Thuret

The Thuret family of clockmakers established themselves as one of the outstanding craftsman-dynasties in seventeenth- and eighteenth-century Paris. Their clocks are signed "Thuret", and distinguishing which member of the Thuret family made a specific clock is sometimes an unrewarding effort.

Isaac II Thuret (1630 — 1706), one of the first French clockmakers to make pendulum clocks, [ [http://www.antique-horology.org/_Editorial/EarlyPendulumClocks/ Reinier Plomp, "The earliest Dutch and French Pendulum clocks, 1657-1662"] .] held the royal appointment. His son Jacques III Thuret (1669 — 1738), was appointed clockmaker to Louis XIV of France in 1694. A perquisite of the royal appointment was the use of workshops in the Galeries du Louvre, where since the time of Henri IV, the outstanding artists, designers and craftsmen were granted workshop spaces, fostering cross-fertilisation among the arts. As one consequence there are numerous clocks by the Thuret dynasty in cases of rich tortoiseshell and brass marquetry designed by Andre-Charles Boulle; one such remarkable clock by Jacques Thuret or his father is at the Metropolitan Museum of Art. [ [http://www.metmuseum.org/toah/hd/clck/hod_58.53.htm Metropolitan Museum of Art: Clock with pedestal, "Pendule sur gaine"] ]

Jacques III Thuret married a daughter of the royal designer Jean Bérain the Elder, whose designs he assembled and published ; his daughter Suzanne married the painter, draughtsman and engraver Charles François Silvestre. [Michael Bryan, "Dictionary of Painters and Engravers: Biographical and Critical", "s.v." "Charles François Silvestre".]

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