- Francesco Merli
Francesco Merli (
January 27 ,1887 , Corsico (Milan ) -December 12 ,1976 ,Milan ) was an Italiantenor , particularly associated with the heavy Italian roles, especially "Otello" and "Calaf". He ranks as one of the leading dramatic tenors of the inter-war period.Life and career
Merli studied in Milan, with Carlo Negrini and Adelaide Borghi. In 1914,he won second prize at a singing competition in
Parma , afterBeniamino Gigli . He made his debut atLa Scala in 1916, as Alvaro inSpontini 's "Fernand Cortez".Merli sang widely in Italy and South America and toured Australia in 1928 with other La Scala singers. He appeared at the
Royal Opera House in London, from 1926 to 1930, where he was the first Calaf ("Turandot ") there. He made his debut at thePalais Garnier in 1935, as Pollione in "Norma ". His only season at theMetropolitan Opera in New York, debut on March 2, 1932, as Radames ("Aida ") was not successful because of poor health.Merli was renowned for his vocal brilliance, penetrating tone and incisive diction. These qualities enabled him to tackle a wide operatic repertory, ranging from
bel canto works toverismo . Famous operas that he appeared in included "Guglielmo Tell ", "Il pirata ", "Il trovatore ", "Andrea Chenier " and "Pagliacci ". Hebecame world famous for his portrayals ofVerdi 's "Otello ", and Calaf inPuccini 's "Turandot", of which he left a 1938 complete recording, oppositeGina Cigna andMagda Olivero . He also made numerous recordings of opera arias. These, like the complete "Turandot", have been re-issued on CD.Merli also created the title role in
Respighi 's "Belfagor" in 1923. He retired from the stage in 1948.Sources
* Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition), "Guide de l’opéra", Les indispensables de la musique (Fayard, 1995). ISBN 2-213-01563-6
* "The Metropolitan Opera Encyclopedia", edited by David Hamilton.
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