- William Watson (sinologist)
Professor William Watson CBE (Birth date|1917|12|9 - Death date|2007|3|15) was professor of Chinese art and archaeology at the
University of London . He was a leading member of the teams that organised the "Genius of China" exhibition at theRoyal Academy in 1973 and the "Great Japan Exhibition", held in 1981-82. He made a major contribution to Japanese art studies in the UK.Early life
Watson was born in
Derby ,England , but moved with his family toBrazil , where his father managed a sugar-making plant. He returned to Britain in 1925 to and study at schools inGlasgow and Derby, living with relatives. Already a scholar of Welsh, in 1936 he went toGonville and Caius College , Cambridge, to read French, German and Russian.Military career
In 1939 Watson volunteered for the army, where his linguistic skills were put to use in the
Intelligence Corps , with postings toEgypt andIndia . Here he intercepted German radio traffic for dispatch toBletchley Park , and later interrogated Japanese prisoners of war, developing a passion forAsian languages . In 1940 he married Kay Armfield, a fellow Cambridge student.British Museum
After the war Watson joined the
British Museum , where he became assistant keeper of British and medieval antiquities. He moved later to the Department of Oriental Antiquities. In 1954 he spent a year in Japan, where he encountered classic Japanese painting and sculpture, met leading scholars, and acquired a working knowledge of the language and writing. He also visited China, establishing contacts that later enabled him to play a leading role in cultural relations in the early 1970s.University of London
In 1966 Watson took up a post as professor at the
School of Oriental and African Studies (SOAS). This involved responsibility for the collection of Chinese ceramics at thePercival David Foundation . He was a leading member of the team that organised the "Genius of China" exhibition at theRoyal Academy in 1973, and presented a BBC documentary withMagnus Magnusson , filmed on location in China. He also made a major contribution to Japanese art studies in the UK. In 1972 Watson became aFellow of the British Academy . In 1975-76 he wasSlade Professor of Fine Art at Cambridge.In 1979 the Royal Academy turned to Watson to chair the curatorial committees for the "Great Japan Exhibition", held in 1981-82. Under Watson's guidance this focused on the approachable, mainly secular, art of the
Edo period, with both exhibition and catalogue produced by British specialists, rather than being simply imported from Japan.In the early 1980s Watson attempted to have the teaching of Japanese art history started at the
Courtauld Institute . Although unsuccessful, this paved the way for the creation of teaching posts elsewhere.From 1980 to 1990 Watson was a
trustee of the British Museum and in 1982 was made aCBE .Retirement
Watson retired in 1983 as head of the Percival David Foundation, and became
emeritus professor . He published widely on China,Iran andAnatolia . His last work, the final book of a three-volume set on China for the "Pelican History of Art" series, was published shortly before his death.elected bibliography
*Watson W. (1959), "Sculpture of Japan from the fifth to the fifteenth century". London: The Studio
*Watson W. (1966), "Early Civilization in China (Library of Early Civilizations)", Thames & Hudson, ISBN 0-5002-9005-9
*Watson W. & Sieveking, G. de G. (3rd ed 1968), "Flint Implements: an account of Stone Age techniques and cultures", London: British Museum, ISBN 0-7141-1306-9
*Watson W. (ed.) (1981), "The Great Japan Exhibition: Art of the Edo Period, 1600-1868" (Exhibition Catalogue). London: Royal Academy of Arts.
*Watson W. (1995), "The Arts of China to A. D. 900". Yale University Press Pelican History of Art Series. Vol 1 (of 3). New Haven: Yale University Press, ISBN 0-300-08284-3, 2000.
*Watson W. (2000), The Arts of China 900–1620 Yale University Press Pelican History of Art Series. Vol 2 (of 3) ISBN 0-300-07393-3, 2003
*Watson W. & Chuimei Ho (2007), "The Arts of China, 1600-1900" Yale University Press Pelican History of Art Series. Vol 3 (of 3), ISBN 0-300-10735-8, 2007References
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