 One-Man Shows from the Bay Area, "The Irvine World News, Oct. 9, 1986.
* Hedrick, Wally. "Art Bank", A Catalogue published by the Artist Association Of the San Francisco Art Institute.
* Hedrick, Wally. "Invisible Painting and Sculpture", Booklet, April 24-June 1, 1969, Richmond Art Center
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* Smithsonian Archives of American Art: Oral History Interview With William T Wiley At His Home, Woodacre, California, October 8, 1997
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* Solnit, Rebecca. "Icons & Iconoclasts", Artweek, Sept. 6, 1986, vVol. 17, No. 29
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* Tromble, Meredith. "A Conversation with Wally Hedrick". Artweek, October 1996. Volume 27, Number 10.
* Tooker, Dan. Art International, Edited by James Fitzimmons, Oct. 15, 1975, p.10
* Tuchman, Maurice. The Spiritual in Art: Abstract Painting 1980-85, Los Angeles County Museum of Art, Abbeville Press, Inc., New York, New York, 1986
* Van Proyen, Mark. "Atypical Prototypes: The Art of Wally Hedrick," Artweek, April 27, 1985, Vol. 16, No. 17, p.1
* Van Proyen, Mark. "Sight/Vision: The Inward Gaze", Artweek, Oakland, California, Oct. 29, 1983
* Villa, Carlos, "Remembering Wally Hedrick", www.stretcher.org/archives [http://72.14.253.104/search?q=cache:LY_boL1jFDMJ:www.stretcher.org/archives/e1_a/2004_02_28_e1_archive.php+jay+defeo+%22six+gallery%22&hl=en&ct=clnk&cd=9&gl=us&client=safari]
* Ward, Jenna. "The Beat Goes on for Artist Wally Hedrick." On Q, Santa Rosa Press Democrat, ,July 6, 1997.
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* Wilson, William. "The Bay is on the View in Newport", Los Angeles Times/Calendar, Oct. 26, 1986


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