Ca trù

Ca trù (also known as "hát ả đào" or "hát nói") is an ancient genre of chamber music featuring female vocalists, with origins in northern Vietnam. For much of its history, it was associated with a geisha-like form of entertainment.

Music

"Ca trù", like many ancient and highly developed arts, has many forms. However, the most widely known and widely performed type of "ca trù" involves only three performers: the female vocalist, lute player and a spectator (who also takes part in the performance).

The female singer provides the vocals whilst playing her "phách" (small wooden sticks beaten on a small bamboo platform to serve as percussion). She is accompanied by a man who plays the "đàn đáy", a long-necked, 3-string lute used almost exclusively for the "ca trù" genre. Last is the spectator (often a scholar or connoisseur of the art) who strikes a "trống chầu" (praise drum) in praise (or disapproval) of the singer's performance, usually with every passage of the song. The way in which he strikes the drum shows whether he likes or dislikes the performance, but he always does it according to the beat provided by the vocalists' "phách" percussion.

New observers to the art often comment on how strikingly odd the vocal technique sounds, but it is the vocals themselves that are essential in defining "ca trù".

Ca trù inns

"Ca trù" literally translates as "tally card songs." This refers to the bamboo cards men bought when they visited "ca trù" inns, where this music was most often performed in the past. Men would give the bamboo cards they purchased to the woman of choice after her performance, and she would collect money based upon how many cards she was given.

Scholar-bureaucrats and other members of the elite most enjoyed this genre. They often visited these inns to be entertained by the talented young women, who did not only sing, but with their knowledge of poetry and the arts could strike up a witty conversation along with serving food and drink.

Besides these inns, "ca trù" was also commonly performed in communal houses or private homes. [ [http://www.thingsasian.com/stories-photos/1027 The Exotic Sounds of Ca Tru: ThingsAsian ] ] .

History

There are different myths and theories related to "ca trù"'s conception. One story states that a woman named Ả Đào created the genre, having charmed the enemy with her voice (thus explaining one of the genre's alternate names: Hát ả Đào). Another theory points to a woman named Đào Thị, a talented musician who was beloved by the Ly dynasty imperial court. This theory also claims that ever since the time of Đào Thị, in admiration of her, women who held a profession as singers (such as ca trù singers) were referred to as Đào nương ("nương" here refers roughly to "maiden" or "lady"). The latter is true although this term is no longer widely used in modern Vietnam. [ [http://www.hanoimoi.com.vn/vn/17/97712/ Bao HA NOI MOI dien tu ] ]

What is known for sure is that "ca trù" started off like many of Vietnam's arts as being a form of entertainment for the royal court. It was only later on that it branched out into being performed at small inns. Indeed, it was mainly scholars and other members of the elite who enjoyed the genre, which was somewhat inaccessible to the masses (who enjoyed the "Hát chèo" opera genre much more).

In the 20th century, "ca trù" nearly died out. When the Communists came to power after the 1945 August Revolution, ca trù was systematically suppressed, becoming associated with prostitution and the degradation of women. In actuality, men were allowed many wives in the past and having extramarital affairs was nothing shocking. Thus, it was commonly known that many famous ca trù singers did indeed have affairs with important men, but it was just something to be accepted as a part of society back then, and not a part of the profession itself.

As of now, extensive efforts are being made to invigorate the genre, including many festivals and events where several types of "ca trù" (among other related arts) are performed. Vietnam has also completed documents to have "ca trù" recognized by UNESCO as an Intangible Cultural Heritage.

"Ca trù" in modern Vietnamese media

Along with efforts made to preserve the genre, "ca trù" has been appearing in much of recent Vietnamese pop culture, including movies such as the award-winning film "Mê thảo: thời vắng bóng", or its mention during popular entertainment shows such as Paris by Night. It has even been used in Vietnamese pop music, where many artists have attempted to successfully synthesize "ca trù" (or aspects of it) with pop or other modern genres.

Bich Cau Dao Quan Club, founded in 1992, now has 90 members, 30 or 40 of whom gather on a given Saturday evenings. The oldest artist is 88 years old. According to the director, 50-year-old Bach Van, who trains younger singers and introduces them to classical songs: "It is very difficult to find young singers who wish to learn this art form. It is also difficult to find good teachers who can convey both the enthusiasm and the technical knowledge."Fact|date=August 2007 Bach herself studied "ca trù" for ten years before the Hanoi Office of Culture appointed her the club's director. Bach is not in good shape since August 2007, contact Ca Tru fans [ [http://trafest.com/listVietnamToday?cat=104 Trafest Vietnam visa Vietnam visa guide Vietnam visa on arrival Trafest Vietnam visa form Vietnam visa application Vietnam visa expert Trafest Vietnam airlines Vietnam airlines routes Vietnam airlines office Vietnam airlines tour Vietnam airlines guide ] ]

Notable performers

Notable contemporary "ca trù" performers include Nguyễn Văn Mùi (the director of the ensemble Ca trù Thái Hà , based in Hanoi; drum) and his daughters Nguyễn Thúy Hòa (voice; b. 1974), Nguyễn Thị Hà Vy (voice), and his sons Nguyễn Mạnh Tiến ("đàn đáy"; b. 1970) and Nguyễn Manh Khuê ("đàn đáy"; b. 1962). Nguyễn Văn Mùi's granddaughters, Nguyễn Kieu Anh and Nguyễn Thu Thao (both b. 1994) are also "ca trù" vocalists. Nguyễn Thúy Hòa was taught by Ms. Quach Thi Ho, a renowned performer who began recording in 1955.

Bibliography

*Norton, Barley. "Singing the Past: Vietnamese Ca Tru, Memory, and Mode." "Asian Music", vol. 36, no. 2 (Summer/Fall 2005).

Films

*"Mê Thảo, Thời Vang Bóng". Directed by Việt Linh.

ee also

*Music of Vietnam
*Vietnamese theatre
*Traditional Vietnamese dance
*Culture of Vietnam
*History of Vietnam

Notes

External links

* [http://www.roehampton.ac.uk/catru/ "Ca tru" page] from Roehampton University site
* [http://www.thingsasian.com/goto_article/article.613.html The Exotic Sounds of Ca Tru at ThingsAsian]
* [http://www.hanoimoi.com.vn/vn/17/97712/ Ca tru tradition]
* [http://www.toquoc.gov.vn/vietnam/showPrint.asp?newsId=15628 Article about Barley Norton and "ca tru"]
* [http://trafest.com/listVietnamToday?cat=104 Vietnamese artists video ] Blog:http://au.360.yahoo.com/catruthanglonghn

Video

* [http://www.roehampton.ac.uk/catru/video.asp "Ca tru" video examples] from Roehampton University site