Apracaraja Indravarman's Silver Reliquary

An Inscribed Silver Buddhist Reliquary or Apracaraja Indravarman's Silver Reliquary [The item belongs to the Shumei Culture Foundation in Otsu, Japan and was loaned to Los Angeles County Museum of Art, when it was studied by Richard Saloman of the University of Washington, USA, who examined and studied the inscriptions and published his results in Journal of the American Oriental Society, Vol 116, No 3, 1996, pp 1418-452.] has been found, presumably from Bajaur area [An Inscribed Silver Buddhist Reliquary of the Time of King Kharaosta and Prince Indravarman, Jounrnal of the American Oriental Society, Vol 116, No 3, 1996, pp 1-2, Richard Saloman.] of ancient Kapisa [IMPORTANT: Kapisa formed the heart of ancient Kamboja. In fact, scholars assert that Kapisa is simply an alternative name for the Kamboja. See main article: Kapisa Province ] . Believed to have been fabricated originally at Taxila, the silver reliquary consists of two parts -- the base and the cover-- both being fluted [Fluting is an Iranian motif (Richard Saloman) .] , and the cover being topped by a figure of long horned Ibex. It has been dated to around the eighth or ninth decades of the first century BCE and bears six inscriptions written in "pointillē" style, in Kharoshthi script and Gandhari/north-western Prakrit. In form, the silver vessel is wholly atypical of Buddhist reliquaries and is said to have been originally a wine goblet, similar to others found in Gandhara and Kapisa regions. The vessel was later reused by Apraca king Indravarman as a Reliquary to enshrine Buddhist relics in a stüpa raised by Indravarman. The inscriptions on the silver reliquary provide important new information not only about the history of the kings of Apraca dynasty themselves but also about their relationships with other rulers of the far north-western region of traditional India i.e modern northern Pakistan and eastern Afghanistan around the beginning of Christian era..

The inscriptions on the silver reliquary have been investigated by Richard Saloman of University of Washington, in an article published in "Journal of American Oriental Society [Journal of American Oriental Society, Vol I, 116, 1996, pp 418-452, Dr Richard Saloman.] .

Form and function of the Reliquary

The lower part of the reliquary with fluted surface, carination and small stem and foot is extremely similar to the "drinking goblets" that have been found in good numbers mainly in Gandhara (Taxila) and Kapisa (Kapisi). The lower part of the reliquary resembles the ceremonial drinking cups depicted in ancient Gandharan art and culture relief. Gandharan art of Bacchanalian or Dionysiac drinking scenes are the motifs which represent assimilation of local folk traditions of remote river valleys of the Kafiristan where viticulture and wine festivals are known to have been widely practiced. Similar customs are also well documented in recent times in the region of Nuristan (pre-Islamic Kafiristan) which area had formed integral parts of ancient Kapisa. Bajaur, the presumed provenance of the silver reliquary, was part of the ancient Kapisa. In this very region of Kafiristan or ancient Kapisa, the heirloom silver wine cups [ Called "ürei" in Waigali.] with features very similar to those of old Gandhara and Kapisa goblets are still found and before the Islamization of Kafiristan, these silver wine cups were important ritual objects and symbols of social status [Dolke, Pokaler og Magiske Soer i Nuristan / Silver, Gold and Iron: Concerning Katara Urei, and Magic lake of Nuristan, KUML, 1974, pp 253-255, Schuyler Jones; Op cit, p 437, Richard Saloman.] . Martha Carter associates the well attested wine festival tradition of the valleys of Hindukush with Dionysiac scenes in Gandharan art in general and heirloom silver cups of the modern Nuristanis with Gandharan goblets in particular which is quite persuasive [Dionysiac Festivals and Gandharan Imagery, Res Orienttales 4, pp 51-59, Martha Carter; Op cit., p 437, Richard Saloman.] . [It is worthy of note here that the warlike, highly independent and militarily dominating Siyah-posh clans like Kam/Kamoj/Kamtoj of Kafiristan/Nuristan the modern representatives of the ancient Kambojas of Kapisa territory (See: Mountstuart Elphinstone, "An account of the kingdom of Caubol", fn p 619; Journal of Royal Asiatic Society, 1843, p 140; Journal of Asiatic Society of Bengal, 1874, p 260 fn; Die altpersischen Keilinschriften: Im Grundtexte mit Uebersetzung, Grammatik und Glossar, 1881, p 86, Friedrich Spiegel; Political History of Ancient India, 1996, p 133, fn, Dr H. C. Raychaudhury, Dr B. N. Banerjee; The Achaemenids and India, 1974, p 13, Dr S Chattopadhyaya; Vishnu Purana, p 374, fn, H. H. Wilson; The Geographical Dictionary of Ancient andMedieval India, Numdo Lal Dey.] . According to Dr Richard Saloman, "if the association is even approximately correct, it may explain what the new silver reliquary originally may have been. It was undoubtedly a ceremonial silver drinking cup of Indo-Iranian king Kharaosta and later of his successor prince Indravarman who converted it into a sacred reliquary for the bones of Buddha" [Op cit, p 437, R. Saloman.] . The Nuristani customs represents the survival in remote region of a local (Bajaur) tradition of ritual wine drinking which, in Buddhist world of Gandhara, may have been assimilated to and rationalized by the cosmological realm of the 'Sadamattas', who dwell on the slope of Mt Meru ["Dionysiac Festivals and Gandharan Imagery." Res Orientals 4 ("Banquets d'Orient"), 1992, p 57, Martha Carter .] . The figure of Ibex topping the cover of the reliquary definitely implies Trans-Pamirian (Central Asian) influence and establishes a proof of "early migration" of people (Kambojas) from the Transoxian region ("i.e. the Parama Kamboja of Central Asia or Scythian region") into the Kabul valley. The Ibex motif is quintessentially characteristic of Iranian and Central Asian ("Scythian") art and culture. It reflects the arrival and assimilation, by whatever geographic route or routes, of this ancient Central Asian/Iranian motif into the Gandharan world in Pre-Christian times. And lastly, the fluting in the surfaces of the silver reliquary is also an Iranian motif [ A Kharoshthi Inscription on a Silver Goblet, Bulletin of the Asia Institute, 1990, 4:156, Richard Saloman, B Goldman.] . Thus the Ibex motif combined with wine drinking culture of the goblet itself amply illustrates the influx of regional and extra-regional cultural elements into the eclectic art and culture of Gandhara of the Indo-Iranian/Indo-Scythian period [op cit, p 439, Richard Saloman.] which is indeed reflected in the silver reliquary of prince Indravarman.

Contents of Inscriptions

Following are the transliterated and translated contents for the Inscriptions relevant to this article:

Transliterated contents

*Inscription I: ["nam" ]
*Inscriprion II: ["mahaksatrapa putrasa yagu.ramna kharayopsta 20 4 4 ana 4 ma 2."]
*Inscriprion III: ["idravarmasa kumarasa sa 20 4 4 dra 1."]
*Inscriprion IV: ["iṃdravarmasa kumararasa sa 20 20 1 1 1."]
*Inscriprions V & VI: ["vispavarmasa stretegasa putre Iṃdravarma kumare sabharyae ime śarira pratithaveti tanuakami thubanmi vispavarmo stratego śiśirena ya. stratega-bharya puyaïta. iṃdravasu aparaja vasumitra ya jivaputra puyaïta(m) iṃdravarmo stratego puyaïta. utara stratega-bharya puyaïta viyeemitro avacarayo (a) sabharya puyaïta. sarvañadi-sagho puyaïta sarva-satva ya puyaïta sarva-satva parinivatïto".] [An Inscribed Silver Buddhist Reliquary of the Time of King Kharaosta and Prince Indravarman, Jounrnal of the American Oriental Society, Vol 116, No 3, 1996, pp 428-9, Richard Saloman.] [The Inscription VI is duplicate of Inscription V. The transliteration given here is based on Inscription no VI which, according to Richard Saloman, is an improved version of the Inscription no V (op cit, p430-31).] [The numerical figures in the last parts of the Inscriptions II and III refer to weights of the cover as got measured by Yaguraja Kharaosta and later by king Indravarmana, respectively. Inscription IV refers to weight of the base part as got measured by king Indravarman.] .

Translated contents

*Inscription I: ["Name" (initial or monogram of the artisan who made the artifact).]
*Inscriprion II: [("Property) of the son of Mahaksatrapa, of Yaguraja Kharayosta. 28 (sateras), 4 (dhānes?), 2 m(āsas?).]
*Inscriprion III: ["(Property) of prince Indravarmana. 28 s(taters), 1 dra(chma)".]
*Inscriprion IV: ["(Property) of prince Indravarmana. 43 s(taters)".]
*Inscriprions V & VI: ["Prince Indravarman, son of Commander Viśpavarman together with (his) wife establishes these body-relics in his own stüpa. Commander Viśpavarman and the commander's wife Śiśirena are (hereby) honored. The Apraca raja Indravasu and (his wife) Vasumitra, (mother) of living son, are honored. Commander's wife Uttara is honored. And the Avaca king Viyemitra, together with wife, is honored. The community of his relatives is honored. And all beings are honored. All beings are caused to attain nirvana ".] [An Inscribed Silver Buddhist Reliquary of the Time of King Kharaosta and Prince Indravarman, Jounrnal of the American Oriental Society, Vol 116, No 3, 1996, pp 428-9, Richard Saloman.] [The Inscription no VI is duplicate of Inscription no V. The translation given here is based on Inscription no VI which, according to Richard Saloman, is an improved version of Inscription no V (op cit, p430-31).] [The numerical figures in the last parts of the Inscriptions II and III refer to weights of the cover as got measured by Kharaosta and Indravarmana respectively. Inscription no IV refers to weight of the base part as got measured by Indravarman. Richard Saloman has transformed the original unspecified weight numbers to the known units.] .

Clue on Apracarajas' relations with yuvaraja Kharaosta?

The inscriptions refer to several well known historical figures and also introduce some previously unknown persons. Noteworthy among the former are prince Indravarman and king Khara(y)osta who is to be identified with ruler Kharahostes or Kharaosta who previously was known from numismatics as well as Mathura Lion Capital inscriptions. The "Inscription no. II" also establishes that king Kharaosta was also the original owner and the silver vessel was later inherited by Apraca dynasty. Thus it very interestingly offers tantalizing hints of some close relationship between king Kharaosta and the Apraca kings of Bajaur [Op. cit., p 450, Richard Saloman.] .

Bajaur, the home of Aspasioi (Aspasian) clan

The territory around the findspot for the silver reliquary was the stronghold of the warlike Indo-Iranian people called Aspasioi [Arrian calls them Aspasioi. The people derived their name from Iranian "Aspa" = "horse". Panini calls them Aśvayanas.] who had formed the western branch of the Ashvakas [From Sanskrit "Ashva" = "horse". Arrian calls them Assakenoi. They were the eastern branch of the Ashvakas mentioned as Ashvakayanas by Panini's Ashtadhyayi, Ashvakas in Mahabharata.] of the Sanskrit texts [It is also important to note that the name of one of the kings of Apraca dynasty is Aspavarman. This king has also been referred to simply as Aspa i.e Aspa-bhrata-putrasa. Aspavarman was son of Apraca king Indravarman. The "Aspa" part of the name (Aspavarman) alludes to connections with the Aspasians or Aspasioi of Arrian.] [Many kings of Apraca dynasty have used Varman as the surname or last name. Varman as surname implies Kshatriya caste and has been used by Ksatyriya lineages in ancient times (See entry "Varman" in "Monier Williams Sanskrit-English Dictionary"; See also entry "Varman" in: "Cologne Digital Sanskrit English Dictionary"). It is worthy to note that the Kambojas have repeatedly been described as Kshatriyas in ancient Indian texts (See:Panini's Astadhyayi Sutra 4.1.168-175; Harivamsa 14.19-20; Vayu Purana, 88.127-43; Manusmriti X.43-44; Mahabharata 13.33.20-21); Cf also: (Mahabharata 13.35.17-18); Kautiliya's Arthashastra 11.1.1-4. Thus the fact that many kings of the Apraca dynasty used Varman last name indicates that the Apraca dynasty belonged to Kshatriya lineage and hence most likely belonged to the Ashvaka branch of the Indo-Iranian Kamboja tribe.] . Dr Prashant Srivastava of the University of Lucknow, has recently written a research monograph which aims to highlight the significant role played by the family of the Apraca kings in ancient Indian history, and has connected this family of the Apraca kings with the Ashvaka clan [The Apracharajas : A History Based on Coins and Inscriptions, ISBN : 8173200742, 2007, Dr. Prashant Srivastava, Reader, Ancient Indian History and Archaeology, University of Lucknow.] . But, the Ashvaka clan was none else than a sub-branch of the greater Kamboja tribe spread on either side of the Hindukush. See Ashvakas. These people, identified as sub-branch of the Kambojas, had earlier offered stubborn resistance to Macedonian invader Alexander in 326 BCE and later also constituted an important component of the grand army of Chandragupta Maurya [Mudrarakshasa Act II; History of Porus, 1967, pp 9, 89, Dr Buddha Praksha.] [They find pre-eminent mention as Kambojas in the Rock Edicts V as well XIII of king Asoka (reign 273 BCE to 232 BCE) located in Shabaz Garhi in Peshawar Valley and Mansehra District of North-West Frontier Province, Pakistan.] . According to Dr Bailey, the dynastic/geographic title Apraca/Apaca/Avaca may underlie the modern toponym Bajaur [ Two Kharoshthi Casket Inscriptions from Avaca, Journal of Royal Asiatic Society, 1978, p 10, Dr H. W. Bailey; cf: Political History of Ancient India, 1996, p 701, Commentary, Dr B. N. Mukerjee] .

Kharayosta or Kharaosta king vs Apraca dynasty

The inscriptions provide important new information on the history of Apraca dynasty of Bajaur, including the names of several previously unknown persons, and on their relationship with Indo-Iranian king Kharayosta -- the "Yuvaraya Kharaosta" "Kamuio" of the Mathura Lion Capital inscriptions or "Kharaoṣta (Kharahostes)" of the coins. Prince Kharaosta in the Bajaur silver vessel has been described as "Yagu-raja" as contrasted to "Yuva-raja" of the Mathura Lion Capital Inscriptions or the Kshatrapa of the coins. First part "Yagu-" of the title "Yagu-raja" used by Kharaosta ("Kamuio") is a form of "Yauvuga or Yauga" or "Yaüvasa"-- a Kushana title, which is identified with popular Turkic title "Yabgu" (i.e. tribal chief) [See: Gandhari ecritic, Gandhari parlee, In Dialectes dans les litteratures indo-aryennes, ed Colette Caillat, p455, n 32; Op cit., p 441, Richard Saloman.] . "Since this reference pertains to pre-Christian and therefore, pre-Kushana/Pre-Turkic times, this conclusively proves that the use of a title is no proof of a ruler's ethnic affinities " [ Ibid, Dr Richard Saloman.] . The silver reliquary defintely indicates some sort of connections between prince Kharaosta (Khara(y)osta) and the Apraca kings of Bajaur but it is hard to say if the connections are merely of succession only or were formed by blood or ethnic bonds also. The "inscription no. II" on the silver reliquary was inscribed by "yaguraja" Khara(y)osata who was the first owner of the silver vessel and the "inscriptions no. III, IV, VI and VI" on the same reliquary were later inscribed by Apraca king Indravarman which show the latter as the owner of the same vessel. Inscriptions also verify that Apraca king Indravarman had later converted the silver vessel to a Buddhist Reliquary for the stüpa he had raised in Bajaur. The connection of Apraca kings with "Yagu-raja Kharaosta" has raised chronological questions which call into doubt previously established norms about him and also seem to require a considerably earlier date for the Mathura Lion Capital Inscriptions ("in which he is twice mentioned as Yuvaraja Kharaosta"), than is usually attributed to him. Kharaosta is believed to have been the ruler of Cukhsa -- a territory comprising districts of Peshawar, Hazara, Attock and Mianwal in northern Pakistan [Taxila, An Illustrated Account of Archaeological Excavations Carried out at Taxila, Vol I, 1951, p 55, Cambridge University Press, Sir John Marshal.] . The Apraca kings of Bajaur are believed to have been an important allies of Kharaosta in helping to protect his borders from ever-present threat of invasion from the west [Op cit., p 442, Richard Saloman.] . It does not, therefore, seem unlikely that Arta ("Mahakshatrapa"), Kharaosta Kamuio ("Yuvaraja"), Aiyasia Kamuia ("Agramahisi -- the chief queen of Rajuvula"), Maues or Moga ("Gandhara king") as well as the rulers of Apraca dynasty of Bajaur were probably all related and were connected by some sort of familial connections. The fact that Kharaosta and his daughter Aiyasi have both been referred to as Kamuias in the Mathura Lion Capital inscriptions may also hold a clue that the Apraca dynasty was also probably a Kamuia (Kamboja) dynasty. "The surname Kamuia is simply a Kharoshthised/Prakritised form of Pali Kambojika or Sanskrit Kamboja " [ Cf: Refs: Corpus Inscrioptionum Indicarum, Vol II, Part I, pp xxxvi, 36, S Konow: "I shall only add that if Kharaosta and his father Arta were Kambojas, the same may have been the case with Moga, and we understand why the Kambojas are sometimes mentioned with the Sakas and Yavanas" (Dr S Konow); See also: Ancient India, pp 320-21, Dr R. K. Mukerjee; Journal of Indian History - 1921, p viii, University of Kerala, University of Allahabad Department of Modern Indian History, University of Travancore; Ancient Kamboja, People and the Country, 1981, pp 41, 306-09, Dr J. L. Kamboj; These Kamboj People, 1979, p 141; Kambojas Through the Ages, 2005, pp 168-69, Kirpal Singh Dardi; Balocistān: Siyāsī Kashmakash, Muz̤mirāt Va Rujḥānāt, 1989, p 2, Munīr Aḥmad Marrīتاريخ قوم كمبوه: جديد تحقيق كى روشنى ميں, 1996, p 221, Yusuf Husain etc.] . "See main article:" Kamuia

Footnotes

ee also

*Apraca dynasty
*Bajaur casket

References

* [http://links.jstor.org/sici?sici=0003-0279%28199607%2F09%29116%3A3%3C418%3AAISBRO%3E2.0.CO%3B2-O&size=LARGE&origin=JSTOR-enlargePage An Inscribed Silver Buddhist Reliquary of the Time of King Kharaosta and Prince Indravarman,Jounrnal of the American Oriental Society, Vol 116, No 3, 1996, Richard Saloman]
*Gandhari ecritic, Gandhari parlee, In Dialectes dans les litteratures indo-aryennes, 1980, ed Colette Caillat,
*A Kharoshthi Inscription on a Silver Goblet, Bulletin of the ASia Institute, 1984, Richard Saloman et al.
*Corpus Inscptionum Indicarum, Vol II, Part I, Dr Stein Konow
*The Apracharajas : A History Based on Coins and Inscriptions, ISBN : 8173200742, 2007, Dr. Prashant Srivastava, Reader, Ancient Indian History and Archaeology, University of Lucknow.
*Afghanistan, carrefour en l'Est et l'Ouest" p.373. Also Senior 2003
*Senior, R.C. (2006). Indo-Scythian coins and history. Volume IV. (in English). Classical Numismatic Group, Inc.. ISBN 0-9709268-6-3.