- Tar (lute)
:"For other uses of this term, including another kind of musical instrument, see
tar (disambiguation) ."The tar is a long-necked, waisted
lute found inAzerbaijan ,Iran , Georgia, and other areas near theCaucasus region. The word "tar" (تار) itself means "string" in Persian. This is claimed to be the root of the names of the Persian setar and theguitar as well as less widespread instruments such as thedutar and the Indiansitar . The exact place of origin of the tar cannot be confirmed. However, the tar was invented in the territories of, or influenced by, the Persian Empire: Persia (Iran), Afghanistan, and parts of the former Soviet republics, such as Azerbaijan and Georgia.Tar is one of the most important Iranian and Azerbaijani musical instruments. The formation, compilation, edition, and inheritance of the most authentic and most comprehensive versions of radif are all worked on tar. The general trends of Persian classical music have been deeply influenced by tar players.
Physical characteristics
The tar appeared in its present form in the middle of the
eighteenth century . The body is a double-bowl shape carved frommulberry wood, with a thin membrane of stretched lamb-skin covering the top.The
fingerboard has twenty-five to twenty-eight adjustable gutfret s, and there are three double courses of strings. Its range is about two and one-halfoctave s, and it is played with a smallbrass plectrum .The long and narrow neck has a flat fingerboard running level to the membrane and ends in an elaborate
pegbox with six woodentuning pegs of different dimensions, adding to the decorative effect. It has three courses of double "singing" strings (each pair tuned in unison: the first two courses in plain steel, the third in wound copper), that are tuned in fourths (C, G, C) plus one "flying" bass string (wound in copper and tuned in G, an octave lower than the singing middle course) that runs outside the fingerboard and passes over an extension of the nut. There are also two pairs of shortersympathetic strings that run under the bass and over two small copper bridges about midway on the upper side of the fingerboard: their tuning is variable according to the piece to be played and with the performer's tastes: (the tuning is somewhat imprecise also because both strings of the same pair are tightened by the same peg).The Persian tar used to have five strings. The sixth string was added to the tar by
Darvish Khan . This string is today's fifth string of the Iranian tar. TheAzerbaijani tar , designed bySadigjan , has a slightly different build and has more strings. It is an essential component of the traditional Azerimugham trio (seeSazanda ).Music therapy
The melodies performed on tar were considered useful for headache, insomnia and melancholy, as well as for eliminating nervous and muscle spasms. Listening to this instrument was believed to induce a quiet and philosophical mood, compelling the listener to reflect upon life. Its solemn melodies were thought to cause a person to relax and fall asleep.
The author of "
Qabusnama " (11th century ) recommends that when selecting musical tones ("perde"), to take into account the temperament of the listener (seeFour temperaments ). He suggested that lower pitched tones ("bem") were effective for persons of sanguine and phlegmatic temperaments, while higher pitched tones ("zil") were helpful for those who were identified with a choleric temperament or melancholic temperament.Some contemporary tar players
*
Jalil Shahnaz
*Farhang Sharif
*Hooshang Zarif
*Lotfollah Majd
*Fereydoun Hafezi
*Ramiz Quliyev [http://az.wikipedia.org/wiki/Ramiz_Quliyev]
*Mohammad Reza Lotfi
*Haji Memmedov
*Majid Derakhshani
*Hossein Alizadeh
*Dariush Talai
*Dariush Pirniyakan
*Shahram Mirjalaali
*Parham Nassehpoor
*Payam Jahanmani
*Hamid Motebassem
*Kayvan Saket
*Daniel Hormozi
*Aidin Okhovat
* Amirreza Aminiee also
*
Music of Azerbaijan
*Music of Iran
*Music of Cetral Asia
*Iranian tar players External links
* [http://azeri.org/Azeri/az_latin/manuscripts/music_therapy/english/113_music_therapy_farid.html Medieval music therapy]
* [http://nay-nava.blogfa.com/post-3.aspx Nay-Nava the Encyclopedia of Persian Music Instruments]
* [http://www.dejkam.com/music/iran_traditional/instruments/ dejkam.com] (mp3's)
* [http://www.dariush-talai.com/ Dariush Talai]
* [http://www.parhamnassehpoor.com/html/biography.html Parham Nassehpoor] (mp3's)
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