Emilio Giuseppe Dossena

Emilio Giuseppe Dossena (December 10, 1903 – March 23, 1987) was an Italian painter who was born in Cavenago d'Adda, Italy and died in Milan, Italy. The artist was also known simply as Giuseppe Dossena.

The artist attended the Brera Academy (Milan) and the "Scuola del Castello" (Milan), crafting a strong friendship with other artists of the time (Sassu, Treccani, Guttuso, Cantatore and Lilloni. At the "Scuola del Castello" he won a prize for his sculpture works (a trip to Venice), but the attraction toward the color made him choose painting as the medium of artistic communication.

Although his tendency toward impressionism is evident from the beginning, the necessity to provide for the family forces him to dedicate only his spare time to this aspect of the arts. He therefore earned his livelihood for many years with the restoration and the decoration of villas and castles, in addition to producing frescoes for the local churches. In the residences of Pirelli, Falck, Borletti, Invernizzi, Necchi, Toscanini, Count Cicogna, Duke Gallarati Scotti, Count Castelbarco, Emilio Giuseppe Dossena decorated, restored and painted large panels with mythological and archaic themes and battles” [“Ferruccio Pallavera, Giuseppe Dossena, “Ambrogino d'oro”, L'Amico, Novembre 2002, p.10, Cavenago D'Adda ] His works were also in the Italian Embassy in Addis Abeba, Ethiopia, but were destroyed by air raids during WWII.His passion for artistic expression allowed him to retain his creative integrity, becoming a sought after impressionist, known for the sensibility of his works as much as for the dynamic strokes which characterized them. The first personal exhibit, at the Galleria Gavioli, in Milan (1943), obtained a large success, both with the critics and the public, with the totality of paintings sold to art collectors.

The exhibit at the galleria Hoepli, in Milan (1964) and the one at the Palazzo dell’Arredamento, in Desio(1967), also achieve a good response, earning a place on the prestigious "Enciclopedia dell’Arte" (Edizioni SEDA, Milan).Interesting enough, his paintings had been signed GDossena (for Giuseppe Dossena)until the mid 1950s, but the signature mutated in E.G.Dossena after that period.

After the artist loses his studio in a fire, he moves to Brooklyn, New York (1968), working for the Berger Studio, restoring works by Renoir, Rembrandt, Picasso and other masters, property of museums and private collections, amongst which stand out the Metropolitan Museum and The Playboy Club.

In New York, the artist temporarily abandoned his impressionist roots, embracing the neo-expressionism, creating shapes more simplified, almost essential, without any schematism or structural restrictions. The shape is almost snatched from nature, in a continued research to contain and interpret the existential essence and express these new inescapable sensations, which the artist feel away from his country” [“Tiziano Thomas Dossena, "ATTRAVERSO L'OCEANO: La Vita di Emilio Giuseppe Dossena", L'Idea N.72, p. 25, 1998, Brooklyn, NY ] .

The exhibits at the Columbus Citizens Committee (1973) and the Galerie Internationale(1973, 1974) give unforeseen positive results. Dorothy Hall, art critic of NY Park East magazine, stated: These are exuberant works in rich, assertive color, dealing with varied subject matter, both abstract and representational. In either case, there's a feeling of nervous energy bursting forth in the artist's treatment of generously flowered fields, butterflies, still lifes and dancing figures …” [“Dorothy Hall, NY Park East, p. 18, 23 marzo 1974]

Mario Albertazzi, the Il Progresso Italo-Americano art critic, added: "Brilliant colorist, he brings to his canvas the light of nature and the joy of life. His works…are rich in density and at the same time buoyant, restless and gentle as a delicate caress…" [Mario Albertazzi, Il Progresso Italo-Americano, 26 marzo 1974, New York ] After eight years he returns to Italy, devoting his time exclusively to painting and regaining his impressionistic tendencies, although with a more aggressive chromatic handling.

Dossena exhibits at the Galleria Treves (Spotorno, 1977), Galleria Il Portichetto ( Stresa, 1978) and the Circolo Ambrosiano Meneghin e Cecca (Milan, 1983) place him even more in the limelight of the Italian art world. The specialized press covers these events profusely, offering only positive comments. The art critic Mario Portalupi affirmed: “In truth, his painting process is born out of impressions and the subsequent emotions, which transform reality and regulate the chromatic entities on the canvas…” [Ferruccio Pallavera, Giuseppe Dossena, “Ambrogino d'oro”, L'Amico, Novembre 2002, p.11, Cavenago D'Adda ] The friend Enzo Lepore, renowned opera singer, stated: “Dossena…excels for the luminous harmony of the chromatic contrasts and he distinguishes himself for the expressive purity of his vigorous and original style… His paintings are fresh, palpitating, and rich with a vast conception and spirituality, in a frame of radiant and intensive colors…” [Ferruccio Pallavera, Giuseppe Dossena, “Ambrogino d'oro”, L'Amico, Novembre 2002, p.12, Cavenago D'Adda ]

Among the many honors received, in 1985 Dossena was awarded the prestigious "Ambrogino d’Oro per l’Arte" from the City of Milan and in 1989 a ceramic tile with his signature is placed in the famous Muretto d’Alassio.

Dossena was a member of innumerable academies and artistic associations, among which the noted "Accademia Tiberina" and the "Accademia dei Bronzi". In the last years of his life, the artist, ill and unable to paint, devoted himself to poetry, receiving numerous awards and appearing in a variety of literary anthologies. The exhibit at the "Trask Gallery of the National Arts Club of New York", organized in 1998 by "L’Idea Magazine" of Brooklyn in his memory, beat all the participation records and it was the first one for an Italian artist in such an institution.

References

External links

* [http://www.dossena.org/giuseppe.html Site dedicated to Emilio Giuseppe Dossena]
* [http://www.angelfire.com/ny/artisti/emilio.html Introductory speech to the Trask Gallery Opening]